I published the first edition of this book in 2006 and have recently published the second edition 13 years later. I have included excerpts from my contemporary diaries, and have drawn on the many letters written to me by Anne and Webster over a forty year period. This edition contains more information about my relationship with Anne and Webster and also includes many extra photographs collected over the years. The book is available as a paperback and as a PDF e-book.
Anne and Webster looked particularly glamorous for the occasion. Anne was wearing a beautiful evening gown, her fair hair in a chignon, while Webster was in full evening dress, to act as compère for the evening and to sing some drawing room ballads into the bargain. The accompanist for the series was Anna Bender, the official accompanist for the SABC. Anne and Webster received their guests graciously. Anne told Ruth and me to save her a seat in the front row, where she sat between us and played her full part in chatting to us between the items on the programme to evoke the atmosphere of a drawing room at the beginning of the twentieth century.
Over forty years later I still remember Miss Rita Roberts (soprano) singing Christina’s Lament to the tune of Dvorak’s Humoresque, Mr Walter Mony (violin), Miss Anna Bender (accompanist) and finally Webster himself, aged sixty, but still in fine voice singing The Kashmiri Song, The Sweetest flower that blows, Parted, O Dry Those Tears and finally Had you but known with violin obbligato by the excellent Mr Mony, a French Canadian, who became a professor and head of the music department at the University of the Witwatersrand.