BOOTHS IN SOUTH AFRICA (1970 – 1976)

I found Webster and Squillie waiting for me at Plett airport. We had to go into the airport office to confirm my return flight. The woman on duty there recognised Webster and regarded us with keen interest.
We drove “home” in his blue Vauxhall Viva station wagon through the Knysna Forest to the settler cottage in Graham Street which they were so keen to sell. The countryside around Knysna was beautiful and I was lucky enough to see a steam train crossing the bridge over the water as we entered Knysna. I also remember seeing the Cottage Hospital, which reminded me of my TV favourite, Dr Findlay’s Casebook.
As we entered the house, Webster said, “You can do what you like in this house, darling.”

22 February 1970 Letter from Webster to Mabel Perkin in the UK.

6 May 1970 Anne and Webster appear on BBC2 in an interview with Sue MacGregor on Women’s Hour.

April 1970
27 April 1970
27 April 1970 (cintinued)
Poor photo accompanying the interview.

26 June 1970 I get married to Errol Collen at St James’ Presbyterian Church, Mars Street Malvern.

Jean and Errol with the Rev Nicol Binnie
24 August 1972 – Durban.
24 August 1972 – Durban.
24 August 1972 – Durban.
Birthday dinner for Fred Cropper (He and his daughter Freda lived on the top floor of the Booth’s house in Knysna, 1972)
Imperial Hotel, Knysna
Rent receipt book R75 per month for top flat at 18 Graham Street.
Dick Whittington for the Port Elizabeth Musical and Dramatic Society in Port Elizabeth 7 December 1972
Port Elizabeth 5 November 1972 – Thirty-fourth wedding anniversary.
March 1973. Mikado in East London. Shirley Smith interviews Webster.
4 to 14 April 1973. The Mikado at Guild Theatre, East London.
Webster directing the Mikado; Jean Fowler conducting. March, April 1973.
Webster in the wings.
Webster – close-up
Webster stayed at the King’s Hotel. I wrote the letter (right) to the Daily Dispatch under the pseudonym of J. McIntyre.
Scene from the Mikado – Bernie Lee, Jimmy Nicholas, Colin Carney, Pamela Emslie
I visit Webster in Knysna in May 1973.
Postcard from Anne to Freda Boyce and Fred Cropper, 2 May 1973.
Anne visits Jean Buckley during her holiday in the UK.
Webster and I go to the Lookout Steak House in Plett while I am in Knysna.
Beacon Island, Plett.
18 Graham Street, Knysna.
From Webster to me.
Christmas card from the Booths. We returned from East London to Johannesburg. My baby, Michael was born on 12 March 1974.
Anne in the garden of the house in Somerset West (photo: Dudley Holmes)
October 1975 – Farewell Performance in Somerset West.
Anne and Webster sing “We’ll Gather Lilacs” at the British Ambassador’s residence to the accompaniment of Brian Kay after the King’s Singers’ Concert in Cape Town – 1976 or 1977 – shortly before they returned to the UK.

BOOTHS IN SOUTH AFRICA (1964 – 1969)

1964 was a very sad year as my dear friend Ruth Ormond died in Cape Town at the age of 19. I managed to pass the LTCL singing exam and Webster and Anne starred in Noel Coward’s Tonight at 8.30 in Cape Town and Port Elizabeth in June and July. I continued accompanying for Webster when he returned from PE.

1964 was a very sad year as my dear friend Ruth Ormond died in Cape Town at the age of 19. I managed to pass the LTCL singing exam and Webster and Anne starred in Noel Coward’s Tonight at 8.30 in Cape Town and Port Elizabeth in June and July. I continued accompanying for Webster when he returned from PE.

10 April 1964 The New Moon at The Springs Operatic Society. Anne directs the show.
29 March 1964 The Crucifixion.
March/April – accompanying for the Booth’s pupils at the National Eisteddfod. – “G” rather than “J” Campbell!
May 1964, My best friend, Ruth Ormond died suddenly in Cape Town. I was heart-broken.
29 June 1964 Cape Town, The play went to other cities in the province.
8 July 1964 from Sea Point, Cape Town.
Anne and Webster stayed at Hotel Elizabeth, Sea Point.
Anne and Webster stayed at the Grand Hotel in Port Elizabeth when they were appearing in Tonight at 8.30.
10 July 1964 from Port Elizabeth. I had managed to pass my Licentiate singing exam!
19 September 1964 Pietermaritzburg. The Creation.
1 February 1965 – Reference for Kingsmead College.
A photo from an article written in 1965. Anne, Webster and Lemon. I started teaching at Kingsmead College, Rosebank but continued with my singing lessons and taught in their studio every Wednesday.
Another photo from the 1965 article.
Webster played the small part of British Ambassador in King Hendrik.
The British Ambassador – complete with monocle. On the night he was filming this small scene I was in Nabucco. Anne attended the performance with Dudley Holmes’ mother and a friend. They returned to Anne’s for drinks after the show. I was dropped off at Kingsmead College. I decided to go to the UK after that incident.

Anne directed The Merry Widow in Bloemfontein. I think this was her leading lady. (circa October 1965) I went to the UK in January of 1966.
15 January 1966 I went to the UK with this reference.
Guests of honour at The Merry Widow in Irené, produced by Doris Boulton and starring Doris as the Merry Widow.
Doris Boulton as the Merry Widow in Irené production.
2 October 1966 Johannesburg 80th birthday concert.
2 October 1966 Programme for concert.
10 October 1966 Artice about forthcoming productions – with Lemon and Silva.
Opened on 22 October 1966 – it was not a success.
Webster as the Circus Barker in The Bartered Bride – a non-singing role.
14 December 1966.
7 April 1967 in Parktown North
April 1967 SABC programmes. Webster had told me about them in one of the last letters I received from him before he went to Knysna.
May 1967.
2 September 1967. The Rococo Canada LP briefly reviewed!

11 July 1968
15 September 1967. The first concert in Knysna 15 September 1967.
11 July 1968
Knysna 1967/68
24 August 1968 I found this edition of the paper in the shop on the SA Oranje when I was returning to South Africa from the UK in August 1968. It was surprising to see that they were trying to sell their house not very long after they had settled in Knysna.
Anne with Silva and Lemon. Was she in a Cox and Box costume? Photo: Dudley Holmes.
Webster and Lemon. Photo: Dudley Holmes.


Anne and Dudley Holmes, Knysna. Photo: Webster Booth.

Anne and Silva. Photo: Dudley Holmes.
Anne and Webster in Knysna (Photo: Dudley Holmes)
Anne and Silva. Photo: Dudley Holmes
Webster and Lemon in the garden in Knysna. Photo: Dudley Holmes.
On the beach at Knoetzie with Silva. Photo: Dudley Holmes.
Anne. Photo: Dudley Holmes
Excerpts from Messiah and Elijah 1969.
Elijah (1969)
1969 Knysna
Ena van den Vyver and Anne – two principal boys in the Knysna Pantomime!
Anne and Webster in Knysna.

BOOTHS IN SOUTH AFRICA (1962 – 1963)

I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.

Anne and Webster 29 January 1962 in Lower Houghton.
Gilbert and Sullivan programme 7 January 1962 SABC Bulletin
The Andersonville Trial February 1962.
February 1962. The Andersonville Trial. Webster played a very small part indeed!
9 March 1962
Hymn competition winners. March 1962
17 March 1962 Drawing Room on the English Service of the SABC.

17 March 1962 Drawing Room on the English Service of the SABC. Article by Webster in the SABC Bulletin.

17 March 1962 Drawing Room on the English Service of the SABC.
Gary Allighan, March 1962
Showing some antiques to the press. 1962.
Anne choosing wallpaper – 1962.
April 1962 Olivet to Calvary, St George’s Presbyterian Church, Noord Street.
4 May 1962 The Vagabond King
June 1962. Music for Romance.
Arriving in Bulawayo, July 1962. He was ill.
July 1962 Bulawayo Eisteddfod
21 July 1962 Bulawayo
July 1962 Bulawayo

July 1962 – Leslie Green broadcasts from the UK.

Leslie Green was in the UK on holiday and Anne and I listened to Tea with Mr Green (broadcast from the UK) when she was in the studio on her own and Webster was very ill. By this time Paddy O’Byrne was reading Webster’s scripts on the Gilbert and Sullivan programme as he was too ill and weak to record the programmes. He visited Anne’s great friend, Babs Wilson Hill and did a broadcast from her home. He said she had the most beautiful garden in England.

Webster was very ill indeed when he returned from Rhodesia and had to spend some time in the Fever Hospital in Johannesburg.

Fever Hospital.

August 1962 – Music for Romance. Anne presented a series of programmes of recordings and reminisces about her life and career in England. It received adverse criticism from various radio critics and only ran until December.

August 1962 – Anne Ziegler
28 August 1962 Round the Christian Year, St Mark’s, Yeoville.
28 August 1962 St Mark’s Yeoville, Round the Christian Year.
At the wedding of Margaret Inglis and Robert Langford in the garden of Petrina Fry (pictured) and her husband, Brian Brooke. October 1962

October 1962 –The Pirates of Penzance. Bloemfontein. Webster directed this production. As a gimmick, he had a chimpanzee to accompany the pirates on stage, but the chimpanzee was not without problems. She disgraced herself during Webster’s opening night speech. He quipped, “You naughty girl. I won’t take you out in a hurry again.”

August 1962 – Webster Booth
Lord Oom Piet. Guest artists, eventually furious to have their singing disrupted by the antics of Jamie Uys. I always thought that was a terrible film and couldn’t understand why Anne and Webster had any part of it.
November 1962 Lord Oom Piet.
November 1962. Elijah.

November 1962 – Port Elizabeth Oratorio Festival. Elijah and Messiah, Webster, Monica Hunter, Joyce Scotcher, and Graham Burns, conducted by Robert Selley. The complete oratorios were broadcast locally in the Eastern Cape as usual. Later, excerpts were broadcast nationally but, for some unexplained reason, none of Webster’s solos were used in the national broadcast. Two older members of the SABC choir (Gill and Iris) took delight in cattily telling Ruth and me that it was because Webster’s singing was not up to standard and that was why he was not included in the broadcast. That was the last year that Webster sang at the PE Oratorio Festival.

1963

Great Voices – January 1963.
15 January 1963 At Alexander Theatre, Braamfontein
Mr and Mrs Fordyce and their stage family 15 January 1963.
Mrs Puffin (Jane Fenn) and Mr Fordyce (Webster) January 1963
Anne holds a tea party in Goodnight Mrs Puffin.
Photo in the programme of Goodnight Mrs Puffin.
Lewis Sowden crit.
Oliver Walker crit.
Dora Sowden’s crit?
7 January 1963 Great Voices

Accompanying for Webster. Shortly after Goodnight Mrs Puffin ended its run at the Alexander Theatre my father heard a recording I had made of myself singing Father of Heav’n from Judas Maccabeus on my recently-acquired reel-to-reel tape recorder. He passed several disparaging remarks about the quality of my singing and I was feeling extremely despondent when I went for my lesson. Anne and Webster were kind and sympathetic when I told them what he had said.

“My family never praised me for my singing either,” Webster growled. “If it had been up to them I would never have become a singer. Bring the recording along next time and let’s see what it’s like.”

They listened in silence the following week – perhaps my father had been right and it was awful – but afterwards, Anne asked rather sharply as to who my accompanist had been. They were surprised when I admitted to accompanying myself.

Nothing more was said. In the fullness of time, I recovered from the hurt my father’s criticism had caused me and I plodded on regardless. A few weeks later Anne phoned my mother to ask whether I’d like to play for Webster in the studio for a few weeks in April as she was going on a tour round the country with Leslie Green, the broadcaster of Tea With Mr Green fame on Springbok Radio, a great friend of theirs.

I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.

Accompanying for Webster (April 1963)
Anne sent me a postcard when I was playing for Webster and she was away on holiday with Leslie Green.
Anne advertising a facial cream for “mature” women! I’m sure most mature women would have been delighted to look as perfect as Anne did at the age of 53!
Colonel Fairfax in The Yeomen of the Guard. 6 June 1963.
The Yeomen of the Guard.
6 June 1963 various cuttings including crits for The Yeomen of the Guard at the Alexander.
Kimberley Jim. Webster plays a bit part – the Inn Keeper – in that silly film. 1963,
9 August 1963 for the opening night of The Sound of Music.
September 1963 Jon Sylvester, radio critic The Star
A nasty comment – probably from “Jon Sylvester” (the pseudonym for the Star’s radio critic, about Webster’s programme.
I was Pooh Bah in this instance. I met Webster in the street one day and he asked me if I had written this note to beastly “Jon Sylvester”. I asked him how he knew that, and he said I was the only person in Johannesburg who could have done so!
They presented a children’s programme on the SABC, produced by Kathleen Davydd. At the same time they made an LP called The Nursery School Sing-along with the children from Nazareth House, conducted by my piano teacher, Sylvia Sullivan, and Heinz Alexander accompanying them.
21 September 1963 at Pietermaritzburg City Hall.
Michaelhouse, Balgowan.
Pietermaritzburg City Hall.
October 1963 – Ballads Old and New.
November 1963. Fauré Requiem.
Saturday Night at the Palace on the radio in November 1963, Anne, Webster, Jeanette James and Bruce Anderson.

BOOTHS IN SOUTH AFRICA – (1960 – 1961)

Someone asked me recently whether I went to study with Anne and Webster because of their duet singing, but it had nothing to do with that at all. It was entirely due to Mabel Fenney that decided me to study singing with Anne and Webster and to make music my career.

3 February 1960 – Mabel Fenney

When I was in my final year at Jeppe High School for Girls in 1960, the permanent music mistress, Miss Diane Heller, went on long leave, and Mrs Mabel Fenney took her place for a term. Mabel was born Mabel Greenwood on Shakespeare’s birthday in Lytham St Anne’s, Lancashire in 1919. Her mother was a true contralto and had sung in several professional productions. The Greenwoods moved to East London in the Eastern Cape when Mabel was quite young.

She showed singing talent from an early age and did her initial singing diplomas in East London, trained by a gentleman she referred to as “Pop Lee”, and sang and acted in many local musicals, plays and recitals. Her favourite role was as Elsie Maynard in The Yeomen of the Guard. She married fellow Lancastrian, Eric Fenney, and instead of pursuing a singing career, she helped him run his plumbing business in East London. 

 When the Dramatic Society of East London invited Webster Booth and Anne Ziegler to star in the 1958 production of Merrie England, she and Eric stood surety for their salaries.  It was in this production where she first met them, playing their roles of Bessie Throckmorton and Sir Walter Raleigh. She played the part of Jill-All-Alone in the production. The following year the society put on Waltz Time, again with Anne and Webster in the leading roles, but, for some reason, she did not take part in this production. Instead she went to Johannesburg to have lessons with Anne and Webster in preparation for several advanced diploma singing examinations. By the time she arrived at Jeppe High School for Girls she had already won the University of South Africa’s overseas teaching bursary and was due to leave for Berlin to study at the Hochschule there for two years.

We schoolgirls looked on Mabel as a very glamorous figure in comparison with some of our staid academic teachers. She was lively and enthusiastic and took us on various outings to the opera.

 Towards the end of her term at Jeppe, Mabel gave a memorable recital in the school hall one afternoon. The event had not been widely publicised, so there were not many people present, but I was there with singing school friends, Margaret Plevin (née Masterton) and Valerie Vogt (née Figgins). We were impressed by her performance. The Booths had decided that she was a mezzo soprano rather than soprano, so she had sung a mezzo repertoire for her diploma exams. I will always remember her singing of the Habanera and Seguidilla from Carmen.

At the end of one of the arias she threw a rose coquettishly to her schoolgirl audience. We were completely captivated. Someone asked me recently whether I went to study with Anne and Webster because of their duet singing, but it had nothing to do with that at all. It was entirely due to Mabel Fenney that decided me to study singing with Anne and Webster and to make music my career.

Mabel Fenney (later Perkin) Photo taken in 1960 before she went to Berlin to study at the Hochschule there.
February 1960.
2 March 1960. Webster’s reference for Mabel.

27, 28 May 1960 – Grand Variety Show, Methodist Church Hall, Roberts Avenue, Kensington. Anne and Webster and other artistes. Anne and Webster sang just before the interval. I (aged sixteen) asked them for their autographs before they left, the only one to do so.

27 May 1960.
Kensington Methodist Church as it is today (2019) In 1960 there was no wall surrounding it.
Variety Concert at Methodist Church, Roberts Avenue, Kensington 1960.
Kensington Methodist Church – as it is today.
Anne appears in various adverts!

24 November 1960 – A Country Girl. Springs Civic Theatre. Anne produced this show for the Springs Operatic Society.

24 November 1960

1960 – Mikado, Bloemfontein. I am not sure whether Webster sang in it, directed it, or both.

Webster in Bloemfontein to do The Mikado.

1, 2, December 3 1960 – Christmas Capers, Civic Theatre, Bloemfontein. Anne and Webster and local artistes in a variety show presented by Rotary Club.

December, 1960 – The Christmas Oratorio, Kimberley. Webster sang the tenor solos, although he was not as fond of Bach as he was of Handel.

8 December 1960 I had an interview with Anne Ziegler at the studio on the eighth floor of Polliack’s Corner, Pritchard Street and started lessons with Anne and Webster two weeks later. Webster was singing at the Port Elizabeth Oratorio when I had my audition. Anne was being interviewed by a newspaper reporter when I went for my first lesson. Here is the photo taken at that interview.

Lock Up Your Daughters – December 1960. Anne plays Mrs Squeezum!
Anne and Valerie Miller in Lock Up Your Daughters. The play was not a success.

March 1961 – advertising Skol Beer.

April 1961 SABC Bulletin – Wednesday at 8.30 pm. Webster Booth, who presents a programme of Opera, Operetta and Oratorio at 8.30 on Wednesday nights, began singing at the age of seven. That makes his career 52 years “and I hope it goes on a little further, but not too long,” he told announcer Robert Kirby in an interview.

This is how the conversation continued:

If you started singing when you were seven, how did you manage to fit in your education? – Well, I began in Lincoln Cathedral as a choir boy and was educated at the cathedral school. This was run by the Dean and Chapter. That took me up to the Oxford and Cambridge junior examination which was roughly equivalent to our Junior Certificate. After that I had to stop musical training as my voice was breaking and completed my schooling at a commercial school studying accountancy.

Broaadcasting at the SABC.

I know your fields of endeavour have been in Opera, Oratorio and Operetta. Do you have any preferences among these three? – Oratorio, definitely!

Why? – I suppose it was my first love and I certainly get much more satisfaction from singing in Oratorio, musically that is; I am trying to say that to do it properly and to do it well you have to work at it so hard that the feeling of achievement is that much greater. With Opera and Operetta one has stage clothing, and scenery and movement to register to an audience, whereas in Oratorio one has nothing except one’s own interpretation as a medium of reaching the audience.

Do you prefer working “live” with an audience, recording or broadcasting? – I certainly prefer working without an audience. In front of one that is. Usually in a broadcast one has a much larger audience but because they are unseen one can concentrate much more, also because of their quantity it makes me want to give much more than I would on a stage. If it would be possible to sing before an audience of perhaps fifty thousand people it would be much more awe-inspiring than singing to them via a microphone. I can always have a broadcast recorded and that is invaluable to me as I am my own greatest critic. One can always learn from one’s mistakes.

Do you suffer from stage fright? – Yes. The older I get the worse I get. I think the reason being that one always wants to be that one per cent better than the last time. The suffering comes from the fear of being one per cent worse. Stage fright should only happen before a performance. To go on being frightened during the performance is fatal.

Do you find that one person alone in an audience can affect you? – Very much so. Someone who is restive will invariably catch your eye and distract you. None of us are perfect and if one knows the position in the audience of a somewhat severe critic one is apt to wonder what he or she may be thinking and this can be most disturbing.

How do you react to severe criticism? – If you mean destructive criticism I am like anyone else. I react very unfavourably. But if it is constructive criticism then I try to swallow my pride and read into the criticism something from which I should benefit.

What was the worst critique you ever had? – I deliberately forget the bad ones. The best? – The finest write up I ever received, from my point of view, was for a show that only ran for two and a half weeks. “Here is the answer to a producer’s prayer.’

Which would you call the most fulfilling moment of your career? – The first night of the 1938 Covent Garden Festival of Opera. I sang the tenor role in Rosenkavelier with Erich Kleiber conducting and Lotte Lehmann as the soprano lead. To see a pre-war full house at Covent Garden from the stage with evening dress and tiaras is a sight one could never forget.

Which role was your favourite? – Definitely Francois Villon in The Vagabond King. It has everything an artist could wish for. Comedy, romance, glorious costumes, pathos and good solid music to sing.

Are you satisfied with what you have achieved? – Yes. If I had my life over again I doubt whether I would change much of it. I have been very lucky. I was given a voice, a figure, and my marriage with Anne Ziegler – something which has been successful and happy, and I have adopted what I think to be about the finest country in the world.

Webster’s programme is extended and is now called On Wings of Song, with the duet by Anne and Webster as the introductory music.
1 May 1961 Opening night of La Traviata at Empire Theatre.
Old Folks’ concert Durban May 1961

June 1961. Webster adjudicated at the Salisbury eisteddfod.

5 July 1961 – Concert in Salisbury.

5 July 1961 – Concert.8.15 pm Allan Wilson School, Beit Hall, Salisbury, Rhodesia – Anne and Webster appeared in a concert after Webster had adjudicated at the Vocal Festival for the Rhodesia Institute of Allied Arts.

17 July 1961 – Advert for pupils.

Advert for pupils. 17 July 1961 – Star.

August/September 1961. Mabel Fenney back in SA for holiday.

5 September to October 30 1961 –The Amorous Prawn,Alexander Theatre (previously the Reps Theatre); National Theatre, Pretoria, 31 October to November 12; Alhambra Theatre, Durban, November.

Webster was the Prawn, with Simon Swindell, Gabriel Bayman, Diane Wilson, Joe Stewardson, Ronald Wallace and Joan Blake, directed by Victor Melleney.

Anne and Leslie Green Opening night of The Amorous Prawn 1961
A reference for my first job in the bank! 6 October 1961.

November 1961 – The Stage. Johannesburg Theatre by Evelyn Leveson. The evening attraction at the Alexander – acclaimed with delight by both critics and public – was The Amorous Prawn, directed by Victor Melleney and starring Joan Blake, one of our most versatile actresses, who, for the past two years, has been touring the country in Adam Leslie’s witty intimate revue Two’s Company.

Excellent notices were also received by Webster Booth who, with his wife Anne Ziegler, has been living here for the past five years. As the Prawn, Mr Booth is appearing on the South African stage in his first non-singing role.

1 November 1961 (from my teenage diary)
1 November 1961 (from diary)
1 November 1961 (diary)
November 1961 Durban.
Anne as Mrs Siddons 31 October 1961.
1 November 1961 from diary – the story continues in the diary itself (1961)
27 November 1961 Dream of Gerontius.

BOOTHS IN SOUTH AFRICA (1958 – 1959)

October 1958 –
Wedding Anniversary – Merrie motoring. Our charming stage
celebrities, Anne Ziegler and her husband, Webster Booth, will spend the night of their 20th wedding anniversary, which takes place early next month, rehearsing until 1 am for Merrie
England for the Johannesburg Operatic and Dramatic Society. It opens in the Reps Theatre with a gala performance in aid of Santa on November 12.
When the Booths
came to see me recently about this they were worried about their car parking situation. “Double parked – oh, dear – we must be
quick,” they said.
Cars loom large in
the lives of the couple. Anne’s husband said, “I once followed
her in my car from Maritzburg to Durban. I won’t tell you the speed
at which she was travelling.”
Mr Booth may have
endorsed the remark, but the driving licence remains unendorsed!

21 January 1958 – At Home with Anne. Anne presented this series on Springbok Radio. The programme was still running in July 1959.

A poor newspaper cutting photocopied by microfiche. 1 February 1958.

1 February 1958 – Jennifer Vyvyan recital

A photograph of the Booths appeared in the Rand Daily Mail. They had attended the recital given by English soprano Jennifer Vyvyan in the Selborne Hall. Webster had appeared with Jennifer Vyvyan in performances of Hiawatha and Messiah in 1955 before he left the UK.

7 March 1958 with Harry Stanton.

7 March 1958. Outdoor theatre at Joubert Park.

14 March 1958. Little Theatre, Springs.

17 May 1958 Elijah at the City Hall.
20 May 1958.

31 May 1958 – Springs Operatic Society – May Time

31 May 1958 – Springs Operatic Society – May Time
31 May 1958
16 June 1958
16 June 1958

Merrie England 16 June 1958 with Mabel Fenney, Jimmy Nicholas and Pam Emslie
Anne and Webster in Merrie England, East London 1958.
Anne and Webster in Cape Town.
1 August 1958 Vagabond King, Durban.
22 July 1958.
July 1958

October 1958 – Wedding Anniversary – Merrie motoring.

Our charming stage celebrities, Anne Ziegler and her husband, Webster Booth, will spend the night of their 20th wedding anniversary, which takes place early next month, rehearsing until 1 am for Merrie England for the Johannesburg Operatic and Dramatic Society. It opens in the Reps Theatre with a gala performance in aid of Santa on November 12.

When the Booths came to see me recently about this they were worried about their car parking situation. “Double parked – oh, dear – we must be quick,” they said.

Cars loom large in the lives of the couple. Anne’s husband said, “I once followed her in my car from Maritzburg to Durban. I won’t tell you the speed at which she was travelling.”

Mr Booth may have endorsed the remark, but the driving licence remains unendorsed!

November 1958 JODS

l January 1959

8 January, 12 March 1959 Variety under the stars.
17 February 1959.
February 1959.
7 March 1959 – A bed for Zandile.
12 March 1959 Merrie England – Dora Sowden.
11 April 1959 SABC Pavilion Rand Easter Show.
May 1959.
Waltz Time, East London 18 May 1959.
Anne and Lemon. Anne opens flower show at the City Hall. 1959.

At the old Carlton Hotel – the Press Club party for the All Blacks.
At home in Craighall Park.

With Lemon and Spinach.

With Lemon.

Advertising Lourenco Marques Radio.

Anne and Webster launch their Afrikaans LP – Net Maar ‘n Roos.

The Glass Slipper December 1959.

Anne plays the Fairy Godmother.

Jean Collen 30 April 2019.

BOOTHS IN SOUTH AFRICA (1956 – 1957)

My most enduring memory of the occasion was the tea break when Anne, her hair recently cut in a rather startling Italian Boy hairstyle, drank tea and chatted animatedly with the star-struck tea ladies a few feet away from where we were seated. Little did I know then what a great influence they would exert on the rest of my life. JEAN COLLEN.

Signing autographs in South Africa – 1956.
16 August 1956 Anne and Webster appeared in Spring Quartet in Cape Town shortly after they arrived in South Africa.

17 September 1956 Hofmeyr Theatre, Cape Town. Cockpit Players present Spring Quartet with Anne and Webster, Joyce Bradley, Cynthia Coller, Jane Fenn, Gavin Houghton, Sydney Welch, directed by Leonard Schach.

17 October 1956 – Beethoven Ninth Symphony. City Hall, Johannesburg. Webster, Betsy de la Porte, Mimi Coertse, Frederick Dalberg, SABC Orchestra, Festival Choir, conducted by Sir Malcolm Sargent.


A very poor newspaper cutting (taken by microfiche) showing Webster, Betsy de la Porte, Sir Malcolm Sargent, Mimi Coertse and Frederick Dalberg,
12 November 1956 – Night in Venice for JODS
14 November 1956 – Night in Venice for JODs.

NIGHT IN VENICE

15 November 1956 – Star “crit” by Oliver Walker.

Booths in convertible Hillman Minx outside their flat at Waverley, Highlands North.
December 1956

16 April 1957. Webster has cartoon drawn at Rand Easter Show by Roy Sumner.

21 April 1957 – Easter Sunday morning, The Crucifixion. St George’s Presbyterian Church, Noord Street, Webster, Wilfred Hutchings, Choir augmented with Johannesburg Operatic Society chorus, conducted by Drummond Bell.

Polliack’s Corner – eighth floor balcony Booth studio Singing and Stagecraft. (Photo: Gail Wilson)
Anne’s new hairstyle – July 1957.

July 1957 – Keith Jewell and The Dream of Gerontius

At Cape Town – and this is almost unbelievable (but it is true) – young organist, Keith Jewell (only 27) put on the St Matthew Passion in the City Hall. But more than that he has another three oratorios scheduled before the end of the year, one of which is Elgar’s gigantic work The Dream of Gerontius, which has never before been performed in South Africa. Webster Booth, who has sung in a number of Dreams under Malcolm Sargent at the Albert Hall will be taking a leading role.

I know for a fact – he told me a day or two ago – that Edgar Cree is itching to put it on here. While we have the orchestra, the choirs and singers like Booth right on our doorstep, my reaction is an exasperated: WHY NOT?

1 August 1957 – Anne in her first straight play in South Africa as Dearest in Angels in Love.
September 1957. The Reps did not take up the option on this play.
Advert for Adrenaline!

20 November 1957 – Scots Eisteddfod.

Anne Hamblin was awarded 95% in the Scots Eisteddfod. Webster Booth was the adjudicator.

23 November 1957 – Messiah, St George’s Presbyterian Church and St James’ Presbyterian Church, Malvern. Anne, Webster, Joy Hillier and Wilfred Hutchings, conducted by Drummond Bell.

My parents and I (aged 13) attended the performance at St James’ Presbyterian Church, Mars Street, Malvern. It was the first time I had seen Anne and Webster, although I had already heard many of their recordings on the radio.

We arrived in Johannesburg in October of 1957. My father had been offered a job in the same firm as a former Scottish colleague from ISCOR in Vanderbijl Park and we were living in the Valmeidere Hotel in Roberts Avenue, Kensington until we found a suitable flat. We witnessed the lights of Sputnik flying over our heads at night and wondered whether this was a sign that we had made the right move to the big city.

  The boarding house proprietors were fellow Scots, Mr and Mrs Jimmy Murdoch. They were friendly with a couple called Mr and Mrs McDonald-Rouse. Mrs McDonald-Rouse ran a flourishing amateur concert party and was the accompanist to all the singers in the group. Her daughter Heather, a theatrical costumier, had recently married and sometimes dined with her parents and her new husband at the Valmeidere. In due course we were introduced to the McDonald-Rouses, Heather and her husband.

Through her work, Heather had met Anne Ziegler and Webster Booth shortly after their arrival in South Africa the year before and had become very friendly with them. Through the grapevine, we heard that Webster had sung the aria from Mendelssohn’s oratorio, St Paul at Heather’s wedding, entitled Be Thou Faithful unto Death. Later I learnt that this aria was one of his favourite choices when requested to sing a solo at a wedding. Another of his wedding favourites was the ballad, My Prayer.

John Corrigan, my father’s colleague, was an elder at St James’ Presbyterian Church, then situated in Mars Street, Malvern. He invited us to a performance of Messiah to be held in the Church Hall, conducted by Drummond Bell, organist and choirmaster at the Central Presbyterian Church, St George’s. Coincidentally, the tenor and soprano soloists were to be Anne Ziegler and Webster Booth. This was the first time I ever attended a performance of Messiah, and the first time I ever saw Anne and Webster. I did not know then that Webster had been one of the foremost oratorio tenors in Britain, but I had heard a number of their duet recordings, which were often played on the radio. It now seems rather incongruous that they should be singing Messiah in a suburban Church Hall when only two years before Webster’s oratorio stamping ground had been the Royal Albert Hall, with the Royal Choral Society, with Sir Malcolm Sargent as conductor and other foremost oratorio soloists.

Since their arrival in South Africa, Anne and Webster had received a great deal of publicity on the radio and in the newspapers. As I have mentioned, their records were featured on South African radio a number of times each day. South Africans could not quite believe that such an illustrious theatrical couple had willingly chosen to exchange their successful careers and lives in the UK as the best-known duettists in Britain – possibly the world – to become immigrants in the colonial backwater of Johannesburg. My parents remembered them fondly from their frequent broadcasts in the UK, and seeing them in Variety and in the musical play, Sweet Yesterday at Glasgow theatres.

We sat fairly near the front of the hall on the right-hand side. I wish I could say that I remember every moment of that performance nearly sixty years ago. But sadly. I only remember snatches of it. Webster looked rather stern during the whole proceeding and I am sorry to admit that I was not immediately struck with the exquisite beauty of his voice. I did not know every aria from the Messiah then as I do now. In fact, the only piece I had heard before was the Halleluiah Chorus.

My most enduring memory of the occasion was the tea break when Anne, her hair recently cut in a rather startling Italian Boy hairstyle, drank tea and chatted animatedly with the star-struck tea ladies a few feet away from where we were seated. Little did I know then what a great influence they would exert on the rest of my life. JEAN COLLEN.

25 November 1957 – Messiah, Johannesburg Town Hall, Webster Booth(tenor)

December 1957 – The Dream of Gerontius, City Hall, Cape Town. Webster, conducted by Keith Jewell, aged 27. This was the first performance of Gerontius in South Africa.