EXTRACTS FROM MY TEENAGE DIARIES: JUNE 1963

She also tells me that Hilda is going to visit her family in St Helena soon and will be away for six and a half weeks so I shall probably be accompanying for Webster again on alternate days. Apparently, he is threatening a cold today but will have to persevere with the Yeomen. She says he’d be very hurt if I didn’t go and say hello backstage on Friday night. I sing exceptionally well today and she is thrilled.

1 June – Go into Mrs S and work with Margaret and Elaine. I have a look at the picture of the juvenile lead (Colonel Fairfax) in the OK.

Webster as Colonel Fairfax

3 June – Go to SABC at night and Chris Lamprecht takes us. Ruth and I meet at interval and have a good chat. She says that they were charming to her on Saturday – lucky her! We’ll see each other at the theory exam on Saturday.

4 June – Work. Go to singing and Anne is there by herself. Webster is exhausted with rehearsing The Yeomen. The musical director, Desmond Wright picked him out for singing flat in the quartet! I don’t believe it! He hardly even retaliated! We work very hard and I send my love to him and wish him luck for the opening night. She wishes me luck for my theory exam on Saturday.

5 June – Go to studio and work hard. I lunch in Ansteys with Mum. A Mr Haagen comes to the studio in the afternoon to give Jossie Boshoff a lesson. I have a lesson with Mrs S and work with Elaine. Gill, Corrie and everyone think that JB is the limit!

6 June – Webster was obviously the hit of the evening for both critics say that although his singing is not all it once was, his great sense of timing, his experience of G&S in D’Oyly Carte, and his perfect diction carried the show through admirably.

Lewis Sowden – Rand Daily Mail.

7 June – Work. Go to singing and meet Roselle’s sister on the bus. Anne is in the studio by herself again. She has her hair in curls on top of her head (set for the first night). She tells me over tea that he stole the show. We work hard and she is very pleased. Selwyn comes after me and I wash the dishes before I leave. I meet Brian McDade on the bus coming home.

Oliver Walker – the Yeomen of the Guard crit.

8 June – Go to write theory exam and Ruth is there writing one too. Afterwards we have a cup of coffee in De Beers and she tells me that Anne raved about my concentration yesterday. I go up to Mrs S and deteriorate from then on. I faint 3 times while singing in the choir and my father has to come in to town to fetch me. I am ill for the rest of the day and Mrs S phones to see how I’m keeping.

9 June – Dora Sowden gives Webster a super crit in the Sunday Times.

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10 June – Work. Go to SABC at night and Ruth tells me that she might be going to Cape Town music school next year. We work hard with Chris Lamprecht.

11 June – Work. Go to singing in the afternoon and tell Anne about the fainting attack on Saturday morning. She is very sympathetic and tells me that she had much the same trouble herself, especially when she was on tour. She also tells me that Hilda is going to visit her family in St Helena soon and will be away for six and a half weeks so I shall probably be accompanying for Webster again on alternate days. Apparently, he is threatening a cold today but will have to persevere with the Yeomen. She says he’d be very hurt if I didn’t go and say hello backstage on Friday night. I sing exceptionally well today and she is thrilled. I wash our teacups after my lesson and this pleases her.

12 June – Go to SS studios and work at ear tests with Edith Sanders. Lunch in Ansteys with Mum and have my piano lesson in the afternoon. I meet Colleen McM on the bus – she is back working in an office and feeling miserable.

13 June – Go to SS studios and work with Edith Sanders again. I have lunch in the restaurant opposite Show Service and see Leon Gluckman there.

14 June – Anne phones in the morning with a king-size attack of the ‘flu. Evidently Webster is almost as bad. I promise to phone Ruth for her and do so in the afternoon to put her off. We go to Yeomen of the Guard at night and it is really gorgeous. Webster sings beautifully and (as I tell him afterwards) makes a charming young man. I go back to see Webster in his dressing room and say how much I enjoyed it. He is terribly pleased. He has a large glass of whisky sitting on the table. He says his temperature is down and Anne is feeling much better tonight. He is a real honey and as unassuming as always. I say, “Ta, ta,” and leave him to dress and get home to bed to nurse his ‘flu.

The Yeomen of the Guard

15 June – Go into the SS studio and rave about the Yeomen. Mrs S is very derisive about it. I work with Margaret and Elaine, sing in the choir and chat to Binky. Come home with Margaret. See Fast Lady (Stanley Black). Listen to Great Voices and he plays a woman of 69 singing. He says, “I wonder if I’ll sound as good as that when I’m 69!”

17 June – Anne phones me in the morning and says she is still sick. We talk for an hour and I think it cheers her up. She runs down Julietta Stanners-B for the peppermint green costume she produced for Webster in the last act. He’s still sick but managing to crawl on stage every night. She says she’ll let me know on Friday about the arrangements for the next six weeks, and certainly, I may have the studio key once more. I go to SABC at night and chat to Ruth. We have rehearsal for Friday and Anton Hartman comes into the studio to talk to us.

18 June – Go to SS studio and work with Edith. Have lunch in Ansteys and then see Sparrows Can’t Sing – an excellent and unusual film. Clive Parnell sits in front of me. Ruth phones to ask me to go to the SABC. Chris L is a pig to everyone in general and Ruth in particular -ugh!

19 June – Go to SS studio and practise. I lunch in Ansteys, have piano lesson and work with Elaine. I phone Anne at night and she still feels revolting even though she’s up. She’s not even sure if she’ll come in on Friday. She says that if she does, she wants Webster to come in with her to offset things as it is too much for her to cope with everyone on her own.

20 June – I go to final rehearsal for SABC in the evening. For a change, Chris L is very affable. Ruth is going for her singing lesson at home on Wednesday but they are not making up the two lessons she missed. She’s cross.

21 June – I go to singing in the afternoon and Anne is back in the studio once more. Lucille, Anne and I have tea together and then I have my lesson. Father of Heav’n goes fairly well. Anne asks me to go in on Wednesday to work for Webster and also next Friday. I’m going to fetch the keys tomorrow. We sing in the Light music concert at the City Hall conducted by Jos Kleiber and it goes well. Ruth remarks that Jos Kleiber is very energetic! Anton H and Edgar Cree congratulate us on our performance.

22 June – Phone early in the morning and speak to Webster to remind Anne about the key. He is sweet to me. I go to Mrs S and work with Margaret and Elaine and then go up to Anne’s to get the keys. I say hello to Robin Gordon and “Clara Butt”! I return to sing in Mrs S’s choir and come home with Margaret. I listen to Webster at night and he plays a super duet by him and Dennis Noble.

24 June – Go into town and buy some clothes. Practise with Margaret. Lunch with Mum in Capeniro. I go home on the bus with Colleen McM who tells me about Norma D’s husband and other theatrical gossip. Anne phones in the afternoon and asks me to go in for an hour tomorrow. Go to SABC at night. Ruth saw the Yeomen but didn’t go backstage to see Webster. She saw Anne in the audience but didn’t talk to her. She says she thought his voice was rather awful yet I thought he sang well. Work at Creation.

25 June – Go to singing for an hour and Webster is back in slightly disgruntled frame of mind. Work fearfully hard at Father of Heav’n but he is sparing with his praise. I sing the Landon Ronald song cycle and Anne raves about my singing and moans at him for being so grim. I have to play for him tomorrow at 3 o’clock. I hope he is in a better mood tomorrow!

26 June – Go into Booth’s studio and practise. Webster arrives in the afternoon and we have Heather Coxon first. I make tea for us and then we have Colleen, and after her our two demons. When Graham has his lesson Webster shines singing all his bass arias. Webster brings me home and talks about the Yeomen and how tiring it was to change into three different sets of tights at every performance!

27 June – Go to studio and work in the lovely calm atmosphere. Yvonne Marais’s mother phones to say she’s sick so I phone Anne to let her know so that she can come in later. She is grateful. Go to ghastly lunch hour concert featuring Jossie B, then come home and wash hair.

28 June – Go to studio and get a lift into town with Mr McKenzie. Webster comes in the afternoon moaning about the rain. Lucille arrives with her boyfriend and they sing a duet together. She’s there for an hour and then we have tea. I have my lesson and sing unusually well and he is pleased for a change. Selwyn comes and then we have an hour’s break before Betsy Oosthuizen and Graham. Webster brings me home in the Hillman, cursing the rain and the cold engine.

29 June – Go to town with Dad and we see Raising the Wind again – I love that film. Webster’s programme is super.

30 June – Have fairly quiet Sunday. Webster phones unexpectedly at night for no apparent reason except to chat with me. He tells me that he doesn’t think I owe them anything for July because of all the work I’m doing with him. We talk about various pupils, Brian Morris and Drummond Bell. He says he’ll go in tomorrow on his own as he can probably manage by himself as everyone is so awful and don’t need a proper accompanist!


EXTRACTS FROM MY TEENAGE DIARIES – NOVEMBER 1962

I go to singing in the afternoon. When I go up Anne answers and invites me in to listen to a friend of theirs on the radio – Geoffrey Parsons who used to be their accompanist and is now out here accompanying Erik Friedman, the violinist. Leslie Green has him to tea this afternoon. When I go in Webster is quite immersed in the broadcast but eventually sees me and says hello. The interference on the radio is rather bad and I hardly hear the chap at all – the only thing I gather is that he is an Australian and would like to go back. Webster keeps shouting to Geoffrey, “Speak up, Geoff!” When Leslie’s interview finishes they tell me that originally he had asked Webster to tea, but this was the only time Geoffrey could go. Anne shows me a picture of them with Geoffrey.

1 November – Work hard and swot in reference library where all the poor tired students sit staring blankly at their notes. One chap actually falls asleep and wakes up looking dazed.

At night I go to SABC. Ruth doesn’t come. Johan takes us and Gill runs him down to me. I fear our Messiah will provoke some rotten eggs from the audience unless it improves greatly.

At interval I chat to Iris, Gill, Hester and a middle-aged gent with a leer. Hester tells me she’s in Form 1V at Roodepoort Afrikaans High School and would like to make singing her career. She is rather a nice girl and not ‘loud’ as Ruth described her last night.

2 November – Go to the dentist and miraculously get away with only two fillings but am told to call again in February for a check-up. Buy a lovely dress for tonight, have lunch with mum and have my hair set.

At night I go with Margaret and her mother to the concert. Margaret tends to be rather an erratic driver and Mrs M is most nervous. At Crown Mines hall I enquire about the choir competition in which Ruth conducted and Miss Cameron was the judge. Girls consider it a matter of great hilarity that Ruth’s choir came last and that she conducted in an odd fashion. They tell me that she beat time in wide, uneven strokes and nearly fell off the stage. I laugh at Suzanne’s and others’ description of the event but I still feel so sorry for Ruth. She has a great opinion of herself so perhaps it’s a good thing for her to be cut down to size occasionally.

Concert goes very well indeed and our singing is good. Ellen, my redhead ex SABC friend does a monologue and recitation. A pupil of Walter Mony’s plays one of the pieces WM played in Drawing Room, and at once I am back in Studio G30 reliving those glorious Drawing Room days once more. What fun they were.

Mrs S is in a very jovial mood. Margaret gives me a lift home.

3 November – Go to SS studios. Mrs S says she’d like to see me on the South African Society of Music Teachers’ panel of performers! Have coffee and do ear tests and sing in the SS ensemble.

In the afternoon I go to a cocktail party with Mum and the Lisofskys – a farewell party for Mr Thomas of Shimwells at the house of Mr Immink in Montreux. It is a very nice house with a swimming pool. However my thoughts are with Pirates of Penzance in Bloemfontein. It’s the first night tonight. I shall probably see Webster on Monday after a long absence of three weeks.

4 November – Play in morning and afternoon at the Sunday School anniversary – I play well and the children sing far better than I expected.

Ruth phones at night – still with the crack-pot idea of auditioning tomorrow. She wants to have an extra lesson tomorrow but 3 is too early, so would I mind changing from 3.30 to 3. I don’t mind, so I agree. She says Anne refused to phone me because she thought I’d be cross if she changed my lesson again! I tell Ruth I’m not going to audition but she is persistent and determined. I still refuse. Says that Anne sends her love to me but she didn’t talk very long and didn’t say much about Webster’s play.

I hear glorious recording of Webster singing The Bells of St Mary’s and manage to record most of it.

5 November – Their twenty-fourth wedding anniversary. In the afternoon I go to singing. Anne and I have a long discussion about opera. I half-promise to audition. Webster arrives, wearing an old tattered raincoat and I am delighted to see him once more. He carries on as though my feelings are reciprocated. He doesn’t know what we’re talking about but tells me that whatever I’m going to do will be a cake-walk. I wonder.

I ask about Bloemfontein and The Pirates and he tells me a funny story. He decided to have a gimmick so they borrowed a chimp from the local zoo to come on stage with the pirates. Everyone was delighted with the chimp and she nearly stopped the show. When he was holding her and making a speech after the show she disgraced herself, so he said, “You naughty girl! I’ll never take you out again!” I have a good laugh.

I sing extremely well and tell them my master-plan for ATCL in August. He says that he is quite certain I can do it and I needn’t worry. Anne says she’ll look up an extra time for me and let me know about it tomorrow. She says she wishes all her pupils worked as hard as I did and mastered things as easily. Lucille has 4 lessons a week and is studying full time, trying to do the exam Ruth and I did, and she still can’t master the pieces for it.

Webster says I mustn’t drag too much in Zion. I feel quite nervous today. Webster comes down in the lift with me to see about his parking meter which is out of order and we talk in a friendly fashion. He comes out into Pritchard Street and stands with me for a few moments. He really looks well and more like his old self.

Go to SABC at night and Ruth comes ready for the audition. When she sees the large crowd she changes her mind. We fill in forms but I don’t hand mine in either. She told Webster she thought he was looking very handsome and evidently Anne’s face was a picture.

6 November – It rains again but I manage into town through it all. I go to singing and Webster answers the door still looking extremely healthy. He says, “Oh, hello dear,” in extremely friendly accents.

A little girl of about 12 is singing The Honeysuckle and the Bee in a rather sweet little voice. Anne seems rather lost teaching her, but he is sweet and understanding towards her.

When I go in, Webster calls me over to the window and points at the crowns on top of His Majesty’s which are lit up, and asks me, “Doesn’t that sight gladden your Scottish heart?” We both agree that it is lovely to see the good old crowns up on the theatre again. He asks if I’d like some tea and furnishes me with a rather lukewarm cup.

Anne says that if I come at 10 on Saturday during this month, she’ll arrange for me to come on Friday next month after The Merry Widow in Springs.

I tell them about the audition and how we didn’t take it in the end and how the people had to wait for ages. They sent one of their pupils to the audition. She has a great voice but sings everything quite seriously with burlesque actions like Anna Russel. As if this is not sufficient explanation, Webster insists on giving me a demonstration which makes me laugh.

We start on Zion and Anne makes him sing it along with me. He stands next to me so that he can see my manuscript and tells me that it’s an excellent copy. We sing it together and I try to breathe in exactly the same places that he does. He sings most beautifully but drowns my voice without any effort. I don’t mind being drowned out by such a lovely and great voice as his.

He says that with persistent effort I shall easily master it. I also sing Ein Schwan. When I leave Webster says, “Aren’t you coming next Saturday?” and looks quite disappointed because I’m not.

I listen to Anne on the radio. She plays her test record from Merrie England and tells us about their trip to Calgary for Merrie England, and then plays his recording of Where Haven Lies from A Princess of Kensington, and says, “My favourite tenor!” afterwards, and their two duets from King’s Rhapsody.

7 November – Go to SS studio and talk to Gill. We do some theory and then I have a nice lesson with Mrs S who wishes me luck for Saturday.

8 November – Work hard and then have lunch in Ansteys with mum. Jossie Boshoff, of all people, is having her lunch there also. I go to lunch hour concert where I see Dora Sowden looking her usual gypsy-like self. Soloist on piano, Yonti Solomon is excellent, and conductor, Edgar Cree, good as usual.

Go to SABC at night. We work with Pieter de V and he wades into I. Silansky, who is furious about it.

At interval Ruth buys me a cold drink and tells me that she is beginning to get bored with singing and wonders if a change of teacher would do her any good. Then she says she knows she couldn’t possibly leave them because they would be hurt. She’s so very fond of Webster, and when he dies she’ll miss him more than she would miss Anne!

I don’t get round to telling her about ATCL but I really must on Monday for she’s going to have a lesson at 10.30 on Saturday after me, so she shall have to know.

Gill gives me my share of the fee from the Indian Eisteddfod.

9 November – Listen to Webster when I get up. He continues Pirates and he is very much in possession of his senses and is very good.

Go to guild at night and Mr R tells me he’d like to come and hear us singing the Ninth symphony. This is flattering but perhaps he’d like a comp for the show.

10 November – Go and write theory exam at Selbourne hall. I meet Svea and we go in together. Arnold F is there in all his glory and calls everyone darling and drags them to their places. Exam isn’t bad, but I think I made two mistakes. I see Bridget Anderson (Bruce Anderson’s daughter) from the SS ensemble and tall chap who sings in church choir.

Go to Mrs S’s afterwards and talk to Mrs du P. Belinda Bozzoli talks about Ruth and says she has quite a sweet voice. Belinda is applying for an American Field Scholarship. She had an American girl on AFS living with her family while she was over here.

In the SABC bulletin there is an article about Webster and his G and S programme. We have lunch and see The Lion which is very good.

Cecil Williams has been placed under house arrest. He lives all by himself in a flat in Anstey’s building.

11 November – Go to Sunday School which goes fairly well and then go with Doreen and Betty to Memorial service at Boys’ school. The boys’ band plays a lament and Mr R gives the address.

12 November – Go to SABC at night and meet Gill in animated conversation with Gerrit Bonn. She saw My Fair Lady and enjoyed it. I go to the café with her so that she can have a meal.

We work hard. Gideon Fagan, who is to conduct us, comes to listen to the Ninth Symphony and poor Johan gets very flustered.

At interval Ruth, Hester and I go for a walk and Ruth (when we pass the Drawing Room studio) takes it upon herself to relate the kissing episode we had with Webster there. Poor Hester thinks we are two naughty girls! Ruth has a speed domestic science test on Saturday morning so she’s going to singing next Tuesday instead. I tell her about my plans for the diploma and she says she’s sure I’ll get it.

In the second half we do Messiah with Johan. Ruth leaves her Latin book behind so Hester gives it to me so I will have to arrange to get it to her. I’m quite worried about the test she’s supposed to have using the book. Iris brings me home.

13 November – I phone Ruth about her Latin book but she says she’ll borrow a book from someone.

Geoffrey Parsons.

I go to singing in the afternoon. When I go up Anne answers and invites me in to listen to a friend of theirs on the radio – Geoffrey Parsons who used to be their accompanist and is now out here accompanying Erik Friedman, the violinist. Leslie Green has him to tea this afternoon. When I go in Webster is quite immersed in the broadcast but eventually sees me and says hello. The interference on the radio is rather bad and I hardly hear the chap at all – the only thing I gather is that he is an Australian and would like to go back. Webster keeps shouting to Geoffrey, “Speak up, Geoff!” When Leslie’s interview finishes they tell me that originally he had asked Webster to tea, but this was the only time Geoffrey could go. Anne shows me a picture of them with Geoffrey.

In the society page.

Webster says in teasing tones, “I suppose you want tea?” I say, “Yes please,” and he proceeds to make some. Anne has a look at my ATCL syllabus and says I must make use of my Scottish accent and sing a Scottish folk song. They pore over various books and Webster suggests a song – I don’t catch the title but he finds it most amusing and roars with cynical laughter.

I do my studies and they say that I must keep pace up in the first one, especially the demisemiquavers. He stands and counts while I sing and it goes better. He says they are most complicated.

Do Ein Schwan. He plonks himself down in a chair opposite and stares at me during the whole song and then has the cheek to say that I look a bit nervous. I tell him in dignified tones that it is the lack of accompaniment that makes me nervous.

We go through Zion and he sings along with me and then accuses me of singing a G natural where there should be a G sharp! We succeed in going through the lot without any further interruption. I say it sounds worse every time. He says I’m talking nonsense. I’m getting on with it very well. He says that everything in the Christmas Oratorio is difficult. He sang it two years ago in Kimberley and had to battle with it. He gives me a long list of the oratorios in which he has sung recently. He is going over Elijah for some reason. I say goodbye to him and he says in his ‘folksy’ voice, “Ta, ta!”

Talk to Anne at the door for a while about the Ninth Symphony and tell her about Gideon Fagan coming last night and Johan’s forced resignation. She is disgusted with this and says that she’d believe anything despicable happening in the SABC. We part on most friendly terms. Says that we must start on Zion on Saturday.

Listening to Erik Friedman at the moment and it’s nice to have a vague association with him.

14 November – Have lunch in Ansteys wit Mum and see Arnold Fulton having lunch there.

I go tothe SS studio. Gill says she’s heard our commercial recording and thinks it is quite awful. She played it to her classes as an example of bad singing! She says she’ll be glad when Johan goes. She doesn’t seem to have a good word about anyone!

We do some ear tests. I have nice lesson and Mrs S says that if I work there’s no reason why I shouldn’t do Advanced Senior in March. We start working on harmony and I shall probably do the next theory exam in June. She says I may be excused for a while on Saturday morning seeing I’m having singing lessons this month.

15 November – Go to lunch hour concert. Anton Hartman conducts Bob Borowsky and Ethné Seftel. Work in the afternoon and listen to Leslie G. I expect he’ll have Webster to tea next Tuesday. He has John Silver today.

Go to choir at night. Gill, Iris and Winkle? are there so I chat to Winkle and she tells me about her singing teacher. Johan works us hard and we don’t finish till after 10.

16 November – Listen to Webster who goes on with the Pirates. He sounds so benign and sweet – which he isn’t. He’s a big tease.

17 November – Go to a performance in the morning and play quite well. Have coffee and then go to singing.

Anne arrives, telling me that she is really exhausted producing Merry Widow in Springs. They work in Brakpan all day and then go to Spring for rehearsals and the cast turns up half an hour late. She says they’ll never go to Springs again to produce another show.

We start on scales and she’s pleased about the way I’ve managed to cover the break in my voice. I go from bottom G to top B without any effort. We do Zion and then Webster arrives. His face is bright red and he informs me he had a big night last night. I say I went out too so that’s why I’m so woolly today as well. Anne tells me that they went to two dos last night and didn’t get in till about 2.30 this morning.

He says, “I’m going to make a good hot cup of black coffee. Would you like one too?” I say I’m not quite as bad as all that but I’ll take a white cup. He asks Anne what she wants and she says, “Well, I don’t happen to be in a state where I require black coffee, thank you, darling.”

We go through Zion once again and if the last two movements are hurried up I can get through the run with enough breath.

We do exercises and I get into a bit of a fandango as to where I must breathe in one of them. Into the bargain, the keys in the piano stick and I can’t help laughing at that too!

He brings me a cup of scalding coffee and says, “I really need this or else I shan’t be able to get through today.” Anne says, “I must say, you look simply awful today. Perhaps it’s that yellow shirt you have on.”

“No, it’s the way I feel today after last night.”

“Well, the fact that you drank too much is nothing to be proud of!” says she.

I do Ein Schwan and it goes much better apart from the fact that I don’t cover the vowels sufficiently. In Zion he says I sound a bit hooty on the top notes and gives one of his amusing imitations. Do first study as well and it is not at all bad.

He continues to emote about late nights and alcohol and says that he can’t stand them any more.

He sees me to the door and says goodbye in most affable fashion. The funny thing about him is that he is at his nicest self when he has a hangover.

I go back to Mrs S and sing in the ensemble. I walk down the road with Margaret who tells me she’s not very fond of the Parktown girls. She thinks they are a bunch of little snobs.

Have lunch in Capinero and then we see Surprise Package with Noel Coward.

18 November – Dad has a dreadful pain in his leg today so we have a worrying time. I fetch prescription at chemist and there is an improvement.

19 November -Dad better today.

Go to SABC and we work hard with Johan and Peggy Haddon (who played in Drawing Room) accompanies us. Gideon Fagan proves more cheerful this week and seems quite pleased with us.

I tell Ruth that Leslie G might have Webster to tea tomorrow. It would be fun to listen to that with Anne. She has a laugh about the bad hangover.

20 November – Go to singing and Ruth answers the door telling me that they are listening to Webster on Tea with Mr Green and that Anne is feeling sick.

Gary Allighan writes about the forthcoming oratorio season

Webster talks to Leslie about Bloemfontein and the chimp, and says that the grenadilla vines in their garden are dripping with fruit at the moment, and how long he has been in South Africa.

Ruth goes after telling Anne that she’ll pay her for this month next month. Anne tells me she feels very sick and doesn’t know whether she has apricot sickness or gastric ‘flu. She has a running tummy and feels sick and miserable and can’t eat a thing. She should really be in bed but doesn’t like to leave him in the studio to cope with the piano playing as he isn’t very good at it.

We start on Zion and it goes fairly well but I feel miserable at inflicting my voice on her when she feels sick. He arrives, fresh from his Leslie Green interview and is pleased that we think it was nice. He asks in most concerned tones how she is feeling. She says she is feeling dreadful and will go to bed the minute she gets home. He asks if he should call the doctor. She says she’ll wait till tomorrow and see how she feels in the morning. He suggests a gin and tonic but she says she couldn’t look at one – he mustn’t talk nonsense.

We do the studies and I lose bottom C. He says, “What did you do with that one, dear? Swallow it?” They don’t go too badly but my feeling of concern persists.

I tell her before he arrives about Dad and his cramp on Sunday with neuritis. She says she’s troubled with a slipped disc and has dreadful pain with it and always has to soak in a hot bath for 20 minutes every morning to relieve the stiffness.

Afterwards I talk about Messiah. He says he is very friendly with Leo Quayle and he’s good. Webster is going to PE to sing in Messiah and Elijah soon and the excerpts are to be broadcast on the 16 December between 5.30 and 6.30 pm. We talk about Rudi Neitz and he says that although he’s got a great voice his range is limited and last year he sang Messiah up an octave on the low notes.

I say goodbye eventually and tell Anne that I really hope she will feel better soon. She is shivery and cold and in a very bad way. She has only had a cup of black coffee and two boiled eggs all day and her tummy feels swollen.

Anne’s programme is lovely She plays recordings from Waltz Time and Laughing Lady. The next programme is her last.

I saw a poster there advertising an Elijah in Britain – Gladys Ripley, Harold Williams and Webster.

21 November – Have lunch with Mum in Ansteys – this reminds me of Cecil Williams who has flown the country rather than endure house arrest. He’s going to the UK.

Go to SS studio. Gill is there, recovered from her misplaced vertebrae – it’s in its right place once again. She’s teaching Corrie and I look at a South African Stage Who’s Who? My two pals are featured most prominently in it with pictures – he’s wearing a white tie and evening suit. It says he was considered the greatest oratorio tenor of his generation, and talks about their appearances at the Palladium, the Royal Command performance of 1945 and their private visit to the Royal Lodge.

When Gill finishes teaching I mention all this to her and she laughs derisively, saying it’s all nonsense. She says, “He can’t sing any more.”

I inform her that he’s going to sing Messiah and Elijah in PE. She says, “Oh, no! He should give up singing and stick to teaching.” She does make me sick when she runs him down.

Have a good lesson and try to phone Anne to see how she is but no one answers. Either she is all right or else she is alone and sick.

22 November – Work hard and then go to lunch hour concert. Jill Tonkin (from Lace on Her Petticoat) is there. Anton Hartman conducts and Aubrey Rainier is the cello soloist. He plays beautifully.

Webster finishes Pirates and starts on HMS Pinafore. In this recording he is still under the influence of his hangover but he gets through without a mistake even though his speech is rather thick.

23 November – Go to SABC for an orchestral rehearsal. Gideon Fagan is a grand and sensitive conductor and everything goes really well.

At interval Ruth, Hester and I go to Campbells and have a cold drink. Ruth pays. Gé Korsten, who is singing solos in Messiah, is also there. He certainly is a good looking man.

Ruth says that Anne told her she was very bad at Latin and scripture at school and was so naughty that they asked her to leave. She learnt singing with John Tobin and used to blush throughout her lessons. Ruth says she thinks she was putting on a big act on Tuesday. I don’t really think so.

We go through the Ninth after interval. It really sounds grand. Gideon F is a real gentleman.

24 November – Get a lift to town from Mr McKenzie in his Jaguar. Go to singing in the morning. Anne arrives and is quite well again. I tell her about the Ninth and say that I thought Gé K strained his voice a lot. She says that he isn’t really a tenor – merely a high baritone – and it must take a lot out of him to do the high solo part in the Ninth.

I say that I think Graham B has a glorious voice. She tells me a story about him. At one time he was a hopeless alcoholic but through some religious organisation, he was helped back to sobriety. He was very thankful and consequently became very religious.

A few years ago he went with Webster to sing Messiah in PE and when they were all gathered in the dressing room, Graham remarked, “This is such a beautiful work – a glorification of God – I think it would be very fitting if we all said a prayer before we sing. Shall we all kneel down?”

The others, including Robert Selley, were horrified but they could do nothing else but kneel down while he prayed. The next night, the cynical performers decided not to go into the dressing room if Graham Burns was going to be there so they spent their time waiting to go on stage huddled in the cloakroom.

Robert Selley took about three years to ask Graham back. Anne thinks that Graham was stupid to force religion on to everyone. I laugh to please her, but it doesn’t seem so very silly. I admire him for giving up alcohol.

We do some scales and she gives me a new exercise – a chord and a third up to mee-ee-ray-ay-fa-a-a-a-a-. It is to cover the break. It is very good.

During the first study Webster comes in and he makes me do it again to correct the timing. I tend to drag it.

We do Zion. She says I must make the sound richer. I sing the legato exercise for him. He says I’m putting ‘hs’ in and I must get rid of them.

Ruth is waiting for her lesson when I go so we talk about the Ninth and he says, “Oh, were you working last night?”

I tell him that Gé K had a face like a beetroot and I thought he was going to burst a blood vessel. He tells me derisively that he’s not really a tenor anyway. “I used to be a very high tenor and I found that work difficult to sing – it’ll ruin him. Why, he finds it difficult to sing top G!”

I get my certificate for the singing exam today.

25 November – I hear Geoffrey Parsons accompanying Erick Friedman and he is excellent.

26 November – Don’t feel very well but manage to final rehearsal at City Hall. Gideon Fagan is excellent. I meet Ruth’s sister, Caroline and see her mother. Mr O is in bed with virus ‘flu.

27 November – Go to singing in the afternoon and I sit in the studio for about five minutes before Webster notices me. “Did you really come in with Anne?” he asks. Anne sorts out the various eccentricities connected with my lessons and he gives me a cup of tea. He tells me he has some ghastly things to cheer me up today – the pieces for my diploma.

We start on the studies for which he plays. He doesn’t play the first one too badly so I manage to sing it well and he admits this at the end of it. He plays the second one so badly that I start to laugh in the middle of it. I think he is slightly insulted and when he gets to the end, he says, “Well, it was almost right. If you can sing to that accompaniment you can sing to any accompaniment!”

Anne returns from the office after telling someone coldly on the phone that it is not enough notice to call an hour before a lesson to say that they can’t come. She is not sitting in the studio waiting for them to arrive.

I go through the exercises and songs for the diploma – Purcell and Fauré. She spent an hour in Kelly’s this morning trying to get them for me. They are particularly stupid there, according to her. Next time she’ll try Charles Manning. I recommend him for his son Howard was jolly decent when I went in for the syllabus.

Webster goes through all his oratorios to find a suitable recit and aria for me. He asks if I’d like to do Father of Heav’n with a recit following the aria. I have always thought it most beautiful since I heard Kathleen singing it.

Anne is not fond of it but I persist and so does he. He says to her, “Ah, but you must listen to Kathleen’s recording.” He always says her name in hallowed tones – it gives me a shock every time I hear it. Anne looks very black about it.

For no reason at all, she says, “For heaven’s sake, stop fidgeting and fussing, Boo. You make me quite sick!” He looks very hurt but continues to inform me that I simply must hear Kathleen’s singing of it.

I tell Webster that I hope he’ll do very well with his oratorios in PE. He says in teasing tones, “And I certainly hope you’ll do well in your concerts too, Jean!”

I laugh at the way he says this. He says that he knows Gé K will never do these solos properly tonight. “He’ll probably have to belt it all out to sing at all!”

He gives me his own copy of Judas Maccabeus to look at Father of Heav’n. She says, “Won’t you need it at all, darling?” and he replies, “No! I’ll never sing that again in this world. The only time I shall probably sing it again is in the next world!” It is a very high role so I presume he means that he can’t reach the top notes any more. Poor Webster.

I depart cheerfully with enough work to keep me going for years. I go through his score – his name is signed on the cover and he has listed his appearances on the front cover – 1933 somewhere in Wales. Imagine it – over ten years before I was born.

Dad takes me (in long white dress) to Symphony concert in City Hall. We all stand around in the foyer looking particularly wraith-like. Ruth and Hester have had their hair set. Ruth tells me that Caroline and her mother adore me. We go up to stage door entrance and march onto the stage where we see a full house before us.

Gideon Fagan conducts beautifully and with great feeling. At interval we go and sing scales in the mayoral chambers. I tell Ruth about the Graham Burns incident. She doesn’t think it funny either. Her father is much worse and has sinus trouble on top of everything else.

The Ninth symphony goes very well and our singing is excellent. Gideon has such a lovely feel of the music. The soloists are good although Gé is a little off the beat and there is the usual great applause, bouquets and everything. They bring Johan on stage and the applause is thunderous. I always leave occasions like these with red hands.

Outside, while waiting for Dad to arrive Pieter DeV comes up to me and tells me it was grand and, “U het mooi gesing!” I say, “Dankie, dankie!” and all is most convivial.

28 November – Crits of concert are faily decent. I work at ATCL pieces in morning in a slightly haphazard and gloat over Webster’s Judas.

Go to music in afternoon. Gerrit Bon told Gill that the orchestra was bad but we were fairly good. Have lesson with Mrs S and get my certificate.

Go to hear Margaret sing at Teachers’ Training College. Meet Ann, Leona and the Spargos. Choral work isn’t bad, recorder group quite painful. Margaret is sweet but very nervous.

29 November – Have lunch in Ansteys with Mum. We meet Sue Johnson from the rink with her hair cut short. She is just the same but never has time to go to the rink now that she’s at ‘varsity.

I go to lunch hour concert. Anton H conducts overture from Norma and Cecilia Wessels, a soprano of at least sixty sings. Her top notes are still good but bottom notes poor. It seems a pity she should have to go on singing when she is so old. Pieter de V is sitting with Yonti Solomon in a box.

Webster goes on with HMS Pinafore at night.

30 November – Go to SABC. Leo Quayle comes and is a real honey – he’s about 50 – very gentle and sweet and certainly gets good results from the choir. He’s South African. He tells us about conducting God Save the Queen at Covent Garden. The Scotsman from PE tells me at interval that he’d love to be singing with Robert Selley’s Festival choir this year too.

Hester tells me that Ruth came last night with her mother but they’re having a cocktail party for her sister’s engagement tonight.

Daddy fetches me. I must say that I think Leo is my favourite conductor so far.

The Booths’ film Lord Oom Piet starring Bob Courtney, Madelaine Usher and Jamie Uys is on at the Capri so I must try to see it sometime next week.

EXTRACTS FROM MY TEENAGE DIARIES – JULY 1962

I get rather a shock because Webster does not do the programme this evening. They say that unfortunately he is indisposed, so Paddy O’Byrne reads from his script. I feel like howling, honestly I do! It sounds absolutely ridiculous but it would be futile if I could never hear or see him again. I’m shocked with myself for saying this but I’m afraid it’s true. I cannot help myself.

1 July – Go to Sunday School in the morning. Play for them but little boys are too much for me to handle! I get the play script from Gail and stay to church. Mr R very good.

2 July – Go to choir in the evening. I go up to 2c with Anna Marie and we see Hugh Rouse reading newscast. He won’t be doing that for much longer, I’m afraid.

We rehearse quite hard. Ruth is away and Gill is not there so I talk to Scots couple and a girl who is doing the same TC exam as me in August. We have a pleasant time – it is nice to get to know others in the choir for Ruth and I have a tendency to live in a little world or our own. Iris gives me a lift home.

3 July – I work extremely hard today and enjoy it. I hear JB Priestley talking about Ryder Haggard. He has a lovely, soothing voice.

Adjudicating in Bulawayo

At night we all listen to Anne’s new programme – Music for Romance. I’m afraid the summing up of this would be tried and found wanting. She spoke nicely of course in a sophisticated and deep drawl but she didn’t play one of their records. When I first met her I thought her such a pet – unaffected, charming. She has changed.

4 July – I lunch with Mum in the Capinero and then I meet Gill who is going to collect her clarinet from Gerrit Bonn at the SABC. I go with her and say hello to Johan and Gerrit B. I wait in the foyer while she collects the clarinet and am fed peppermints by two girls who are waiting to go to the Radio Record Club.

I go to Mrs S’s studio with Gill (complete with clarinet) and she demonstrates it to me but not much sound comes out yet!

We do ear tests which go well and then I sight-sing – I do this far better than Gill. She is fairly impressed.

Rita, Mrs S and I have coffee and then I have a nice lesson with Mrs S in which she asks me to join her choir, the Sylvia Sullivan Choristers, which rehearses on Saturdays at noon. Should be fun. She is pleased with my work and I feel quite elated. She plays a record of the Chopin Mazurka I am working on.

There is a picture of Webster in the Rhodesian paper just after his illness and he looks really awful.

He is going to be in a film about a Boer who inherits an English title called Lord Oom Piet.

I go to first play rehearsal at night and feel that I don’t do badly at all. My North country accent is a fair treat. Fun!

5 July – Have lunch with mum again and then go to lunch hour concert which is crowded out. I see Roselle reclining in a box, Jill Harry, and the lady who sits next to Ruth at choir. Quite a few children are there and they make a lot of noise. Gideon Fagan conducts and Walter Mony is the soloist. He is very good but naturally is angry at the noise – I don’t blame him!

Listen to Webster at night. He continues The Yeomen and gives us Martyn Green. Unfortunately Webster’s voice is very croaky.

6 July – Go to studio and Anne answers the door looking really awful and I feel sorry for her. She tells me that Webster is very seriously ill indeed and is now in hospital.

On the fourth day of his trip to Bulawayo, he collapsed and the doctors thought he had pneumonia because he couldn’t breathe. He managed to return home and was examined by their doctor here who was so worried about him that he sent for a specialist. He took blood tests and decided that he had developed a fever. It was too expensive for him to be treated at home so they put him into the fever hospital with a temperature of 103 degrees. She isn’t allowed to see him and today someone from the municipality rang up and asked if she was the wife of the “suspected typhoid case.” She says he can’t have typhoid fever but they’ll have to wait a week before they have the results of the tests.

When I got home I look up typhoid fever in a medical book. Within seven days red spots develop so maybe he does have it. Also, the heart valves have been affected. Poor, poor Webster. I am so very sorry for him and I pray that he will be well.

She makes us tea and I help and say (to cheer her up) that I liked her programme. She says she thought she sounded rather dull and slow but she’s rectified this in the second one. Let’s hope so!

My exercises (due to shock maybe?) go out of tune and she says it may be the result of my out-of-tune piano because I have a good ear. We go through them again and they get a little better – but not much! She says I must go through them bar by bar at home to get the tune firmly imprinted in my mind.

Sweet Polly Oliver is quite good – a little dull perhaps – but good. Mayday Carol is also better and My Mother is technically perfect but needs a little more light and shade. The studies go very well and she says, “I see you’ve been doing what your Uncle Boo told you!” She asks to borrow the music to practise them if she’s going to be my accompanist at the exam. I’ve to collect them on Tuesday evening before choir. Also, I have to go a bit later at 4.30 for the next two weeks because the little boy is going on holiday.

I say I hope Webster will feel a bit better and that she’ll get good news of him. She puts on a face of studied tragedy. I’m so sorry for him and I do want him to get well. To think that only two months ago – almost to the day – he was so happy doing Drawing Room and kissing Ruth and me.

Go to guild at night and we have the best evening for a long time. At fellowship I pray in round of prayer – my first ever public prayer. I pray for the sick but my heart was praying for Webster. We also pray for the poor Sharpe girls whose father died of a heart attack on Wednesday.

We have a games evening and I play the piano. All very jolly and good fun.

7 July – Go to rehearsal early – 8.30am and we work quite hard. Peter Spargo brings me home for tape recorder and we record hymn for communion which goes quite well.

Sylvia Sullivan with great-niece.

I go into Mrs S’s studio to sing in ensemble. Most of the girls are from Parktown Girls’ High. Mrs S makes me take the altos and then she comes in to helps us. She says she hopes to get a broadcast for us.

I have lunch with parents in Galaxy and we see Susan Slade with Connie Francis who is very good. All most enjoyable.

8 July – Go to Sunday School and play for them. Church is conducted by Mr Huth.

I listen to Leslie Green, Die Goeie Ou Tyd, Time to Remember and Life with the Lyons. Gary A is “bitterly disappointed with Music for Romance”. Says that the public want to hear her own recorded stage appearances. Good for Gary. I agree.

9 July – Develop another cold so as today is Family Day (alias The Queen’s Birthday) I nurse it – grue, ghastly etc!

10 July – Work and nurse cold in the morning. I phone Johan’s secretary to apologise for not attending choir tonight.

I go into town to buy tissues and go up to the studio to collect music. Anne answers and, lo and behold, she has left it on top of the piano at home – she’s so sorry! What can she say? Will it be all right on Friday. I expect so.

Webster has a normal temperature now and if he’s all right by Saturday they may let him out of hospital. As yet, they don’t know what’s the matter with him but I expect if his temperature is normal he must be quite well. I say, “I’m so glad,” – perhaps a little too fervently, but it is the truth.

She is all apologies for not bringing the music but it doesn’t really matter because I really wanted to know about Webster. Thank God he is better.

11 July – Work in the morning and then go into town. I meet Eleanor – Ruth’s enemy – on the bus. She is affable and most la-de-da and talks about everything but Ruth. I rather think she used to be quite nauseated with Ruth and me drooling over Anne and Webster all the time!

I have lunch in Ansteys with Mum and it is quite like old times. The second trumpeter is still there drooling over his roast chicken and green peas.

I go up to Mrs S’s and do ear tests with Elaine, Rita and Gill. Latter tells me that next week we are recording the commercial record unaccompanied. All goes well. We have coffee and then I have my lesson in which I do scales and a Czerny technical exercise which (I think) I sight-read well. Have to go and “perform” on Saturday immediately after play rehearsal – how ghastly!

Go to rehearsal at night – I don’t know my words very well – must really learn them. We practise with our recording. Peter S brings me home and also fetched me. He is a very easy chap to talk to but oh, so learned!

The record Net Maar ‘n Roos is on sale in Ansteys so evidently it couldn’t have been terribly popular.

12 July – Work very hard and listen to Leslie Green – recording in Trafalgar Square – talks of pigeons, rain, London bobbies and buses and makes me feel quite nostalgic about it all.

Am now in bed waiting for G and S. It is a simply glorious programme. He finishes The Yeomen and plays a record by “my dear old friend, Winifred Lawson. Winnie made this in 1921.”

He then plays one of Sullivan’s part songs, The Long Day Closes – a record made after the funeral of Tommy Handley by eight of his singing friends – the most famous singers in Britain at that time – Norman Allin, Parry Jones, Trefor Jones and of course, “myself”. The proceeds went to the Tommy Handley Memorial fund. Good for them.

He finishes with his own recording of Take a Pair of Sparkling Eyes seeing he’s starting to play the Gondoliers next week. It is very beautiful indeed and I enjoy it. Tonight was one of the loveliest programmes he’s done for ages. I’m so happy he’s better.

13 July – I go up to studio and Anne is there listening to Leslie Green broadcasting from London. I say I listened yesterday and felt quite nostalgic hearing his broadcast from Trafalgar Square and him talking about the pigeons. She says they had a letter from him yesterday and he has absolutely fallen in love with London. He’s very pro-British – both his parents were from Yorkshire and had broad accents.

She says that since Webster was taken ill she has felt more home-sick than ever. She hates South Africa and simply can’t settle here. “Maybe if I went back to Britain for a holiday that would settle me but I just can’t settle here now!”

I say that my mother is just the same and she says that the people here are very ill-mannered. She has to put the car into the garage in Plein Street and people are ready to run her down and bump into her. She has reached the point where she stops her car and gives them a mouthful! She says, “Webster was always there to help me but now there’s no one.”

Webster is getting out of hospital on Monday but the membranes of his heart are severely damaged and next week he has to stay in bed and have a cardiograph every day and then he’ll have to rest up for two or three weeks. She went to see him through a glass and could only wave at him but he was able to write her a letter on Tuesday.

My singing goes quite well today – best for a long time. We do studies and they are better for leaving them alone for a bit. Bedfordshire Carol is still a bit out of tune but she says that if I “think flat” on the D it should come right. I do this and it improves. My Mother and Polly Oliver are better because of vast practice. She says I must practise octaves and come down on all vowels to achieve evenness. She praises (sincerely) the tone of my voice and I feel elated.

She says Ruth sent her a postcard and she feels so sorry for her still being at school – I don’t! I envy her. We decide that after this exam we’ll burn the music.

I have a nice long lesson today as Bill Perry doesn’t turn up. It is just like old times. I feel elated and light as air but a little sad for Anne being so homesick and poor Webster still being ill.

Anne has been under a terrible strain running the studio, worrying about Webster and feeling homesick. If I had such a darling husband as him I’d feel pretty awful too.

14 July – I go to Mrs S’s studio. I play my pieces to Elaine and she plays hers to me. We work a little and then have coffee and cake with Mrs S, and her sister, Mrs Du Plessis. We work a bit more. Elaine says my pieces are excellent and then we play to Mrs S’s friend, Miss Cameron. The choir arrives and I play the piano for the altos. They all know Ruth and are impressed that I sing in the SABC choir. Their names are Shelley, Linda and Leila.

Go in the afternoon to see West Side Story which is, in my opinion, rather ghastly and too modern and ugly for words. That’s not music – that’s dis-chord!

15 July – Go to Sunday school and play the piano for them. I go with Joan to hear Peter C’s sermon – a great improvement from the last one. He speaks slower which aids matter considerably.

Listen to the radio – Leslie Green, Time to Remember and Life with the Lyons.

16 July – Have come to the conclusion that it is impossible to get the unaccompanied song in tune but have found another that I can sing perfectly in tune so I’m going to try and learn it beautifully for Friday and hope that Anne will allow me to sing it in the exam. It’s a bit late but I think it would be worth it.

In the evening I go to the SABC and the first person I come across is Gill V complete with her clarinet. I go and have supper with her.

We go into 1a to make the recording as Guest Stars of the Kreel Orphanage on the commercial record they have made and which is soon to be released. We sing our two Volksliedjies, unaccompanied. We manage to complete one song by the interval. Graham Green is the controller – he also did the controlling for Drawing Room. A photographer comes to take our picture.

At the interval, I try to play Gill’s clarinet and we all have a hilarious time. The noise I produce gets more squeaky as I proceed! After interval we record the first song Die Lied van Jong Suid Afrika. The sentiment of both songs is decidedly pro-Nat.

We also get our wages tonight which is perhaps the best part of the whole evening. I am quite surprised by the amount – far more than I expected. My first fee for singing!

17 July – Work and then have lunch with Mum in Ansteys. I treat her with my fee!

Work hard in the afternoon and listen to Leslie G in Kew Gardens.

Anne’s programme at night is still pretty awful as far as the music is concerned but her speaking is sweet and next fortnight she’s to play the Vagabond King so let’s hope it’s their beautiful recordings of it.

18 July – Work hard and then have lunch with mum and go up to the SS studio. Elaine and I sight-read duets together. We have coffee and then I have my lesson which goes quite well. I play on 1 September. I’m not looking forward to it.

We go for a drive at night to Hillbrow.

19 July – Go to shops, library, and park today with Shandy and we have fun.

I listen to Leslie G. He goes to the Tower of London where there is an actual rehearsal of the D’Oyly Carte company for Yeomen of the Guard. Then he goes to Petticoat Lane and tells of having high tea for 3/-. Am now in bed waiting for You Know Who!

I get rather a shock because Webster does not do the programme this evening. They say that unfortunately he is indisposed, so Paddy O’Byrne reads from his script. I feel like howling, honestly I do! It sounds absolutely ridiculous but it would be futile if I could never hear or see him again. I’m shocked with myself for saying this but I’m afraid it’s true. I cannot help myself.

Paddy O’B is excellent and from Webster’s script he tells us, “A pupil of mine lent me a record because he thought I was one of the singers. I made it such a long while ago that I’d forgotten about it. It has George Baker, Alice Moxon and Dennis Noble on it, and of course, myself. “ It is lovely – a selection from Gondoliers and his voice is glorious.

“This small company was called the Light Opera Company but we didn’t mind not being in the full company because the pay was the same.”

He starts with the overture to the Gondoliers and says, “I saw The Gondoliers in Birmingham the night before my audition and thought how bright and fresh everything looked. Imagine my dismay when the next morning I walked on to the stage and saw such tatty and dingy props! But who am I to disillusion the theatre-going public who have been my bread and butter for so many years?”

Paddy O’B goes on with the story. I feel so sorry that Webster wasn’t able to do it himself. I hope to heaven he is a bit stronger now. It’s so difficult to imagine such a strong, dependable, kindly man like that very ill and weak but no doubt he is and he must get better.

20 July – Go to the library and then to the studio in the afternoon. Anne answers the door and once more is in the middle of listening to Leslie G. I go in and listen too. He is on the train on his way to Edinburgh and describes the carriage, the friendly ticket collectors, the punctual time-keeping and the fast train. He went to visit a friend of Anne’s (Babs) and thought her garden was the loveliest in England.

Anne says that hearing him talk about all that she remembers so well makes shivers go down her spine and she feels so homesick. Strangely enough, I do too. When I listen to these programmes I always want to cry.

Webster is home now but he is still very weak and has to stay in bed. Last night and today he had a most terrible pain in his chest at the back of his breast bone so she called the doctor, and the specialist is coming for a cardiograph tomorrow. The virus cannot be killed and will only go in its own good time.

She tells me to come at a quarter to four next week and then, after my lesson, we can listen to Leslie Green and have tea together. That should be great fun.

I moot Hush My Dear and Anne is delighted with it. She says I must cover it more and all will be well. She spoke to Webster about the other one and he said he thought it was a state of mind with me. If he can say things like that he must be getting better.

All my songs go really well today and she is delighted. She says I am now singing quite beautifully and interpreting the songs well. Exercises are good and she says that my attack must be bang in the middle of the note. We finish with scale exercises. I think, with a bit of luck, I should pass the flipping exam!

Anne says that it is very tiring to sing properly because of the concentration it requires. Someone told her that it was simply pleasure, but brother, that is a fib!

I tell her to give Webster my love and tell him that I hope he will soon be well. She says, “God bless you, Jean,” and I depart.

I don’t know whether her awful gnawing homesickness makes her sweeter and more sincere but I do know that these last two lessons have been glorious and such fun, even though she’s worried about him. I think I cheer her up in some funny way – it must be that I’m British and love Britain as much as she does and she can confide how homesick she is to me when she can’t to a South African. She used to make a pretence of adoring this country but now she doesn’t have to because she knows that I understand how she feels.

Go to guild at night and we have a talk on guide dogs by young, handsome Mr Dawson and a demonstration by a lovely Alsatian. Very interesting.

21 July – Go to rehearsal for play and we mess around at the piano. Joan Rudman plays and I sing and they are greatly impressed and it gives me good practice at the same time.

Go to the studio and do ear tests with Pam and Olive. We have choir practice – only 3 altos and 4 sopranos are there. We combine with the sopranos today and it sounds very good.

Have lunch with parents at Galaxy and we see Follow that Dream with Elvis Presley who is quite decent for a change and very funny.

22 July. – Go to Sunday school. Playing and lesson go well.

In the afternoon the Alexanders come with Inge. They have a nice new Opel Rekord.

I listen to Leslie G and he plays a lovely record by Anne and Webster which I record. I turn over to Die Goei Ou Tyd and Francois van Heyningen plays a section from Glamorous Night with Webster singing Shine Through My Dreams and Fold Your Wings with Muriel Barron. Sunday has some really good radio programmes.

23 July – Leslie G is in Scotland – Loch Lomond, Stirling and Edinburgh.

Go to SABC at night. We start on Messiah and I really enjoy it and sight- read it well. Ruth is due tonight but she doesn’t arrive. I suppose she’s too exhausted after flying back.

Gill, Iris and I have coffee at interval and Gill says hello to Uncle Edgar and he grins at me as well. We do the Ninth Symphony after interval. Poor Iris might be having an operation soon.

24 July – Leslie G’s programme from the UK doesn’t arrive in time so we hear one he made in Jo’burg before he left. Quite disappointing not to hear from ‘home’ as Anne calls it.

25 July – Go to music in the afternoon and do ear tests wit Gill and Rita. Mrs S asks Gill to adjudicate at an Indian Eisteddfod at beginning of September so she asks me to go with her and be a second opinion. I agree to do this – will be a very good experience.

I have lesson which goes well. Mrs S says I must come as soon as rehearsal is over on Saturday and work with Elaine.

Go to rehearsal at night and it goes reasonably well. Archie is quite good but Shorty is hopeless. I cannot imagine play going on on 17 August.

Mummy listens to the radio in order to record Leslie G but instead of him, John Silver is on. He says that the programme hasn’t arrived yet but one wonders if his programmes were a little too pro-British for the SABC. They just have to put it on for Friday for we’ve such a lovely day planned and it must come off!

26 July – Have a rather grim day of feeling ill again. However, I manage to listen to Leslie G – he’s back, thank goodness. He’s still in Scotland and talks of Edinburgh, Stirling and Falkirk.

I am now in bed waiting for G and S and wondering who will broadcast it tonight. Paddy O’B does it again. The station announcer says once again that he is sorry that Webster is still indisposed. Paddy O’B goes on with the Gondoliers which is nice and also plays a quartet with Henry Lytton, Bertha Lewis and Leo Sheffield, lent to Webster by a friend – Norman Roberts. Henry Lytton is quite fabulous. Webster says in his script that he thinks they were far livelier than they are today. Paddy O’B sounds horrified at this!

27 July – Go up to studio. Peter (someone) a tenor with a glorious voice is singing the Serenade from Frasquita and Hear my song, Violetta. Anne says, “We’ll lend you our record of it. It’s a very good recording – we made it when we were young and sprightly and still had voices!” Hear her say that Webster is once again in the fever hospital!

Go in and in my excitement say, “What’s happened to Webster?” Anne says that he is terribly ill once again. Over the weekend he had terrible pains and the specialist decided that his heart was all right. It must be indigestion so he put him on a diet – no alcohol ( which he couldn’t tolerate for he must have at least one whisky and soda before dinner) and only ten cigarettes a day. The pains persisted and on Tuesday they were so bad that he had to have the doctor in again and his temperature was up. Doctor decided that he had better go to hospital again and have x-rays as the virus must have flared up again.

Wednesday and Thursday they were too busy to do x-rays but they thought it was either gallstones or something pressing against the heart.

Today Anne went along and sat with him while he was x-rayed and the radiographer was terribly rude and said he’d have to come back tomorrow (when there’ll be about 50 people there!). He said he had no intention of coming back again, so she said, “Do as you please. If you want to die, I don’t care!”

However, whether he likes it or not, he has to go back tomorrow. They’re allowing him to have a gin and tonic because he can’t go without it. He absolutely hated having to go back to hospital and is in a grim room. I’m so very sorry for him.

Anne says she thinks perhaps his gums could have affected his system but they won’t listen to her. She says she’d rather have all this happening to her because he’s in such agony.

We decide that we’ve wasted so much time we can’t listen to Leslie G today but I have tea anyway.

I sing – not too badly – considering. I haven’t been very well myself but I feel wretched about him. We go through everything and as tickets haven’t arrived Anne has to phone Arnold Fulton tonight. She says I can phone her at home on Sunday night to hear the outcome of the call. After all that work the tickets must come!

I say goodbye and send Webster my love. Poor, poor pet – he’s had one hang of a bad time and he must get better. How I pray he will get well.

When I get home Ruth has phoned. She phones again at 5.30 and tells me simply astounding unbelievable news – they (her family) have won £40,000 on the Ndola sweep! Can you imagine! I am utterly delighted and she tells me her parents are driving up from Natal today in a state of great excitement. I ask what they will do with all that money and she says they will probably go overseas and buy a new car. I am thrilled for her sake. She is a darling and deserves all the happiness she can get.

She says she phoned Anne but I’m the only one she has told about the money and she’s terribly sorry about him. It shows what a sweet lovely child she is to be concerned with him after winning £40,000! She’s coming to choir on Monday – I can’t wait to see her. I’m surprised at myself for I don’t feel envious. I’m just delighted for her.

28 July – Go early in the morning for rehearsal. Shorty, who is supposed to be my husband in the play, insists on giving me slobbery kisses and putting his arms around me at every opportunity. I survive, however.

Go to town where I see Johan in a bottle-green t-shirt and sports jacket looking far removed from being Anton Hartman’s Sorcerer’s Apprentice!

I arrive at SS studio in time for coffee and then practise Viva Voce with Pam and Elaine. This proves rather grilling with Mrs S listening to every word. Luckily I have to ask the questions rather than answer them. The choral singing goes rather nicely. Shelly, Leila, Mary and Belinda Bozzoli are the altos.

Have lunch with parents in Galaxy and come across Sally Bowling there. She looks older and more sophisticated than I remember her. She doesn’t go skating much now.

We see The Silver Key by Edgar Wallace – very exciting, and an excellent short on Russian culture – singing, ballet etc.

29 July – Go to Sunday school and play the piano. David Dury shows me all the postcards from Ireland. I promise Mr Russell to train the soloists which should be fun. He gives an excellent sermon today.

In the afternoon we have another rehearsal which goes well. Play is shaping up very well indeed. Later I have to phone Anne. She has not phoned Arnold Fulton yet. “I just haven’t had a minute with the two programmes. Would you do it?” She is so insincerely charming that I can’t really refuse. I say I’ll phone tomorrow afternoon. I’ll phone her about it on Tuesday.

Webster is a bit better and had an x-ray for gallstones today and is to have a stomach x-ray on Wednesday. She doesn’t sound terribly upset about him either – she is in one of her more callous moods tonight!

30 July – Work hard and intermittently spend time phoning Arnold Fulton but he’s not there.

Go to SABC tonight. Ruth arrives and is quite unchanged despite the £40,000. They are going to buy a Rover and her parents are going to Scotland and then around the world in September. They’re going to have another two servants and each of the girls has £100 to spend on clothes. She says she doesn’t intend to swank about it or get big-headed but she’s quite thrilled at the minute.

She says that Anne is acting very strangely and she is disgusted that Anne is charging us a fee for accompaniment. We enlarge on this. Ruth is rather sweet and says, “Money is no object to me now but I still think it’s a bit much.”

She says they sent Webster a whole lot of books to read in hospital. I’d like to be able to do that too, but alas – impecunious me!

We sing Messiah and Gill is rather acid about Tufty’s successful audition with Bruce Anderson. “They have to take people whether they can sing or not!” Poor Tufty.

At interval, Ruth and I disappear and she tells me about her holiday, Alan and Anne and Webster. She doesn’t seem so gone on them any more. She goes and asks Johan for her wages and says, “The more I get, the more I want! Life’s too short not to be happy!” Some philosophy this!

We do the Ninth and then Johan tells us that next week, as the orchestra is going on tour, we shall probably have Edgar Cree to take us. Come home with Iris and feel quite elated.

31 July – I get through to Arnold Fulton today and discover that he is as Scottish as the day he was born. He says he sent the forms to them so they must have gone astray. He tells me to fill in a form with all the particulars and send them to him.

I phone Anne and tell her this news. She tends on the brittle side but it quite affable. Webster has no gallstones and just has to have his stomach x-rayed and he might be home on Thursday all going well. I say that it’s lovely about Ruth isn’t it? And she says, “It’s not true!” Presumably, this is an expression of pleasure.

Have lunch in Ansteys with Mum and post letter to Arnold Fulton. Leslie G is in the Midlands today.

Listen to Anne’s programme tonight and have to say that it is quite fabulous. The reason is that she plays their own records and talks about Webster a lot. She plays Wunderbar, Only a Rose and Love Me Tonight. She says, “You’ll have to excuse the surface of that record. It’s probably getting old, just as Webster and I are also!” There is a slight tremor in her voice at this – somehow, it touches my heart. Her programme is fabulous and if it goes on like that it will probably run for ages.