Charles Forwood, accompanist to Anne Ziegler and Webster Booth.

Charles Forwood was the Booths’ accompanist for over ten years and is mentioned in several places in Anne and Webster’s autobiography Duet, published in 1951.

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Charles Forwood was the Booths’ accompanist for over ten years and is mentioned in several places in Anne and Webster’s autobiography Duet, published in 1951.

Charles Forwood was the Booths’ accompanist for over ten years and is mentioned in several places in Anne and Webster’s autobiography Duet, published in 1951. He was a number of years older than them and had been playing the piano from the early years of the twentieth century.

In the early 1950s Anne and Webster were earning £250 a concert and paying their accompanist £30 a week, as it was stipulated in their contracts that they should pay the accompanist out of their own pocket.

Pamela Davies, who wrote the book, Do You Remember Anne Ziegler and Webster Booth? mentions the part Charles Forwood played at the Harold Williams’ concerts, particularly one she attended in March of 1947:

Anne and Webster on stage at the Garrick Theatre, Southport with Charles Forwood playing the piano.

P 129 Anne, talking about her mother: “During my song Mother had crept on and on to the stage until she could look through the window at me signing , and there she stood, quite visible from the auditorium, a small figure with a black feather in her black hat, and resting on a long black umbrella! She saw Charlie Forwood, our accompanist, look up at her from the piano with horror in his face, so to comfort him she nodded her head and waved to him, the audience by this time being very much more interested in her than in me!”

P 133 Webster: “Much depended on our accompanist, and it was at this point in our career that Charles Forwood joined us. Hayward Clarke was unable to come to Blackpool owing to a previous contract at Newquay. We asked Charles if he would take us on, not dreaming that he would, for he was a well-known accompanist and concert arranger in the city and West End, and we always felt honoured if a booking came through him – it always meant a first-class show. However, the war had robbed him of many of his engagements, and he felt that a summer at the seaside would be pleasanter than wartime London. He has now been our accompanist, friend, adviser and a stern coach for eleven years, having given up all his old connections to remain with us. In that time we have never had a word in writing in the form of a contract, nor ever needed one. How delightful in these days of forms and mistrust to be able to do business like that.”

P163 Anne: “During those difficult days of the war, and indeed ever since, everything has been made much easier for us both by Charlie Forwood, our accompanist. When I first knew Webster a booking from Charlie always gave real delight to us – accompanied by some trepidation, for though he was the perfect accompanist he demanded the very best a singer could do. Whether the audience was enthusiastic or not did not matter; only if we sang well enough to please Charlie’s own most critical taste would he put his hands on our shoulders and say, “Well done!” But if we did not breathe in the right place, or, as Charlie would say, “Paint the picture”, then he would make no comment, give us our music back, pay us – and we were down in the deeps of depressions for days!

Webster has told how Charlie joined us as our own accompanist at Blackpool in 1940. He is still with us. Now, as always, it doesn’t matter to him how the audience applaud. If we have sung well, he will still say, “Well done!” If he puts the music back in the case and says nothing, we still creep away like a couple of rebuked children.

He says his father, who was a printer, enjoyed the nickname of M.O.B. (which Webster says means Miserable Old Bounder), and Charlie loves to think that the same words apply to him. They don’t really; he just tries to make people think so. A perfect accompanist, as a coach he has probably forgotten more than most coaches today have learned. He used to play the violin in a string quartet on the White Star luxury cruises. If he took a studio and taught singing he would make a fortune. But he won’t. He won’t have a telephone at his old-world Surrey cottage – wise man! – and when we want to get in touch with him urgently we have to telephone the local grocer, who sends a message by the next passer-by. To us, he is our Rock of Gibraltar.”

When the Booths went on their tour to New Zealand and Australia, Charles Forwood did not think his health would stand the rigorous tour so an Australian accompanist from Adelaide, Clarence Black was their accompanist for the New Zealand and Australian trip.

BABS WILSON-HILL (MARIE THOMPSON)

Babs Wilson-Hill (Marie Thompson) top left in a show.

The following article, written by Linda Anderson, a relative of Babs, appeared in my book, Sweethearts of Song; A Personal Memoir of Anne Ziegler and Webster Booth Front cover small-01

LINDA ANDERSON OF BIDFORD-ON-AVON WRITES:

Babs - Linda Anderson-06

MARIE GLADYS WILSON/THOMPSON (BABS WILSON-HILL)

Babs was born in Manchester on 12 September 1908, the second child of Gertrude and Harold Wilson. As a young child, she lost her father during the First World War. She missed her father dearly as she had been very fond of him.

When Babs was in her early years she was living in Chandos Road, Chorlton-cum-Hardy and went to Loreto Convent School. By this time she had been having piano lessons and had also become a very able dancer.

Babs remembers her Aunt May, only eight years older than herself, teaching her a few dances. This sparked off an interest which was later to become her career. She decided to take the subject more seriously and began lessons with the Haines School of  Dancing, Whalley Range and later at Sheila Elliot’s School of Dancing, Liverpool. Some of her early performances were in the theatre at the rear of Manchester’s Midland Hotel.

During her dancing years, Babs had been coached by Anna Ivanova who was with the Pavlova Company. Babs was later to become the Principal Ballerina in pantomime with Tom Arnold who produced performances throughout the country. She was in eight pantomimes altogether and was Principal Girl, Fairy, Witch, and Principal Dancer. She performed with and became a friend of Anne Ziegler and Webster Booth and knew George Formby and his wife Beryl well.

George Formby was later to be responsible for Babs being sent to the Isle of Man during the Second World War. He saw her dressed in her WAAF’s uniform and was most amused! He wanted Babs to be part of a team in Jurby, Isle of Man, where a theatre had been set up at the RAF base there. Babs asked that this was to be secondary to her work as an MT driver. She had been advised not to be part of ENSA and so this was a good compromise. When she arrived at the Isle of Man she had her own personal transport waiting to take her to Jurby and was treated as a VIP, much to her surprise! A trunk of her costumes was shipped over to the island. Babs always made her own costumes.

One of the shows she was involved with went to London for one night where she was introduced to a member of the Royal Family. Later in the war, she was transferred to Ireland, Scotland and finally Stanmore, where at one time she was driving a 15cwt lorry and, as a Corporal, she was also driving a Staff Car. After coming out of the Services Babs went to live in Cobham Surrey. She had a very short, unsuccessful marriage and later moved back to Colwyn Bay.

Babs looks upon her move to Colwyn Bay as a successful one. She has had the advantage of both the sea, in which she was a regular swimmer for many years and the beautiful surrounding countryside. She is also surrounded by many very good friends. Over the years she has been very involved with The Guide Dogs for the Blind Association.

Her friendship with Anne Ziegler and Webster Booth enabled her to spend many months with them in South Africa.  When Anne and Webster were thinking that they would never be able to return to the UK, Babs bought a bungalow for them to live in which was near to her in North Wales. They remained in this home until they died.

Babs died on 28 September 2003* (only a few weeks before Anne died on 13 October 2003).

Linda Anderson.

Babs in her beautiful garden in Colwyn Bay (photo: Linda Anderson) Babs Wilson-Hill (2) *only a few weeks before Anne’s death on 13 October 2003. Anne had met Babs when she appeared in her first pantomime in Liverpool. Anne was the principal boy, Babs the principal dancer. 1935 First Panto Anne (right) in Liverpool pantomime (1935/36) When the broadcaster, Leslie Green went to the UK in 1962 he met Babs and interviewed her for his programme Tea With Mr Green on Springbok Radio. Anne and I listened to the programme together. Here is an extract from my diary on 4 September:

4 September Go to the studio in the afternoon. Anne is there by herself and she tells me that Webster has had to do his two extra programmes before he goes (to Rhodesia) today. She told him to go home and have a rest after them if he’s tired so I might not see him. She asks if I’d like to listen to Tea with Mr Green because her girlfriend is going to be on today.

We do scales and exercises. The chemist phones and she arranges to have a silver Wellaton (hair rinse) sent up! She says her hair is a dull mousy grey and she has to do something to liven it up and stop her from looking old!

We listen to Leslie G and she tells me that Babs Wilson-Hill is her very best friend in Britain. She and Babs were in panto together in 1934 and she is very fond of her. They write to one another every week and tell each other all their worries and troubles. She is very well off – she has a lovely home and garden. She shows me a picture of her (which is on the wall). She says she misses her more than anyone else in Britain.

Leslie G introduces his programme by saying that it was due to Anne Ziegler that he is there because she had told him about Babs. He talks about the lovely garden – laburnum, willows, larkspurs, snapdragons… Babs sounds very like Anne, only more so – same laugh, the same intonation of words, very pleasant and slightly “county”. She has a house near Guildford in Surrey. Anne says that Babs wrote and said she made a terrible botch of the whole thing but she sounds terribly self-possessed to me. After it is over, Anne says that one can only have a friend like that once in a lifetime and she thinks everyone needs someone to confide in and tell their troubles to.

Jean Collen 12 September 2018.

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PADDY PRIOR – WEBSTER BOOTH’S SECOND WIFE

On 22 April 1948 she and Bettie Bucknelle sailed for Australia, where they intended to make a new life. Paddy’s brother had settled there some time earlier. It must have been upsetting for Paddy to see Webster and Anne as established stars while, despite her considerable talent, she had not made a big and lasting name for herself.

Paddy Prior in Newquay
Paddy Prior at the Old Vicarage, Newquay after World War 2

Webster Booth married his second wife, Dorothy Annie Alice Prior (stage name Paddy Prior) on 10 October 1932 at the Fulham Registry Office. He had married Winifred Keey there eight years earlier but had divorced her in 1931 after she deserted him and their small son, Keith, several years before.

Marriage Henderson Prior

Marriage certificate of Hubert Edward Prior and Annie Jane Henderson on 25 October 1902.

Paddy Prior, was born in December 1904, the daughter of Fulham ironmonger, Hubert and his wife, Annie Henderson. Paddy began her professional stage career while still a teenager. She was a talented soubrette, comedienne and dancer, and possessed a pleasant mezzo soprano voice into the bargain.

Paddy’s parents lived at Disbrowe Road when they were first married.

Disbrowe Road
Disbrowe Road, Fulham (today)

Paddy’s birthplace in Fulham. Her baptism on 29 January 1905 at St Peter, Fulham.

Baptismal certificate.
Baptismal certificate – Dorothy Annie Alice Prior.

1911 Census

1911 census Paddy Prior
1911 census

George William Henderson was a relative of Annie Jane Prior (nee Henderson).

In 1924, at the age of nineteen, Paddy spent nearly a year as a member of the travelling Rogues concert party from April to January 1925. In various reviews Paddy was praised for her comedy talent and her speciality dancing with comedian Fred Roper. They were appearing at Leas Pavilion, Folkestone in January 1925, but by the 5 February Paddy had left the Rogues to join the Gamblers and Their Tipster concert party at the same venue. This party also toured extensively, so before she was twenty-one, Paddy had seen much of the country and gained valuable professional experience into the bargain.

24 December 1924

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Whitehall Court, Fulham – Paddy’s home in the 1920s.

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In November 1925 Paddy appeared at the Taunton Lyceum in Little Miss Muffet as Dolly Dimple. The pantomime toured various towns until early 1926.

Little Miss Muffet (1925)
Little Miss Muffet – Paddy played Little Dolly Dimple.

By April Paddy was out of work and obliged to put an advertisement in The Stage as follows:

8 April 1926 PADDY PRIOR, SOUBRETTE AND DANCER, VACANT: First class offers for CP, Revue, and Musical Comedy. PA 37 Arundel Mansions, Fulham SW6

By July Paddy was working again, this time with Leslie Fuller’s Whitby Pedlars, and a review pointed out that, “Paddy Prior is a charming and dainty soubrette, who uses her mezzo voice effectively.”

The pattern of Paddy’s stage career was set: concert party, after-dinner entertainment, pantomime and musical comedy. Towards the end of the twenties she was also on television at Daventry, first in De Courville’s Hour in 1929.

Albert de Courville.

Albert de Courville

then in the early thirties in Philip Ridgeway’s series entitled The Ridgeway Parade, which included Janet Lind, Dorothy Dampier and Hermione Gingold in the cast. She starred in the Cicely Courtneidge role on a Scottish tour of Lido Lady in 1929.

31 January 1929 – Advertisement in The Stage. PADDY PRIOR – Playing Lead LIDO LADY Co. This week, Theatre Royal, Inverness, next His Majesty’s, Aberdeen

Selection from LIDO LADY

Stage adverts
Stage adverts

Cast of Ridgeway ParadeDress Rehearsal

The Ridgeway Parade – Regional Programme London, 7 October 1931 21.15 (New Series. No. I) Sweep Night – A Song and Dance Show Written by HOLT MARVELL and PHILIP RIDGEWAY. Musical Arrangements by DOROTHY HOGBEN
Devised and Produced by PHILIP RIDGEWAY
FRED CURTIS , BERTHA WILLMOTT, IRENE VERE, HERMIONE GINGOLD, GERALD OSBORNE, DOROTHY DAMPIER, ANNA DAY, SINCLAIR COLE, BERT MEREDITH, DOUGLAS PEMBERTON, LOLA GORDON, BEATRICE GALLEWAY, JACK HODGES, JOHN CHARLTON, PADDY PRIOR, ARTHUR JAY, WALLACE NORFORD. DOROTHY HOGBEN and her ORCHESTRA. PHILIP RIDGEWAY.

THE FIRST OF THE NEW SERIES OF RIDGEWAY PARADES – National Programme Daventry, 9 October 1931 20.00 SWEEP NIGHT – A song and dance show, written by Holt Marvell and Philip Ridgeway. Musical arrangements by Dorothy Hogben. Devised and produced by Philip Ridgeway. Fred Curtis, Bertha Wilmott, Irene Vere, Hermione Gingold, Gerald Osborne, Dorothy Dampier, Anna Day, Sinclair Cole, Bert Meredith, Douglas Pemberton, Lola Gordon, Beatrice Galleway, Jack Hodges, John Charlton, Paddy Prior, Arthur Jay, Wallace Norford, Dorothy Hogben and her Orchestra. Philip Ridgeway.

Singing, dancing, burlesque-and Mr. Ridgeway. The producer is the life and soul of his own shows. It is Philip Ridgeway who designed costumes for his Paraders to wear in the Studio, who makes his whole company dance furiously for a minute before the red light goes on in order that they should start their broadcast warmed up, who created and impersonated Joe Ramsbotham of Rawthenstall, of the unsteady Lancashire accent. These Parades, of which the present series is the third, are among the most generally popular light entertainments ever broadcast. They may lack the subtlety and satire of the revues of Gordon McConnel, John Watt, Denis Freeman; their aim is otherwise—broad humour, popular songs, vitality, rather than finesse. Many of the members of former Parade companies are taking part in the present series. Mr. Ridgeway’s musical director, Dorothy Hogben, is again in charge of the orchestra. Philip Ridgeway is well qualified to possess an acquaintance with the popular taste in entertainment. Still in his thirties, he has been connected with the theatre since he was a boy, as actor, author, producer and manager in turn. It is typical of his lively versatility that the two most widely acclaimed achievements of his career have been his introduction of Chekhov to London, at the Barnes Theatre, several years ago, and the invention last autumn of the Ridgeway Parades. Tonight he will be beside the microphone as usual, the inevitable flower in his buttonhole, waving his company on, a cross between Sir Henry Wood, Francois Descamps and Grock. So on with the show. We’re a lot of little songs to chase the blues, Dancing shoes to amuse. We’re the lightest and the brightest of revues, We’re the Ridgeway Parade.

The Ridgeway Parade – National Programme Daventry, 22 October 1931 20.00 (New Series-No. II) Sweetheart Night – A Song and Dance Show Written by HOLT MARVELL and PHILIP RIDGEWAY. Musical Arrangements by DOROTHY HOGBEN. Devised and Produced by PHILIP RIDGEWAY. DOROTHY DAMPIER, HERMIONE GINGOLD, GERALD OSBORNE, IRENE VERE, BERTHA WILLMOTT, FRED CURTIS, SINCLAIR COLE, BERT MEREDITH, LOLA GORDON, JOHN CHARLTON, PADDY PRIOR, JACK HODGES , DORIS YORKE, ALEXANDER HENDERSON, WALLACE MORFORD, BEATRICE GALLEWAY, DOUGLAS PEMBERTON. DOROTHY HOGBEN and her ORCHESTRA.  PHILIP RIDGEWAY

The Ridgeway Parade – Regional Programme London, 4 November 1931 20.30 (New Series-No. Ill) – Old Soldiers’ Night – A Song and Dance Show Written by HOLT MARVELL and PHILIP RIDGEWAY. Musical Arrangements by DOROTHY HOGBEN. Devised and Produced by PHILIP RIDGEWAY. HERMIONE GINGOLD, GERALD OSBORNE, IRENE VERE, BERTHA WILLMOTT, BERT MEREDITH, SINCLAIR COLE, JOHN CHARLTON, FRED CURTIS, DOROTHY DAMPIER, ANNA DAY, DOUGLAS PEMBERTON, LOLA GORDON, PADDY PRIOR, JACK HODGES, WALLACE MORFORD, DORIS YORKE, ALEXANDER HENDERSON, BEATRICE GALLEWAY.BL_0000381_19321224_010_0001

Ridgeway Parade2
Ridgeway Parade

The Ridgeway Parade— V Regional Programme London, 2 December 1931 20.00 (New Series) Typists’, Brunettes’, and Dukes’ Night – A Song and Dance Show Written by HOLT MARVELL and PHILIP Ridgeway.  HERMIONEGINGOLD, GERALD OSBORNE, IRENE VERE, BERTHA WILLMOTT, BERT MEREDITH, SINCLAIR COLE, JOHN CHARLTON, FRED CURTIS, DOROTHY DAMPIER, ANNA DAY, DOUGLAS PEMBERTON, LOLA GORDON, BEATRlCE GALLEWAY,  ALEXANDER HENDERSON, PADDY PRIOR, JACK HODGES, WALLACE MORFORD, DORIS YORKE. DOROTHY HOGBEN and her ORCHESTRA, PHILIP RIDGEWAY.

The Ridgeway Parade – Regional Programme London, 16 December 1931 20.00 (New Series-No. VI) HAPPY NIGHT. A SONG AND DANCE SHOW Written by HOLT MARVELL and PHILIP RIDGEWAY. Musical arrangements by DOROTHY HOGBEN. Devised and produced by PHILIP RIDGEWAY.  HERMIONE GINGOLD, GERALD OSBORNE, IRENE VERE, BERTHA WILLMOTT, BERT MEREDITH, SINCLAIR COLE, JOHN CHARLTON. FRED CURTIS, DOROTHY DAMPIER, ANNA DAY, ALEXANDER HENDERSON , DORIS YORKE, WALLACE MORFORD, JACK HODGES, PADDY PRIOR, BEATRICE GALLEWAY, LOLA GORDON, DOUGLAS PEMBERTON. DOROTHY HOGBEN and her ORCHESTRA. PHILIP RIDGEWAY

MURRAY ASHFORD’S ENTERTAINERS – Regional Programme Midland, 17 June 1932 18.30 From THE PAVILION, JEPHSON GARDENS, LEAMINGTON SPA. WINIFRED SCOTT-BAXTER (Soprano), EDWARD WARD, (Baritone), CLIFFORD WARREN (Entertainer), PADDY PRIOR (Soubrette), MARIE GROS (Comedienne), DOROTHY BRADSHAW (at the Piano), FRANK RYDON (Light Comedian), WILBY LUNN and CONNIE HART (Living Marionettes).

MANY interesting personalities are associated with Murray Ashford’s Entertainers. Paddy Prior is familiar to admirers of the Ridgeway Parade, Marie Gros is the niece of the late Marie Lloyd and sings many of her songs, while Edward Ward has appeared in several Drury Lane successes.

Webster Booth divorced his first wife, Winifred Keey, in 1931.

DIVORCE NOTICE
Between Leslie Webster Booth (Petitioner) and Winifred Dorothy Booth (Respondent) and Trevor Davey (Co-respondent)

TAKE NOTICE that a Petition has been filed in this Division endorsed with Notice to you to appear and answer the charges in the Petition of Leslie Webster Booth of 151 Biggin Hill, Upper Norwood, in the County of London, praying for a dissolution of marriage. In default of your so appearing, you will not be allowed to address the Court, and the Court will proceed and hear the said Petition proved and pronounce sentence. AND TAKE FURTHER NOTICE THAT for the purpose of the aforesaid within one month after the date of this Publication an appearance must be entered at the Divorce Registry, Somerset in respect thereof AND TAKE FURTHER NOTICE THAT House, Strand, London. W INDERWICK, Registrar, Solicitors for the Petitioner:-W H Speed & Co., 18 Sackville Street, London, W1

Like Webster, Paddy was a member of the Concert Artistes’ Association, and it was there that she first heard Webster sing. In an interview with W.S. Meadmore in Gramophone in November 1935, Webster described his meeting with Paddy. He was singing One Alone from The Desert Song when his attention was drawn to her seated in the audience, obviously enjoying his singing. They were introduced after the concert and married on 10 October 1932.  They spent their honeymoon in Newquay, Cornwall.

Webster Booth and Paddy Prior appeared together at the Bellingham Club 5 months prior to their marriage.

Clacton Entertainers present Paddy with a wedding gift at the end of September 1932.

10 October 1932 – Marriage. Webster married Dorothy Annie Alice Prior on 10 October 1932 at Fulham Registry Office, the same registry office where he had married Winifred Keey in 1924.

While married to Dorothy (Paddy) Prior, the couple lived at 5 Crescent Court, Golders Green Crescent, NW11. They were listed separately in the telephone book as Webster Booth, tenor, Speedwell 6608; and Paddy Prior, soubrette-entertainer, Speedwell 6608

Although Webster was living with Anne at her flat in Lauderdale Mansions in 1937, Paddy and Webster remained listed in the telephone book at the same address until their divorce was made final in October 1938.

13 October 1932 – Wedding Bells. Paddy Prior and Webster Booth were married at the Fulham Register Office last Monday. A reception followed before the bride and bridegroom left for a honeymoon at Newquay, and several professional friends were in attendance to toast the happy couple.

One Alone

5 Crescent Court
5 Crescent Court, Golders Green Crescent, Golders Green

Paddy and Webster lived at Crescent Court, Golders Green Crescent, Golders Green during their marriage (pictured above).

May 1933 – Piccadilly Revels. Murray Ashford and Wilby Lunn’s Piccadilly Revels will open a fortnight’s engagement at the Pavilion, Bournemouth, next Monday, with a visit to the Argyle, Birkenhead, to follow. The company will start their long resident season at the Floral Hall, Scarborough, on Whit Saturday. The Western Brothers, Ena Broughton, Webster Booth, Paddy Prior, Violet Stevens, Edgar Sawyer, Andrée Conti, Isolde, Alexis and Carlo, and the Euphan Maclaren Girls form the cast.

Piccadilly Revels, Scarborough 1933

1933 Piccadilly Revelsa

Piccadilly Revels scan0004
Piccadilly Revels. Webster is seated in middle row with Paddy to the left.

Paddy Prior (middle row left), Webster Booth (seated next to her)

In 1934 they were members of Powis Pinder’s Sunshine concert party at the Sunshine Theatre, Shanklin. Arthur Askey and Bernard Lee were also in this company.

Paddy Prior (extreme left) Webster Booth (standing behind Arthur Askey) Sunshine Concert Party, Shanklin 1934

Sunshine Shanklin 03
Sunshine, Shanklin.

At the end of 1934 Webster was chosen to play Faust in the film, The Faust Fantasy and Anne Ziegler was chosen to play Marguerite. Filming began in December and, according to Anne and Webster’s joint autobiography Duet, they fell in love almost at first sight. Paddy’s marriage to Webster was about to end before it had properly begun.

Filming Faust (1934/1935)

2014-12-23_232120
Webster and Anne meet during the filming of Faust

1935 – Fred Hartley’s wedding. Mrs Webster Booth (Paddy) is mentioned as being one of the wedding guests present.

https://clyp.it/ovf2ai2i Roses of Picardy. Click on the link and listen to Webster singing this song with Fred Hartley’s quintet.

Fred Hartley's wedding 1935Mention of Mrs Webster Booth as one of the guests at the wedding.

In May 1935 Webster and Paddy did an extensive broadcast from Daventry entitled A Musical Comedy Pot-Pourri. Harry Bidgood and Sydney Jerome accompanied them on two pianos and played several piano duets. Paddy and Webster sang several duets together.

Webster Booth and Paddy Prior Daventry broadcast
Webster Booth and Paddy Prior Daventry broadcast – May 1935

So this is love
So this is love – Paddy and Webster sang Just Suppose as their first duet.

Two of the duets which Webster and Paddy sang in the broadcast were: Fancy Me Meeting You (Hit the Deck by Yeomans) sung here by Binnie Hale. Click on the link to listen.

Who? (Sunny by Jerome Kern) sung here by Binnie Hale and Jack Buchanan. Click on the link to listen.


As Binnie Hale is the archetypal soubrette, I dare say that Paddy’s mezzo soprano voice was similar to Binnie’s.

In October of the same year, Webster sang in an early broadcast with Anne Ziegler, several years before Paddy divorced him – the programme was called Musical Comedy Moments.

Broadcast from Daventry - Webster and Anne Ziegler
Broadcast from Daventry – Webster and Anne Ziegler

Webster and Paddy continued to work together for several years after his meeting with Anne. Their last  professional appearance was on 30 April 1936 when they performed together at the City Musical Union’s 84th Annual Dinner at the Holborn Restaurant. At the end of May they were guests at the wedding of their friends, Violet Stevens and Bryan Courage.

30 May 1936 Hastings and St Leonards pp
Special Concert in 1936

But in July 1937 Anne and Webster sailed for New York together, where Anne had been engaged to play in the musical, Virginia at the Center Theater. She had changed her name to Anne Booth for this production, after being advised that Americans disliked German-sounding names at that time also anticipating her eventual marriage to Webster. Webster returned to Southampton onboard the MV Georgic and gave his address as 74 Lauderdale Mansions, Maida Vale (Anne’s flat), although he was still listed in the telephone directory as living in Crescent Court, Golders Green, where he and Paddy had spent their short married life.

From the beginning of 1938 Anne and Webster began taking engagements together, while Paddy filed for divorce on 29 March 1938 “on the grounds of his adultery in April 1937, with Miss Irene Eastwood, otherwise Miss Anne Zeigler (sic), singer…”

29 March 1938 Decree nisi (1)
Decree nisi March 1938

In September 1938 before Webster’s divorce from Paddy had been finalised, Anne was featured on the cover of Radio Pictorial sporting an opulent diamond solitaire engagement ring:

Radio Pictorial

and on 7 October 1938 the absolute decree was granted to Paddy Prior against Webster Booth. Anne was named as the co-respondent in the divorce.

After the divorce Paddy moved to 14 Muswell Hill Road, sharing her new home with a young Welsh singer, Bettie Bucknelle, who had sung on the radio show, Band Waggon, which starred Arthur Askey and Richard Murdoch. In January 1939 Bettie was featured in a show with Charlie Kunz and Denny Dennis.

Bettie Bucknelle
Bettie Bucknelle was singing with Denny Denis in a Charlie Kunz show on Radio Luxembourg and Radio Normandy in early 1939.

Bettie Bucknelle and Paddy Prior in Newquay shortly before they Bucknelle left for Australia.

Anne and Webster were married on 5 November 1938 and went on to even greater success as romantic duettists on the variety stage during the war. I always felt very sorry for Paddy having to watch Anne and Webster obtaining great fame in the theatre while she never achieved great fame despite being a talented and hard working performer.

Witcock and Rutherford’s WEST-END VANITIES  – Regional Programme London, 21 December 1938 16.30 Helen Hill, Paddy Prior, Jean Forbes-Macintyre, Lucas Bassett, Bradley Harris, Derek Moreland, Frank Wilcock, Tubby Harold. Introduced by Harry S. Pepper.

The Folkestone Bouquets. Paddy Prior, middle row  (2nd from the right) 1939.

Bouquets' concert party Paddy Prior

ROUND THE CONCERT PARTIES, No. – Regional Programme London, 28 July 1939 20.30 A composite programme of excerpts from three concert parties –DAZZLE Presented by Eric Ross from Pierrot Land, Bognor Regis – Ida Williams, John Lovering, Barbara Wells, Fred Gibson, Eric Ross, Ted Andrews, The Dazzle Girls, Joan Pendleton, Violet Shute, Beryl Pryer and Phyllis Revell.

SUMMER FOLLIES Presented by Will Catlin, Devised and produced by Harry Bright from the Arcadia Theatre, Llandudno. Phil Strickland, The Carlyle Cousins, Terry and Doris Kendall, Ross Eaves, Marion Francis, Sydney Snape, Vera Kitchen, Leslie Moorhouse, Joan Cowley, The Mayfair Dancers,Wagstaff’s Zelo Orchestra.

1939 FOLKESTONE BOUQUETS Presented by Wilby Lunn from the Marine Gardens Pavilion, Folkestone. Betty Pugh Bruce Clark, Dorothy Bradshaw, Harold Stead, Paddy Prior, Stock Wynn, George Carden, The Mariajanos, Marguerite Lome, Eileen Lome, Hylda Burdon, Ruby Savage, Wilby Lunn and Connie Hart.  The programme presented by Harry S. Pepper

A show in 1941.

1941 show

23 August 1941 Hastings1jpg
Variety concert (1941)

Paddy continued with her theatrical career and when war broke out she joined ENSA. Here is a photograph of Paddy entertaining the troops during World War 2.

Paddy Prior (2)
Paddy entertaining the troops during World War 2

Signatures of Paddy and other members of ENSA after entertaining at

Clare Hall, South Mimms in 1943.ENSA Canadian Legion, Bolton Camp

Ensa signatures
ENSA signatures

7 November 1946 PPBB

bettie-bucknelle
So Deep is the Night, with Bettie Bucknelle’s photo on the cover

20 November 1945. Only a few weeks after Anne and Webster had sung at the Victory Royal Variety Performance, Paddy was the hostess at the CAA and Bettie Bucknelle was one of the performers at this concert. One could hardly blame Paddy for feeling rather bitter about Anne and Webster’s great success while she was doing much the same thing as always.

November 1946.

Paddy and Bettie Bucknelle entertained British forces in the Middle East and returned to England in 1946. In 1947 she did a summer season with the Oval Entertainers, Margate, where a reviewer described her as “a gay young lady with a sparkling sense of humour as fresh as Margate’s famous sea breezes.”.

1947 2012.04.16_22h35m44s_043

On 22 April 1948 she and Bettie Bucknelle sailed for Australia, where they intended to make a new life. Paddy’s brother had settled there some time earlier. It must have been upsetting for Paddy to see Webster and Anne as established stars while, despite her considerable talent, she had not made a big and lasting name for herself.

Bettie Bucknelle and Paddy Prior in Newquay shortly before they Bucknelle left for Australia.

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Extract from passenger list to Australia.

Dorothy Prior Betty bucknell
Passenger list to Australia – April 1948. Bucknell and Booth

25-may-1948-paddy-bettie

A  newspaper photo regarding their arrival in Australia in 1948.

Later that year Anne and Webster made an extensive and triumphant concert tour of New Zealand and Australia. They heard that Paddy and Bettie had booked seats in the front row for one of their concerts in Sydney. Webster feared that they might be planning an unpleasant demonstration against them at this concert. He was asked whether he could recommend Paddy as understudy to Cicely Courtneidge in the play, Under the Counter, which meant she would have to leave for New Zealand to rehearse the understudy role. Paddy had played the lead in a Scottish tour of Lido Lady in the late twenties, the same role in which Cicely had starred in London a few years earlier. He had no hesitation in making this recommendation, so Paddy was not able to attend the concert as she had to go to New Zealand right away to begin understudy rehearsals.

There is evidence of Bettie Bucknelle singing in a number of broadcasts, including broadcasts with the famous bandleader Jay Wilbur, but I could not find out anything about Paddy’s Australian theatrical career. In a 1949 electoral register, she is listed as a housewife!

20-february-1949-bettie-bucknelle

Shortly after Anne and Webster returned to the UK from South Africa in 1978, a letter arrived for Webster from Paddy who was still living in Australia. She said he would be welcome to visit her if he ever decided to go out there. Anne did not show this letter to Webster!

I was pleased to hear from Paddy’s niece, Beverley June McLachlan (née Prior) and her daughter, Paddy’s great-niece, Cheryl Willits recently. Paddy married Harold Bradshaw and the couple lived in Hobart, Tasmania where Paddy continued to entertain at their bowling club, singing and doing comedy skits. Cheryl mentioned that Paddy had sung on the radio with Ross Higgins,

Ross Higgins
Ross Higgins, the well-known Australian actor and entertainer who died at the age of 86 in October 2016. I am happy to know that Paddy’s subsequent life in Australia was a happy one.

Comments from Cheryl Willits and Beverley McLachlan which appeared in the original post on my Jean Collen website.

Cheryl Willits, in reply to me: Hey there, My mother might be able to help you on this as she is Paddy’s niece. I am her great niece. If you would like any info feel free to email me and I could put you in touch with my mother. Reading the article has been a delight, Regards, Cheryl.

Beverley McLachlan: Paddy Prior did marry Harold Bradshaw. She was my aunt. My Father was Paddy’s brother. Paddy and Brad lived in Tasmania and still entertained at their bowling club, singing and comedy skits in Hobart, Tasmania.

Sadly, I did not hear any more from Beverly or Cheryl.

Jean Collen

April, 2016.

Updated: 24 August 2019