MISSING RECORDS FROM WEBSTER BOOTH/ANNE ZIEGLER DISCOGRAPHY.

If anyone has any of the recordings listed below, I would be very glad to have an MP3 of any one of them so that I can add it to the list of recordings in this group.

Missing Recordings

I read a post in The Golden Age of British Dance Bands by Javier Soria Laso about a data bass on the internet: (http://www.kellydatabase.org/Entry.aspx). I discovered a number of recordings by Webster Booth which I had not seen before – some of them had never been released. He featured in recordings by the HMV Light Opera Company and the Light Opera Male Chorus, sometimes in the chorus and sometimes as a soloist. I have included these recordings in my original list of missing recordings.

I wonder whether the unreleased recordings are still in circulation or whether they were discarded by HMV. I have a recording of Beauty’s Eyes (Tosti) which is marked as unreleased, also Anne Ziegler’s test recording of the Waltz Song from Merrie England. Possibly they were obtained from the Booths’ private record collection.

If anyone has any of the recordings listed below, I would be very glad to have an MP3 of any one of them so that I can add it to the list of recordings in this group.

WEBSTER BOOTH: Test recordings Serenata, Macushla Webster Booth, Reginald Paul, C Studio, Small Queens Hall, London, 20 November 1929.

Here Comes the Bride Selection (Schwartz) Light Opera Company with Alice Moxon, Stuart Robertson, Webster Booth, George Baker/Ray Noble/Studio C, Small Queens Hall, London/Cc18897-4, 25 March 1930.

C1890 Three Musketeers: Vocal Gems (Friml, Grey & Woodhouse),  Queen of my heart, Your eyes, March of the Musketeersparts 1 and 2, C Studio, Small Queen’s Hall, London, 7 April 1930. LIGHT OPERA COMPANY, ORCHESTRA: RAY NOBLE,  ALICE MOXON soprano, BESSIE JONES soprano, NELLIE WALKER contralto, ESSIE ACKLAND contralto, WALTER GLYNNE tenor, WEBSTER BOOTH tenor, GEORGE BAKER baritone, STUART ROBERTSON bass-baritone.

C1920 C B Cochrane’s 1930 Revue: Vocal Gems, parts 1 and 2 : Piccadilly, With a song in my heart,  Heaven, All the things you do,  Part 2: Bakerloo, Just as we used to do, The wind in the willows, What became of Mary? C Studio, Small Queen’s Hall London,  16 May 1930.  LIGHT OPERA COMPANY, ORCHESTRA: RAY NOBLE,  BESSIE JONES soprano, Alice MOXON soprano, NELLIE WALKER contralto, ESSIE ACKLAND contralto, WEBSTER BOOTH tenor, WALTER GLYNNE tenor, GEORGE BAKER baritone, STUART ROBERTSON bass-baritone.

Decca K630 HMS Pinafore Vocal Gems/Gilbert and Sullivan, Anne Welch, Victor Conway, Doris Owens, Webster Booth (1931)

I’m alone because I love you (Joe Young)/ When it’s sunset on the Nile (Ray Ellison & Ted RenardKensington Cinema, London, 6 March 1931. WEBSTER BOOTH tenor, W. BRUCE-JAMES organ Not released by HMV.

C2229 White Horse Inn: Vocal gems (Benatzky-Stolz), parts 1:   White Horse Inn, My song of love, Your eyes; Part 2 Ho-Dri-Ho, Goodbye, Sigesmund, It would be wonderful, Small Queen’s Hall London,  8 May 1931/14 May 1931, LIGHT OPERA COMPANY, Orchestra: RAY NOBLE,  BESSIE JONES soprano, NELLIE WALKER soprano, ESSIE ACKLAND contalto, GEORGE BAKER baritone,  STUART ROBERTSON bass-baritone,JOHN TURNER tenor,WEBSTER BOOTH tenor.

I have this recording. Webster must feature in the chorus for his solo voice cannot be heard.

C2501 Musical Comedy Marches, No 2 Studio, Abbey Road London,  7 November 1932,
LIGHT OPERA COMPANY Orchestra: RAY NOBLE, JOHN TURNER tenor, WEBSTER BOOTH tenor, WALTER GLYNNE tenor, LEONARD GOWINGS tenor,  GEORGE BAKER baritone, STUART ROBERTSON bass-baritone, EDWARD HALLAND bass.

C2511 Robert Burns Medley, parts 1 and 2: My love is like a red red rose,Green grow the rashes-O, Afton Water, No 2 Studio, Abbey Road London, 5 December 1932, 
LIGHT OPERA COMPANY (orchestra: LAWRENCE COLLINGWOOD)  ALICE MOXON soprano, BESSIE JONES soprano, NELLIE WALKER soprano, ESSIE ACKLAND contralto, WEBSTER BOOTH tenor, WALTER GLYNNE tenor, GEORGE BAKER baritone, DENNIS ARUNDEL baritone.

C2716 Ballad Memories, Light Opera Company, including Peter Dawson, Webster Booth, Walter Glynne, George Baker, Gladys Peel, Essie Ackland. Date unknown.

Columbia DB 1658 ORCHESTRE RAYMONDE, with Webster Booth, tenor and Angela Parselles, soprano, Cond. George Walter (real name Walter Goehr) Date unknown.

B8078 A dream of paradise (Claude Littleton & Hamilton Gray)/The old rustic bridge by the mill (Joseph P Skelly) Kingsway Hall, London, 23 October 1933, WALTER GLYNNE tenor, CHORUS, organ HERBERT DAWSON (orchestra Lawrance COLLINGWOOD)  WEBSTER BOOTH tenor, JOHN TURNER tenor, EDWARD HALLAND baritone, PETER DAWSON bass-baritone, GEORGE BAKER baritone.

B8071 Sweet Genevieve (Tucker), solo STUART ROBERTSON;  At Trinity Church (Fred Gilbert), solo GEORGE BAKER; The honeysuckle and the bee (Fitz & Penn), solo STUART ROBERTSON; b) If you want to know the time (E W Rogers), solo GEORGE BAKER  Studio No 1, Abbey Road London England,  7 November 1933 LIGHT OPERA MALE CHORUS (orchestra: CLIFFORD GREENWOOD) WEBSTER BOOTH tenor, JOHN TURNER tenor, EDWARD HALLAND bass, LEONARD HUBBARD baritone.

This recording may be heard on Clypit: https://clyp.it/fjwbx5vs Thanks to Robert Godridge.

B8081 The saucy Arethusa (trad.), solo STUART ROBERTSON; The Bay of Biscay (Davy) Studio No 1, Abbey Road, London,  7 November 1933,
 LIGHT OPERA MALE CHORUS (orchestra CLIFFORD GREENWOOD)  WEBSTER BOOTH tenor, JOHN TURNER tenor, EDWARD HALLAND bass, LEONARD HUBBARD baritone

B8105 The glory of the Motherland (McCall); England (Besly); No 2 Studio, Abbey Road, London ,11 January 1934  PETER DAWSON bass-baritone (orchestra: CLIFFORD GREENWOOD), MALE QUARTET  JOHN TURNER, tenor, WEBSTER BOOTH tenor, GEORGE BAKER baritone, STUART ROBERTSON, bass.

C2814Neapolitan Nights, Selection sung in English: O sole mio; Torna; Funiculì Funiculà  Studio 1, London, 20 December 1935, LIGHT OPERA COMPANY, Orchestra: WALTER GOEHR,  INA SOUEZ (sop), WEBSTER BOOTH (ten) Chorus 8 men

C2827 Tosti Medley Part 1: Parted; Marechiare; Vorrei morire; Part 2: L’ultima canzone; Ideale; Mattinata; Goodbye, Studio 1. London 11 February 1936, LIGHT OPERA COMPANY Orchestra: WALTER GOEHR,  INA SOUEZ (sop), WEBSTER BOOTH (ten) Chorus 8 men (as La Scala Singers) Released1938?  

C2834 Spanish Medley, part 1 – Perjura; Lolita; La paloma; part 2 – La partida, El relicario; Ay ay ay, Studio 1, London, 10 February 1936 (as Sevillian Serenaders)
 LIGHT OPERA COMPANY (orchestra: WALTER GOEHR) INA SOUEZ (sop), WEBSTER BOOTH (ten) Chorus 8 men.

Waltz song (German)/Indian love call (Friml) Studio 3, London ,10 March 1936,
 ANNE ZIEGLER (sop)(p) Test recordings.

B8476I’m all alone/May; I’ll wait for you/ May, Webster Booth, Conductor: George Scott-Wood, Studio 2, London, 21 July 1936, released December 1936, deleted July 1939.

September 1936Gramophone. Webster Booth is a little off colour this month in two songs by May and Feiner, I’m All Alone and I’ll Wait for You, both with orchestra on HMV B8476 (2S. 6d.), but this does not detract from the fact that Mr Booth is probably the finest light tenor before the public to-day. 

CARELESS RAPTURE Selection (Ivor Novello) Side 1.   Why Is There Ever Goodbye?/Music In May,   Side 2.   The Manchuko/Finale – Music In May. 23 October 1936.

Released in December 1936 and deleted in April 1941.

C2878 Memories of Lehár, part 1: You are my heart’s delight, Love’s melody, Smokeland, Gipsy love; part 2: Foreign Legion, Count of Luxembourg, Love’s melody  Studio 2, London, 23 October 1936, LIGHT OPERA COMPANY, soloists ERIKA STORM, WEBSTER BOOTH (ten), BBC Male Voice Quartet (orchestra: WALTER GOEHR)

Gems from Glamorous Night (Novello) Webster Booth, Muriel Barron (number and date unknown)

My star/Little Son (Bassett Silver),  Studio 1 London  10 February 1937 
 WEBSTER BOOTH (ten) (orchestra: CLIFFORD GREENWOOD) Unissued.

I was sent these recordings by Bassett Silver’s son.

You’re mine (Sievier, de Rance) Studio 1, London, 10 February 1937
 WEBSTER BOOTH (ten)(orchestra WALTER GOEHR) Unissued.

Lakmé: O fair vision (Delibes, trans Claude Aveling) London,3 March 1939 
WEBSTER BOOTH (ten), LONDON PHILHARMONIC ORCHESTRA (WARWICK BRAITHWAITE) Unissued.

Soft and pure fraught with love (Flotow, trans Claude Aveling) London,  3 March 1939, 
WEBSTER BOOTH (ten), LONDON PHILHARMONIC ORCHESTRA:WARWICK BRAITHWAITE. Unissued.

Ave Maria/Schubert, Webster Booth (tenor) Ernest Lush (piano) 11 August 1939 Unpublished

DB 1877 MELODY OF THE WALTZ – Part 1: Waltzes by Gung’l; MELODY OF THE WALTZ; Part 2 : Waltzes by Gung’l, THE BOHEMIANS: light orchestra with Al Bollington at the Abbey Road studio Compton organ and Webster Booth, tenor. Released in October 1939 and deleted in February 1944.

B9030 Rosita (Kennedy/Carr)/When you wish upon a star (Harline & Washington)(Pinocchio)  Studio 1, London, 28 February 1940, WEBSTER BOOTH (ten) (orchestra CHARLES PRENTICE) Released April 1940. Deleted February 1944.

Rose of England: Crest of the Wave (Novello)/Beauty’s Eyes (F Paolo Tosti; F J Weatherley) Studio 3, London,27 March, 1941.
WEBSTER BOOTH (ten)(piano GERALD MOORE) Unissued.

I have Webster’s recording of Beauty’s Eyes by Tosti.

Merrie England: Come to Arcadie (German) Studio 3, London, 19 October 1941,

ANNE ZIEGLER (sop), WEBSTER BOOTH (ten) (orchestra: DEBROY SOMERS) Unissued.

July 1945 – War records Webster Booth, Sydney Burchall and Clarence Wright, sang in Songs Our Boys Sang and Marching Times.

These records were not for sale to the general public, but sets were available at most of the 5300 National Savings Centres throughout the Country. Further information was available from the National Savings Committee, Sanctuary Buildings, Great Smith Street, SW1.

Oft in the stilly night (trad; Tom Moore)/There is no death (O’Hara; Johnstone) St Mark’s Church, Hamilton Terrace, London , 11 January,1946 , WEBSTER BOOTH (ten) (organ HERBERT DAWSON) Unissued. Webster also made a recording of There is no Death for HMV which was issued.

B9502All Soul’s Day/ Richard Strauss; Memory Island/ Harrison/ Gerald Moore, 27 February 1946. Released October 1946. Deleted March 1952. OEA10882/3

October 1946 Gramophone Webster Booth (tenor), Gerald Moore (piano): All Soul’s Day, opus No 8 (Bernhoff/Richard Strauss); Memory Island (Askew/Harrison) HMV B9502 (10”)

Richard Strauss’s setting of All Soul’s Day calls for singing of considerable emotional stress, and when Webster Booth gets impassioned his voice loses the easy charm that is its chief characteristic. His words are a model of distinctness and the accompaniment of Gerald Moore is perfect, but the song is not a very happy choice.

The singer is more at home in Memory Island, in which a sailor home from the sea for good, casts his memory back, Masefield-wise, to the blue lagoons, coral islands and what not of the rover. It is a nice song with, for its type, an unusually good accompaniment.

Without a song (V Youmans; W Rose and E Eluscu)/ My song goes round the world (E Neubach; English version K J Kennedy, ?Hans May) London,8 January 1948, 
WEBSTER BOOTH (ten) Orchestra: ERIC ROBINSON Unissued.

If my songs were only winged (Reynaldo Hahn) London, 11 July 1950,  WEBSTER BOOTH (ten) Orchestra: MARK LUBBOCK Unissued.

Countess Maritza: Komm Zigeuner (Kalman; McConnell)  London,20 December 1950,
WEBSTER BOOTH (ten) Orchestra: MARK LUBBOCK Unissued.

Decca F9921 Sanctuary of the Heart (Ketelby)He Bought My Heart At Calvary (Hamblen) with choir of St Stephen’s Church Dulwich, Fela Sowande (organ) June 1952

Jean Collen Updated: 10 September, 2019

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