I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.
Leslie Green was in the UK on holiday and Anne and I listened to Tea with Mr Green (broadcast from the UK) when she was in the studio on her own and Webster was very ill. By this time Paddy O’Byrne was reading Webster’s scripts on the Gilbert and Sullivan programme as he was too ill and weak to record the programmes. He visited Anne’s great friend, Babs Wilson Hill and did a broadcast from her home. He said she had the most beautiful garden in England.
Webster was very ill indeed when he returned from Rhodesia and had to spend some time in the Fever Hospital in Johannesburg.
August 1962 – Music for Romance. Anne presented a series of programmes of recordings and reminisces about her life and career in England. It received adverse criticism from various radio critics and only ran until December.
October 1962 –The
Pirates of Penzance.
Webster directed this production. As a gimmick, he had a chimpanzee
to accompany the pirates on stage, but the chimpanzee was not without
problems. She disgraced herself during Webster’s opening night
speech. He quipped, “You naughty girl. I won’t take you out in a
November 1962 – Port Elizabeth Oratorio Festival. Elijah and Messiah, Webster, Monica Hunter, Joyce Scotcher, and Graham Burns, conducted by Robert Selley. The complete oratorios were broadcast locally in the Eastern Cape as usual. Later, excerpts were broadcast nationally but, for some unexplained reason, none of Webster’s solos were used in the national broadcast. Two older members of the SABC choir (Gill and Iris) took delight in cattily telling Ruth and me that it was because Webster’s singing was not up to standard and that was why he was not included in the broadcast. That was the last year that Webster sang at the PE Oratorio Festival.
Accompanying for Webster. Shortly after Goodnight Mrs Puffin ended its run at the Alexander Theatre my father heard a recording I had made of myself singing Father of Heav’n from Judas Maccabeus on my recently-acquired reel-to-reel tape recorder. He passed several disparaging remarks about the quality of my singing and I was feeling extremely despondent when I went for my lesson. Anne and Webster were kind and sympathetic when I told them what he had said.
family never praised me for my singing either,” Webster growled.
“If it had been up to them I would never have become a singer.
Bring the recording along next time and let’s see what it’s
They listened in silence the following week – perhaps my father had been right and it was awful – but afterwards, Anne asked rather sharply as to who my accompanist had been. They were surprised when I admitted to accompanying myself.
Nothing more was said. In the fullness of time, I recovered from the hurt my father’s criticism had caused me and I plodded on regardless. A few weeks later Anne phoned my mother to ask whether I’d like to play for Webster in the studio for a few weeks in April as she was going on a tour round the country with Leslie Green, the broadcaster of Tea With Mr Green fame on Springbok Radio, a great friend of theirs.
I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.
He is going to Lord Lurgan’s for dinner tonight and tells me all about him. He makes a right carry on about getting himself “tarted up” for the occasion. Tomorrow is probably my last accompanying day. I am sad.
1 May – I wallow in “advanced depression” today. How will I manage after these two halcyon weeks are over? Have lunch with mum and then go to the studio and sing in that hallowed atmosphere. Go to Mrs S, chat to Elaine and teach Corrie Bakker.
2 May – Go to the studio, have lunch there and go to the lunch hour concert. I meet Webster in town and he asks me to put money in the meter for him which I do while he panics and goes to the AA to renew his subscription. He tells me he really enjoyed himself on Tuesday night. I’m so pleased. Colleen sings well but the next two are not so good. He sings duets with the last pupil. He is going to Lord Lurgan’s for dinner tonight and tells me all about him. He makes a right carry on about getting himself “tarted up” for the occasion. Tomorrow is probably my last accompanying day. I am sad.
3 May – Webster phones in the morning to tell me that Lucille isn’t coming this afternoon – I am glad! I go into the studio and entertain Mr Knowles-Lewis (who won the hymn competition last year) until Webster arrives. We have Norma and Selwyn. Anne phones to say that she is home safely and quite exhausted. . The others come and go and then all the heaven of two lovely weeks is finished. Webster thanks me and says he loved having me play for him and if Anne doesn’t feel up to coming in tomorrow he’ll phone me. He takes me home in his car for the very last time. He says quite pensively that, “I’ll miss my Sylvia Pass next week.” We part until Tuesday when I will return to being an ordinary pupil once again.
4 May – I feel sad that my two wonderful weeks are over. I go into Mrs S and have a theory lesson. The choir arrives and we are stooges for two people endeavouring to pass the class teachers’ exam. I have a chat with the TCL secretary and see dear old Uncle Mac for the last time.
I phone Ruth in the afternoon and she says Webster raved and raved about me during her lesson this morning, saying how good I was at accompanying and how the experience has boosted my ego and how he loved having dinner with me and my parents. She says Anne regarded him very coldly when he spoke so fulsomely about me! I phone Anne in the afternoon and we talk for a whole hour about everything under the sun. She tells me that they would have loved to retire to a smallholding in Devon but there wasn’t enough money to do so. I don’t have the impression that she is annoyed with me in any way. I listen to Webster at night.
7 May – Webster phones to remind me to fill in my form for the Trinity diploma exam which I have already done. Go to singing and Anne is looking a little tired. She says she didn’t like all the self-centred South African people she met on her trip around the country with Leslie Green. She says she will be a step-grandmother soon as Webster’s son’s wife is going to have a baby in December. We work at the unaccompanied folk song. Webster tells me that Uncle Mac is going to be doing the exams in September. They had him to dinner on Sunday.
8 May – Work at harmony and go to town and lunch in Ansteys with Mum. Go to SS studios and have a harmony lesson. Mummy phones in the middle of it to say that Webster phoned and wants me to audition at the Brooke on Saturday morning. There is a picture of them in the paper. Phone Anne at night and she says that BB is interested in hearing me but as this is a private audition I mustn’t breathe a word about it to anybody. She says she felt she had to do something for me after our chat on Saturday.
10 May – Go to dentist and have lunch with Mum and then a gruelling harmony lesson. Go to singing and Webster gives me tea. Anne and I go over Gypsy Moon for the audition. Anne says, “You’re a beautiful girl and if you were my daughter I’d be very proud of you.” Go over Father of Heav’n and Webster says he’s playing Kath’s record of it tomorrow night. Anne wishes me a lot of luck and is pleased to hear that I enjoyed their autobiography. She tells me to phone tomorrow night.
11 May – Go for audition at the Brooke Theatre and give Colleen a lift there. We go in and feel nervous. Colleen sings well and should get a part. I sing fairly well and Brian Brooke says I could have a small part which will give me some experience. I go to Mrs S afterwards and sing in ensemble. We see A Touch of Mink. I phone Anne at night and she is pleased and thinks I should take up his offer. I listen to Webster’s Great Voices – he plays Kath and Harry Lauder and talks about Bel Canto.
13 May – Work hard and go to SABC at night. See John Steenkamp and Mrs S. Ruth is there and we work hard with Chris Lamprecht.
14 May – Work hard. Go to singing in the afternoon. Little boy is having a lesson before me. Anne comes into the kitchen on the verge of tears to moan to me about the child. Webster is more tolerant. She tells me to watch out for Brian Brooke as he’s a wolf – the younger, the better! Sing Massenet and go through the unaccompanied song with Webster which goes well. Norma comes after me looking heavenly and theatrical.
15 May – Have lunch in Ansteys with Mum and we meet Mrs McDonald-Rouse and Mrs Moody. Former tells me to give her love to Webster and Anne. Go to Mrs S and have a long lesson. I chat to Elaine (newly recovered from mumps).
16 May – Lunch with Mum and then go to hear Adelaide Newman and Hans Mommer. Anne arrives rather late and first gives an audition to girl, Heather. I go through all my songs and when Webster arrives he records Father of Heav’n. I feel miserable about it. He makes tea and I wash up afterwards.
18 May – Go to Brooke theatre in the morning and he and Bill Walker audition a few more people. In the end there are 8 of us trying for 4 parts as nuns. Bill Walker’s wife is my rival so I can only hope for the best. BB is quite sweet and calls me darling. Go back to Mrs S afterwards and chat to Suzanne Bilski. I get Betty home on the bus. We see Days of Wine and Roses in the afternoon. I meet Ila Silanski there.
21 May – Work. Go to singing in the afternoon. We go through Love’s Sickness and Webster makes tea. Evidently Colleen didn’t get any part at all for BB was disappointed with her speaking voice and advised her to take speech lessons. They are not pleased about it. I tell them of my experience with Bill Walker’s wife! More or less at the last minute, Webster is going to take the part of Colonel Fairfax in The Yeomen of the Guard for JODS as they do not think the man currently doing the role is up to it. Should be fun. I do the French song well and am there for ages.
22 May – Work and lunch in Ansteys with Mum. I go to Mrs S for harmony lesson and chat with Gill. I do ear tests with Edith Sanders and we decide to go to the studio regularly in the mornings to do ear tests in preparation for the forthcoming diploma exams. Edith has perfect pitch!
24 May – Go to singing. Anne is there by herself as Webster is rehearsing madly for The Yeomen so I make tea for us all – Lucille is there too, having had a lesson before me. Anne tells me that she and Webster had indigestion after eating a sheep’s heart casserole! We decide to do some Landon Ronald songs for a change – she sings them for me in her heavenly voice. They are too gorgeous for words.
25 May – Go to Mrs S and then to Brooke theatre where some of the people don’t turn up. BB tells me to come back again next week but I’m not sure if I shall. We see Whatever Happened to Baby Jane?
Webster plays duets by Dennis Noble and himself and a song by Bennie Veenemans, the boy soprano. He played that record to me in the studio when I was playing for him.
26 May – Go to church and copy and transpose Anne’s Landon Ronald songs.
27 May – Work. Go to SABC and we have Mr Tyler once more. We work at English folk and traditional songs.
28 May – Go to dentist, lunch hour concert and library. I see Michael Newell. Go to singing and Webster is back again. Norma arrives too early and upsets things. We do the Landon Ronald songs and he is delighted with the transposition. They are disgusted about Brian Brooke.
29 May – Go into SS studio early and Elaine and I do some theory together. Mrs S comes in and tells us that Stan’s mother has died. I lunch with Mum in Ansteys.
30 May – Go to SS studios again and work hard. Lunch with Mum and come home on the bus with Margaret. She tells me that Peter Lynsky (Jack Point in the Yeomen) is a lecturer at Teachers’ Training College.
31 May – Republic Day. We see To Kill a Mocking Bird with Gregory Peck. It is very good indeed.
We discuss picture of Anne and Webster which appeared in the Star and she says she thought Webster looked “mouldy”! Anne looks too gorgeous for words. It was taken at the wedding of Margaret Inglis and Robert Langford in Brian Brooke’s garden. We have a good laugh about Mabel Fenney’s fascination with Webster, although we understand her feelings about him!
1 October – Go up to the studio for report cards and Webster answers looking quite well. He greets me with, “I don’t know what Ruth is going to say when she hears but you’ve beaten her.” I say, “But she sang nicely – much better than I did.” “The examiner didn’t seem to think so!” he says with a hollow laugh. Anne brings in the cards. I have 76% and Ruth has 72%. We have exactly the same for our exercises which I think is rather unfair considering how well Ruth sang them.
Go to SABC and when Ruth arrives I give her the report and she is thankful to have passed. Iris and Ila Silansky talk to us at interval and I get rather carried away defending Webster (whom Ila and Iris don’t like for some unknown reason).
is a rumour that Johan is leaving the SABC. I see the Ormonds’ new
2 October – I work hard in the morning and then Mum and I go to Ansteys for lunch. I’m at the studio first. Webster and Anne arrive, looking very smart. I tell them of my desire to do Higher Local and skip Senior. Webster says, “I see no reason why you shouldn’t.” I add that I want to do it in April and they are still quite complacent and pleased about the idea.
look out all the Bach and Handel arias and try to decide which one to
do. We swither over Father of Heav’n but they decide it is too
long. “When I played the record Kathleen made of it, I had to cut
it,” Webster tells me. We decide on an aria from the Christmas
Oratorio by Bach called Prepare Thyself Zion. It is very
nice and he sings it for me very softly and sweetly. There is another
aria in the work that is beautiful and I must look at it at home when
I’m copying out the Zion one – Slumber Beloved. The book
belonged to Mabel Fenney (who taught at our school. Webster says he’d
like me to do the same aria as she did for my final exam.
They tell me to get The Swan by Grieg. “I can tell you before we start that any song by Granville Bantock would be difficult, so we won’t do that one,” says he flatly.
tell me that another of their pupils has just started on the exam I
have finished and is doing Polly Oliver. He told her that he
had another pupil who would probably be delighted to throw the old
music at her!
We talk about Mrs Fenney and Anne tells me that she worked very hard indeed and used to come into the studio before they arrived and practised like mad. She adds that the tragedy of it was that she fell madly in love with Webster and showered him with so much attention that the poor darling was very embarrassed. I roar with laughter and look at him and he looks rather uncomfortable and says he must confess he felt rather flattered. Anne says that towards the end it was rather awful – not that she blamed her for she had such an awful husband! Everyone falls for Webster. “She was a bit mad,” says Anne. I think I’m a bit mad myself to be doing this exam. We have a good laugh and I depart feeling quite elated.
3 October – Work hard in the morning copying from the Christmas Oratorio. After lunch, I say goodbye to Mum and toddle into town to purchase The Swan and the new vocal studies.
Go up to studio and Gill is there in the midst of practising for a last minute accordion duet she is to play at the SA Championships. Miss Margaret Cameron comes up and takes a fancy to me and shows me her book of kitchen tea verses with illustrations by Heather McDonald-Rouse. Apparently she has known her for years. Shealso did the script for Mrs McD-R’s concert on Saturday night in Malvern.
departs to practise with her partner – a chap called Lynn from
Durban – “Who would just suit you,” she says. She tells me that
Johan has been given the sack. I am so sorry.
am left alone in the studio and Arnold Fulton phones to inquire about
speech exams – he seems to haunt me and I’m sure I’m haunting him.
come home and try over songs and studies – all most complicated and
heaven knows why I have decided to torture myself once more.
4 October – Go to SABC at night. Ruth doesn’t come. Johan works us hard and plays the organ beautifully – I’m so sorry he’s leaving. I really can’t understand that he would have been “given the sack”!
5 October – Work. Dad takes Mum and me for a run to Pretoria which is fun despite the rain.
listen to recorded version of G and S from last night. Patience
is very good. I think Dennis (the boy whose mother made apple tart
for Anne, Webster and me) sings Danny Boy on Stars of Tomorrow.
6 October – Go to town and music library. I get three very dry, highly scientific music books. I have to take one back on Monday as it is a work of reference.
Meet Gill who is delighted to have come second in the accordion duet competition. Lynn bought her a brooch to say thank you for playing with him.
Have lunch in Capinero with Mum and Dad and then we see Black Tights, a ballet affair with Cyd Charisse and Moira Shearer. Meet Iris there with her family.
8 October – Go into town with Mum. We have lunch in Ansteys and then go to hear organ recital given by Harry Stanton in the city hall. Very few attend but he plays wonderfully all the same and we enjoy it.
At night go to SABC – we work madly on Ninth Symphony and Messiah. Talk to Ruth who is feeling very miserable because she has broken up with Alan as he was getting a bit too serious. She had a lesson on Saturday and is going to do the next exam – Senior. We discuss picture of Anne and Webster which appeared in the Star and she says she thought Webster looked “mouldy”! Anne looks too gorgeous for words. It was taken at the wedding of Margaret Inglis and Robert Langford in Brian Brooke’s garden. We have a good laugh about Mabel Fenney’s fascination with Webster, although we understand her feelings about him!
9 October – I manage to get the diploma syllabus from Mannings. The contents frighten me to death but I’m determined to see it through.
up to studio and Webster is there by himself. He tells me that Anne
has gone shopping and should have been back hours ago – he is quite
worried about her.
is in the middle of mending a plug which has lost its screw and he
seems to find this a most complicated procedure. He curses it in no
dignified terms. I ask him how he enjoyed Margaret Inglis’ wedding
and he says, “Oh, it was jolly! We had such a delightful time. It
was a very small affair.”
He makes me a cup of tea and we take it over to the piano. He starts to get very agitated about Anne and says, “I always worry about her when she doesn’t get back in time. She could easily have been run down by a car.” Knowing Anne, I doubt whether that would be at all likely.
We start on the HL studies and exercises with him playing the piano with sausage fingers. They go quite well, but he says I must learn to cut out the intrusive ‘h’ – it’s bad. Remember what the examiner said in the report.
The studies are fairly complicated and he says that he thinks I should turn the acciacatura into an appoggiatura seeing the note is dotted – I hope he’s right. He suddenly turns round to me and asks whether I read music better with my eyes or my fingers. I say, “My fingers!” He says “I can’t read music with my fingers – they’re too stiff now and I don’t practise much on the piano, but I don’t find it at all difficult to sing at sight!”
He goes to phone the garage because their car is there. Anne arrives in in the middle of the call and tells me she has had to spend forty minutes in Kelly’s – they’re so stupid.
go through studies and The Swan and he says I must sing it in
German. He asks about solo parts in Ninth Symphony. I say that I
think Gé Korsten and Graham Burns are going to sing the tenor and
bass roles – he looks quite crestfallen at this.
A woman they both detest arrives and Webster gives her a cup of tea. Anne talks to me about the heat and I say that there will probably be a storm later. There always seems to be a storm on the evening of her programme. I tell her that we all enjoy it very much. She is pleased and tells me that although it is a great success the SABC is taking it off at Christmas. I say that it’s about the most enjoyable programme on the radio and it’s a shame to have it taken off so quickly. Needless to say, we part on very friendly terms.
Listen to Anne at night and she is quite wonderful – conjures up London Palladium memories with Tommy Trinder, and them singing So Deep is the Night.
Plays Lock Up Your Daughters – a mistake – and My Fair Lady. She tells us about Rex Harrison almost becoming her brother-in-law. He worked in the Liverpool Repertory company, lived near them and took a fancy to her sister Phyllis. Perhaps it’s just as well that he didn’t marry her sister, judging by his amorous adventures.
I felt sorry for Webster today. He looked so old and tired and acted in a doddery manner, merely a skeleton of the former man. He has to go to Bloemfontein to direct The Pirates of Penzance soon so perhaps that will put some life into him.
11 October – Go to Mrs S in the afternoon. She had bad weather when she was away in Cape Town. We go through the piles of theory I have completed while she was away. I have to go on Saturday for ear tests.
to Webster on G and S at night – he repeats about half of last
week’s programme but still manages to get through the first act of
Patience after three weeks at it, after much twisting of the
tongue over “The Dragoon guards.”
13 October – Go to SS studio in morning. Margaret is there so I go through some of her ear tests with her.
We lunch in Capinero and Mum brings me a letter from Suzanne Pitchford my old Winchester Castle pal whom I haven’t heard from for almost three years. She’s working in Barclays Bank and seems very happy in Brighton and has a steady boyfriend with whom she intends to “rest her case”.
see Sergeants Three which I enjoy and hear Only a Rose
at night sung by my two pals.
14 October – Go to Sunday School and practise for anniversary.
We go to Diamonds in afternoon and pass Anne’s car outside the SABC. Webster is going to Bloemfontein soon so perhaps he is recording his G and S programme today.
15 October – Go to SABC at night and Ruth tells me that Webster went to Bloemfontein to produce Pirates of Penzance on Friday. He might have said goodbye! We pretend to mope about it and Gill asks why I’m sad. Ruth says, “Because her lover is away!” Have a laugh.
At interval, Ruth says she much prefers Webster to Anne. She has a laugh when I imitate him talking about Margaret Inglis’ wedding.
16 October – Go to the studio in the afternoon and Anne is there in a crimson dress looking hot and flustered. We have tea and moan about the heat. She says it is so hot and dry that she could cry at the slightest provocation.
We start on scales and I sing them to “mee” – I tell her I sound like a sheep. I manage to reach top C. I do exercises and studies and decide that they are quite nauseating. She tells me that Mabel Fenney got her diploma in Berlin and is now going to London to carry on studying either with Keith Faulkner or at the Royal Academy. Her husband is still here, stuck outside of PE managing a cheap hotel. She has been away for over two years and the only way he manages to support her is by gambling on the stock exchange. She flew over here last year and the first thing she did was to drive straight to their house and sat with Webster (who had ‘flu at the time) for practically the whole day. She says it was really very painful for everyone and the more Webster snubbed her, the more she made up to him. He practically ignored her in the end but nothing put her off.
She says that Ruth is having a swimming pool – have I seen it yet? That is the first I’ve heard of it. We discuss the Rover and she says that they’re being quite sensible with their money and not buying another house.
17 October – I work in the morning and then have lunch with Mum in Ansteys. We buy a gorgeous hat afterwards.
Go to SS studio where Gill tells me that Tufty is thinking of following Johan when he goes overseas. I have a good lesson and then have tea with Miss Cameron and Mrs S.
18 October Go to SABC at night and possibly due to the horrors of Latin or a compelling desire to listen to G and S, Ruth doesn’t come.
Roger O’Hogan (choirmaster at St Mary’s, Yeoville) takes us, and is excellent. He was one of the judges in the recent hymn competition. I talk to Tufty and Gill but they’re not as much fun as Ruth.
19 October – I listen to a recorded version of G and S. Webster finishes Patience at last and says that next week he has something interesting for the listeners but he imagines some eyebrows will be raised at it. If he’s going to start playing jazzed up G and S I shall die.
Have lunch with Mum and then go to Piccadilly to see Raising the Wind, a British comedy about music students with James R. Justice, Kenneth Williams and Liz Fraser. It is a wonderful film. How I’d adore to go to a London music college.
20 October – Go to SS studios and work with Margaret and then sing in ensemble. Margaret tells us corny jokes just as she used to do at school.
to see Roman Holiday in the afternoon.
22 October – Go to SABC. Pieter de Vaal takes us. Ruth tells me that her singing is growing harsh owing to her mother forcing her to sing high notes. She was talking to Anne and saying how depressed she felt and Anne said, “Well, never mind. You’re not the only one. I get depressed with all these pupils. I can’t stand any of them. There’s only four I like and that’s you, Jean, Lucille and someone else.” (she couldn’t remember the name). Ruth told her that she was only including our names to be polite and Anne replied, “No, darling. I really mean it.” Well, that is something!
23 October – Go to the studio in the afternoon and Anne is there by herself in a shocking pink hat. She makes tea and phones about the car – they’ve bought a new Anglia and it’s giving them a lot of trouble. It has to be ready for next Wednesday because she’s driving down to Bloemfontein to fetch Webster.
have tea and she is very depressed. “I’ve never felt so unhappy in
all my life. I hate this city and the whole country. The people are
so inconsiderate and rude here and I loathe it. I’ve hated it from
the very first but now here, by myself, I hate it more than ever. If
I had a family it might be all right but for a woman all by herself,
it’s awful.” I feel very sorry for her.
We start on Ein Schwan and it goes fairly well. We go through it a few times and it improves. She says that Ruth’s voice is tending on the harsh side, probably owing to the Ninth symphony (Probably owing to her mother more likely!) She’s terribly depressed with the weather and Alan. I say – at Ruth’s bidding from last night – that she was much cheerier now. Anne says, “Oh, how sweet. I’m very fond of her indeed.”
tells me that a shop in Edinburgh sent her a parcel of white heather
and she had to pay 20 cents on it because the intimation from the
post office never arrived. She says heather tends to get very messy.
We work on the Bach aria and take down Mabel’s breath marks. She tells me that Mabel had wonderful breath control. They had a letter from her the other day and it was quite sensible. “Whether it’s because she’s found a new boyfriend or not, I don’t know, but it was a normal letter, like you or I would write!”
work at the aria and Anne says, “Mum’ll have to work at the
accompaniment of that soon!” We do study and she says that it is
really excellent and I have memorised it well for it is very
is a picture of Anne in the paper in connection with Music for
Romance, and Webster sings Love, Could I Only Tell Thee on
the radio. Her programme is wonderful. She plays Blossom Time
with recordings by Richard Tauber and says she went to see the film
with the “young man of the moment after a lovers’ quarrel”.
Annie, Get Your Gun and talks of attending the London first
night. Goes on to Merrie England and tells of the production
which took place in the grounds of Luton Hoo with a chorus of 600
including the Luton Girls’ Choir and a seating capacity for
thousands. She plays his recording of The English Rose, and
The Night Was Made for Love, which he made in 1935 with George
Melachrino in the orchestra playing the clarinet. He had a cold when
he made it.
bet they will go back to England the moment he gets his post-war
credits, and good luck to them!
24 October – In the morning Mum and I go to get registered as aliens which, as someone remarked, is rather like going to prison. We have lunch in Ansteys to cheer us up and this is nice.
to SS studio and talk to Gill who runs down Mrs S and raves about
Gerrit Bonn, whom she calls by his Christian name now. She does some
ear tests with me. I have a good lesson but I have a cold coming on –
my third this year. I ask Gill to excuse me from choir tomorrow night
if I don’t manage to get there.
25 October – Stay in bed in the morning with ghastly cold – feel stiff, cold, achy and miserable. In the afternoon I phone Ruth to tell her that I can’t go tonight and we talk for half an hour.
She says Anne is going to Bloemfontein so she’s going to miss a lesson as there are 5 weeks in the month. We talk of her picture being in the paper and she tells me about the scrapbook she has full of press-cuttings. I relate a story of my own scrapbooks. She says that some girls at her school don’t like them and one said she heard them sing at the Wanderers and though they were dreadful. Ruth says she was so cross that she nearly slapped the girl in question. We decide that they are lucky to have at least two people who’ll stick up for them, come hell or high water. She tells me jokingly that with Webster being away my resistance is low and that explains my cold. Her mother met Diane Todd (who starred in My Fair Lady and thought she was common.
Listen to Webster at night and he does give us a surprise by playing a version of Mikado recorded for American TV and produced by Martyn Green, with Stan Holloway as Pooh-Bah and Groucho Marx as Ko-Ko. Next week he’s playing Pirates of Penzance as he is “having the pleasure of producing it in the charming new Bloemfontein Civic Theatre.”
27 October – Go to SS studio. Elaine and I spend time doing technical exercises and after tea, I play ear tests for everyone.
28 October – Go to Sunday school and we have our last practice before the anniversary. One little girl tells me that she knows I take singing lessons because they heard me singing when I played the piano and heard how beautifully I could sing!
David Cross tells me that I’ve been nominated to stand for literary CCD minute secretary. I don’t commit myself to anything.
In the paper, Gary A says that G and S is finishing at the end of the year and will be replaced with Webster presenting a programme called Great Voices. Gary A thinks it will run even longer than G and S.
29 October Go to SABC. We rehearse with Pieter de V. At interval I am introduced by Ruth to Hester, the new girl who sits next to her. She informs us that she pays £1-10-0 a month for singing lessons with a Mrs du Preez in Roodepoort. Ruth remarks patronisingly that when she improves she can always go into town and learn with someone great!
30 October – Anne phones early in the morning and tells me that “something has come up” and she can’t possibly go into the studio at all today, but could I come next Monday at 3.30 to make up for it. I could. She says that Ruth told her I wasn’t keeping very well. I say, no, I’m not – next Monday will be better. She says she hopes I’ll be better. Degenerate into a state of illness and nausea. Mum has to come home. Spend day in sheer torture.
31 October – Ruth phones me at night to worry me further. The Performing Arts Council is holding auditions on Monday evening for singers. She’d like to audition – would I? I don’t commit myself. Evidently she had a grand lesson this afternoon and got in at 3.50. Anne had already phoned her mother to see what the matter was. Anyway she had a charming time having a little tea party with Anne and singing intermittently. Evidently Anne is missing Webster in the worst way and says she loathes teaching without him and if he goes away again she feels like refusing to teach. His first night is on Saturday and they are coming back on Sunday. She told Anne to send Webster all her love!