THEATRE IN SOUTH AFRICA (1956 – 1973)

I have included musicals, operas and plays in which Anne and Webster appeared in South Africa, as well as amateur shows in which they appeared or which were directed by them – either separately or together.

I have included musicals, operas and plays in which Anne and Webster appeared, as well as amateur shows directed by them – either together or separately. The list is not complete so I would be glad to hear from anyone who can add to it or enlarge on the information presented below.

SPRING QUARTET September 1956, Cape Town. Anne and Webster. Before Anne and Webster went to Johannesburg to settle, they played in Spring Quartet, straight after their trip to Cape Town on the Pretoria Castle. Leonard Schach directed the play for the Cockpit Players, at the Hofmeyr Theatre. Others in the cast were  Joyce Bradley, Cynthia Coller, Jane Fenn, Gavin Houghton and Sydney Welch. Decor by David Crichton, costumes by Doreen Graves. At the piano were Keith Jewell and Geoffrey Miller.

In Cape Town for “Spring Quartet”. September 1956

JOHANNESBURG 1956-1967

NIGHT IN VENICE Wednesday 14 November to Saturday 1 December 1956, Reps Theatre, Braamfontein, Johannesburg, Johannesburg Operatic Society, Anne Ziegler, Webster Booth, June Hern, Tom Reid, Harold Lake, Stella Beder, Director: Arnold Dover, Music: Drummond Bell.

Night in Venice.
Night in Venice November 1956

ANGELS IN LOVE 29 July 1957, Reps Theatre, Anne played the part of Dearest, with Rory McDermot, Joan Blake, Michael Turner, Arthur Hall, and Edwin Quail (Fauntleroy), directed by Minna Schneier.

31 July 1957 Anne’s first non-singing role

WALTZ TIME 31 May 1958, Springs Civic Theatre, Anne and Webster, produced by Bert Dobson for Springs Operatic Society.

MERRIE ENGLAND 16 to 21 June 1958, City Hall, East London, The Dramatic Society of East London. Anne and Webster, Mabel Fenney, Pamela Emslie, Hilary Adams, Cawood Meaker, Jimmy Nicholas, produced by Doreen Egan, conducted by Jean Fowler.

16 June 1958 Merrie England, East London.
16 June 1958, Merrie England, East London

THE VAGABOND KING 1 August 1958, Durban. Anne and Webster starred in the show. Produced by Isobel McLaren (wife of singing teacher Arnold Fulton.

MERRIE ENGLAND 12 to 29 November 1958, Reps Theatre, Johannesburg, JODS. Anne and Webster starred and produced and starred in the show, with Marian Saunders, June Bass, Nohline Mitchell, Kenneth Anderson, Len Rosen, and Dudley Cock, conducted by Drummond Bell.

November 1958. Merrie England at the Reps Theatre, Johannesburg.
November 1958. Anne and Webster produced and starred in Merrie England at the Reps Theatre in Braamfontein for JODs.

JACK AND THE BEANSTALK Christmas 1958, City Hall, East London, Anne appeared as principal boy. Anne told me that she had also appeared in DICK WHITTINGTON in East London.

WALTZ TIME 1959, City Hall, East London, The Dramatic Society of East London, Anne and Webster and East London cast.

Waltz Time East London.

THE GLASS SLIPPER December 1959, Reps Theatre, Johannesburg Repertory Players, National Theatre and Childrens Theatre, Anne Ziegler, Yvonne Theron, Siegfried Mynhardt, David Beattie, Hilda Kriseman, Olive King, Bruce Anderson, directed by Hugh Goldie. Music: Joyce Goldie (Piano conductor) Band: Leader Walter Mony, Bassoon: Richard Cherry, Clarinet: P Reinders, Percussion: A Johnson, Violin: Erica Anderson, Viola: Lance Lange, Cello: Phyllis Chaplin

The Glass Slipper, December 1959. Children’s Theatre
Anne as the Fairy Godmother pointing the way for Cinderella’s coach to go to the ball. I ushered at the Reps Theatre for one of the performances.

MIKADO 1960, Bloemfontein, Webster. I know very little about this show. I am not sure whether Webster sang in it, directed it or did both.

A COUNTRY GIRL October 1960, Produced by Anne and Webster at Little Theatre, Springs. Leads were played by Corinne van Wyk and John Wilcox.

LOCK UP YOUR DAUGHTERS 19 December 1960 to January 1961, Playhouse, Johannesburg, Anne, Valerie Miller, Leon Eagles, John Boulter, Robert Haber and Ivor Berold, directed by Leonard Schach.

Anne, Dame Flora Robson, Ivan Berold
Anne and Valerie Miller

THE AMOROUS PRAWN September to October 30 1961, Alexander Theatre (previously the Reps Theatre), National Theatre, Pretoria, 31 October to November 12, Alhambra Theatre, Durban, November 15?

Webster was the Prawn, with Simon Swindell, Gabriel Bayman, Diane Wilson, Joe Stewardson, Ronald Wallace and Joan Blake, directed by Victor Melleney.

Amorous Prawn rehearsal with Joan Blake, Simon Swindell, Ronald Wallace, producer: Victor Melleney. Webster with a monocle was the Prawn.

THE DESERT SONG October to November 1961 at Springs Theatre, Anne directed this show for the Springs Operatic Society. Sylvia Watson (nee Reilly), who kindly wrote to me to tell me more about these shows was in the chorus.

THE ANDERSONVILLE TRIAL February 1962, Alexander Theatre, Webster took a small non-singing part with Simon Swindell, Michael McGovern, Gordon Mulholland, Joe Stewardson, directed by Albert Ninio. My piano teacher, Sylvia Sullivan, saw the play and remarked about Websters role, “Such a small part for such a great man.”

THE VAGABOND KING October 1962, Springs Little Theatre
Anne and Webster directed this production for the Springs Operatic Society.

THE PIRATES OF PENZANCE October 1962, Bloemfontein. Webster directed this production. As a gimmick he had a chimpanzee going on to the stage with the pirates. The chimpanzee idea was not without problems. She disgraced himself during Websters opening night speech. With a quick wit he quipped, You naughty girl. I wont take you out again in a hurry.

THE MERRY WIDOW November 1962, Springs Little Theatre. Anne directed this production for the Springs Operatic Society.

GOODNIGHT MRS PUFFIN January 1963, Alexander Theatre, Anne and Webster with Jane Fenn, George Moore, Deborah Francis, Leonne Carnot, Clive Pownall, Paddy Canavan, Anthony James and Michael Newell, directed by John Hayter.

The Amorous Prawn. Anne is Mrs Fordyce, with Leonne Carnot, Jane Fenn
Anne and Webster with their stage family.

THE NEW MOON, 10 April 1964, Springs Little Theatre, Anne directed this production for the Springs Operatic Society.

THE YEOMEN OF THE GUARD May 1963, Alexander Theatre, JODS, Webster took the part of Colonel Fairfax at short notice with Denise Allen, June Hern, Lilian Gartside, Len Rosen, Lyle Matthews, Ethlynne Cohen and Peter Lynsky, directed by Keith Stammers-Bloxham, conducted by Desmond Wright.

Yeomen of the Guard 6 June 1963.
6 June 1963. Yeomen of the Guard.

TONIGHT AT 8.30 8 July 1964, Hofmeyr Theatre, Cape Town, Port Elizabeth, CAPE PERFORMING ARTS COUNCIL (CAPAB) Anne and Webster appeared in Family Album with Yvonne Bryceland, Michael Drin, Nanette Rennie and Flora McKenna, directed by Margaret Inglis, conducted by Keith Jewell.

THE MERRY WIDOW October 1965, Bloemfontein. Anne directed this production in Bloemfontein.

The Merry Widow in Anne’s production in Bloemfontein. I don’t know her name. Do you?

THE LOVE POTION November 1966, Intimate Theatre, Johannesburg, PERFORMING ARTS COUNCIL OF THE TRANSVAAL (PACT), Anne, with Alec Bell, Fiona Fraser and Arthur Hall, directed by Ricky Arden. This show was not a success and came off early.

THE BARTERED BRIDE November (Pretoria) 14, 17, 20, 22 December 1966, (Johannesburg), Aula Theatre, Pretoria, Civic Theatre, Johannesburg, PERFORMING ARTS COUNCIL OF THE TRANSVAAL (PACT), Webster played non-singing role of Circus Master, with Gé Korsten, Nellie du Toit, Gert Potgieter and Oysten Liltveld, directed by Victor Melleney, conducted by Leo Quayle

The Bartered Bride?

COUNTESS MARITZA 1967, Pretoria. Anne and Webster either directed or appeared in this production or perhaps they did both.

KNYSNA 1967-1974

MERRIE ENGLAND 11  July 1968, Knysna and District Choral Society, Webster, Anne, Dorothy Davies, James Squier and Ena van der Vijver

CINDERELLA December 1968, Knysna. Anne played principal boy and wrote the script. Del le Roux, Ena van der Vijver, Dorothy Davies and Sadie Hamilton Cox were also in the cast.

Ena van der Vyver and Anne as principal boys.

PANTOMIME December 1969, Knysna, Anne played principal boy and wrote the script but I do not know the name of the pantomime.

COX AND BOX/TRIAL BY JURY ( Date?), Knysna, George, Oudtshoorn and Ladismith (Cape)

LADY AUDLEYS SECRET December 1971, Port Elizabeth Opera House, Port Elizabeth Musical and Dramatic Society. Anne produced this show.

Alys Tayler and Ted Mayhew in Lady Audley’s Secret, PE, 1971.

DICK WHITTINGTON December 1972, Port Elizabeth Opera House, PEMADS. Webster produced and conducted for this pantomime, while Anne played Principal Boy.

Rehearsing Dick Whittington in PE>

THE MIKADO 4 to 14 April 1973, Guild Theatre, East London, The East London Light Operatic Society, Pam Emslie, Colin Carney, Bernie Lee, Leigh Evans, Irene McCarthy, Jim Hagerty and Jimmy Nicholas. Webster produced this show.

Webster at rehearsal.
Rehearsal
Me and June Evans
Me, June Evans and Neil Evans.
Me in The Mikado.
Me – back left with June Evans and other members of the chorus.

Updated 16 December 2019.

BROADCASTING IN SOUTH AFRICA

Anne and Webster settled in South Africa in mid-July 1956. I compiled the following lis of radio programmes from newspapers, magazines and personal diaries. Contact me if you can add more information to this list.


Anne and Webster settled in South Africa in mid-July 1956. I compiled the following lis of radio programmes from newspapers, magazines and personal diaries. Contact me if you can add more information to this list.


MOBILGAS MELODY WORLD 16 February 1956/57? Springbok Radio,

16 February 1956

Anne Ziegler and Webster Booth in a programme compèred by Michael Drinn.


LIGHT UP AND LAUGH – ITMA, December 1956

December 1956

Thirteen-week series on Springbok Radio, recorded at the Brooke Theatre. Webster (rather incongruously!) took Tommy Handley’s part in South African presentation of ITMA scripts.


ELDORADO, (Ralph Trewhela) 1957

Anne and Webster took the leading roles in this musical, directed by Frank Douglass, SABC Theatre Orchestra, conducted by Jeremy Schulman. Work commissioned by SABC for 21st anniversary programme.


AT HOME WITH ANNE, commenced on 21 January 1958. Anne presented this series on Springbok Radio. The programme was still running in July 1959.


DO YOU REMEMBER? 1959 to 24 April 1960, Anne and Webster presented weekly music programme on Springbok Radio on Sunday afternoon. They spoke about their illustrious careers and the people with whom they had worked.

Anne in a recording of a broadcast at SABC, 1963

CONCERT HOUR 1960 – English service of the SABC. SABC Concert Orchestra, Rita Roberts, Webster Booth, Asaf and Philharmonic Choirs, conducted by Anton Hartman.


DOUGLAS LAWS Record show, 4 October 1960. Anne and Webster appeared as guest artistes.


MESSIAH 8 December 1960 Webster sang tenor solos in the Port Elizabeth Oratorio Festival, conducted by Robert Selley.


TEST YOURSELF 1960. Anne and Webster presented this quiz show together on Springbok Radio.


OPERA, ORATORIO AND OPERETTA (ON WINGS OF SONG) Wednesdays at

On Wings of Song. 1961

8.30 pm, later Thursday, 9.20 pm, 1961

Webster presented a weekly programme of recordings (including some of their own) on the English Service.


DREAM OF GERONTIUS, MESSIAH, 27 November 1961. Port Elizabeth Oratorio Festival broadcast Monday and Wednesday at 8pm. Webster, with Emelie Hooke, Joyce Scotcher, Harold Hart, Port Elizabeth Orchestra, directed by Robert Selley.

27 November 1961 from Port Elizabeth.


GILBERT AND SULLIVAN 1962, 1963. When the copyright on Gilbert’s words ended, Webster presented a weekly programme on the Gilbert and Sullivan operettas on the English Service. During his illness in 1962, Paddy O’Byrne read the scripts of this programme.

Webster presents the Gilbert and Sullivan Radio programme January 1962.


DRAWING ROOM, April 1962

Webster presented a short series of drawing room concerts before a studio audience on the English Service. He and Anne sang in this series, and a number of guest artistes took part. He also sang duets with the bass, Graham Burns. The guest artistes were Doris Brasch, Rita Roberts, Gert Potgieter, Gé Korsten, Graham Burns, Jean Gluckman, Kathleen Allister and Walter Mony The accompanist was Anna Bender.


MUSIC FOR ROMANCE, August 1962. Anne presented a series of programmes in which she presented recordings and reminisced about her life and career in England.


PORT ELIZABETH ORATORIO FESTIVAL, November 1962

Elijah and Messiah from Port Elizabeth.

Webster, Monica Hunter, Joyce Scotcher, and Graham Burns, conducted by Robert Selley. The complete oratorios were broadcast locally in the Eastern Cape. Excerpts were broadcast nationally later, but strangely none of Webster’s recordings were used in the national broadcast.


SUNDAY AT HOME, January 1963. English Service. Paddy O’Byrne conducted a fifteen minute interview with Anne and Webster at their home in Craighall Park.


GREAT VOICES, January 1963-1964. Webster presented this series on the English Service. He was criticised by the critic Jon Sylvester of The Star for including some of his own recordings, yet most people expected to hear Webster Booth the singer as well as Webster Booth, lately-turned broadcaster.

RECITAL WITH ORCHESTRA 8 April 1963. Anne and Webster sang a programme of duets, with orchestra conducted by Edgar Cree, on the English service.

I was Pooh Bah!


BALLADS OLD AND NEW, July 1963. Webster presented this short series on the English Service towards the end of 1963.


CHILDREN’S PROGRAMME 1963/64 Anne and Webster presented a series of children’s programmes, directed by Kathleen Davydd.

Nursery School Sing-Along.


SATURDAY NIGHT AT THE PALACE, November 1963. A short series, which attempted to recreate the atmosphere of the Music Hall on the English Service. Anne and Webster were guest artistes on this programme. 

Webster, Anne, Jeanette James and Bruce Anderson sing a quartet in the programme


OPERA AND OPERETTA, July 1964, Monday, 7.35 pm Webster returned to the English Service with this series.


IF THE SHOE FITS, Christmas 1964. Webster and Anne starred in this Christmas pantomime on the English Service.


TEN OCLOCK AND ALL’S WELL, September 1966. Webster was guest presenter for a week in this short series on the English Service.


2 October 1966, CITY HALL, JOHANNESBURG. ORCHESTRAL CONCERT (FOR JOHANNESBURG EIGHTIETH BIRTHDAY)

Anne and Webster were soloists, with the SABC Symphony Orchestra conducted by Edgar Cree. Webster told Edgar Cree that he was not pleased with his voice and thought it was time for him to stop singing.

O lovely night (Anne and Webster)

Drink to me only with thine eyes (Anne)

Lehar medley (Anne and Webster)

The Holy City (Webster)

Love’s old sweet song (Anne and Webster)

We’ll gather lilacs (Anne and Webster)

Selection from Bitter Sweet (Anne and Webster)


MELODY MARKET, May 1967. Webster presented this programme in the early morning on the English Service.  “A sort of housewife’s choice,” was how he described it in a letter to me. It was the last programme for the SABC before leaving Johannesburg for Knysna a month or so later.

19 September 1966


SOUTH AFRICA A TOUCH OF THE BRITISH, 29 May 1973. BBC TV. Documentary. Anne and Webster appeared in this BBC TV documentary. Anne said that she had had enough of South Africa and wanted to go home to die. The programme ended with Anne and Webster singing We’ll gather lilacs.


PETER BROOMFIELD’S OPEN HOUSE, 20 March 1975. English Service. Anne and Webster were guests of Peter Broomfield on his morning programme, broadcast from Cape Town, on the English Service. Anne’s friend, Babs Wilson-Hill (Marie Thompson) who was on a visit from the UK, and Anne and Webster’s singing dog, Silva were also present in the studio. Silva sang along to a Harry Lauder record!


A MUSICIAN REMEMBERS, 19 and 26 October 1975. English Service. Webster reminisced about his career in the theatre.


A MUSICIAN REMEMBERS, 2 and 9 November 1975. English Service. Anne reminisced about her career in the theatre.


WOMENS’ WORLD, English Service, 1975 – Pamela Deal, who had conducted the first interview with Anne and Webster when they stopped off briefly on their way to Australia in 1948, interviewed them again when they decided to stop singing in public. They had given a farewell concert in Somerset West towards the end of 1975. This decision was rescinded when they moved back to the UK in early 1978 and found that people remembered them and wanted to see and hear them once again.


RADIO TODAY 1485 When Anne and Webster left South Africa their voices were rarely heard on South African radio. Ronald Charles, the broadcaster and musician who had been the musical director at Michaelhouse in the sixties, played several of Webster’s oratorio recordings from his personal collection on his classical request programme. As far as I know most of the 78s in the SABC record library were discarded, but as time passed, a number of their recordings were released on CD. Occasionally a recording was played on Uit Vergange se Dae on Radio Pretoria.


Paddy O’Byrne was always happy to play a recording when he was with the SABC and later at Radio Today, although his access to their recordings was extremely limited. Clare Marshall, on her Sunday morning programme, Morning Star on Radio Today 1485, is about the only broadcaster in South Africa to feature their recordings regularly. Sadly, Radio Today does not feature her excellent programme Morning Star any more.


Compiled by Jean Collen. Updated in 2019. 

WELCOME TO THE DRAWING ROOM (1962)

Webster came out of the studio after the recording and appeared delighted to see us and kissed us both in greeting. He asked what we were doing there, and then said, “Oh, of course, you’re working aren’t you? It’s a pity you can’t stay for the next recording to hear the wonderful trumpeter.”

 Webster Booth, seated left, Peggy Haddon and Anna Bender (at piano), Gé Korsten and Jean Gluckman (singers), Kathleen Alister (harp) and studio audience.

 

Nearly fifty-seven years ago, in April 1962, Webster Booth presented a short series of drawing room concerts on the English Service of the SABC before an invited studio audience. He and

Anne sang solos and duets in several programmes, and a number of guest
artistes took part. Webster also sang duets with bass, Graham Burns.
Among the guest artistes were Doris Brasch and Rita Roberts (sopranos),
Gert Potgieter and Gé Korsten (tenors), Graham Burns (bass) Jean
Gluckman (contralto), Kathleen Allister (harp), Maisie Flinck and Peggy
Haddon (pianos) and Walter Mony (violin). A trumpeter also appeared in
one of the programmes, but I do not remember his name after all this
time. The accompanist was Anna Bender, the official accompanist at the SABC.

 The idea was to create the atmosphere of a polite middle-class Victorian or Edwardian drawing room concert, where singers and instrumentalists performed their party pieces such as In a Monastery Garden, The Maiden’s Prayer, O Dry Those Tears and the like. Sounds of polite conversation and laughter between the items,with restrained applause for the musical offerings were required, so a studio audience was invited to provide these “noises off”.

Shortly before this programme started, Webster wrote an article for the SABC Bulletin on 17 March 1962.

A Nostalgic Half-hour of Memories by Webster Booth

“Do you remember those Drawing-room concerts our Grandparents used to hold in the afternoons and evenings way back in the late 1800’s and early 1900’s? There were of course, the Society At Homes. These were rather serious affairs, when artistes of repute were engaged. Such artistes as Ben Davis, Madame Patti, Charles Santley and even Madame Melba were paid huge sums of money to entertain the guests.

However, in this new series, to be called Drawing-Room, we want to concentrate on the homely atmosphere, with those lovely old ballads, such as Parted, Little Grey Home in the West, The Rosary, Tosti’s Goodbye, Friend o’ Mine, A Perfect Day, etc., together with those grand pianoforte solos which were all in the Star Folios, and without which no one was considered a pianist. Items like The Maiden’s Prayer, Destiny Waltz, In a Monastery Garden etc. Then the fiddle solos and fiddle obbligatos, vocal duets such as Watchman, What of the Night? Moonlight and Roses and Battle Eve. I so well remember my father, who was Barber-Surgeon to the Royal Staffordshire Regiment, dressing up in his red and gold uniform and singing The Veteran’s Song, and I would be induced to sing in my treble voice, songs like Valé and The Song of Hope, while my mother and sisters had a wonderful evening crying their eyes out. Those were the days when composers wrote songs for the voice, and singers learned to sing ballads. Believe me, those songs needed singing.  They had a story to tell, usually in three verses, all different tempos, portraying passion, joy and tears, and finishing up on a hefty top note.

We intend to invite a small studio audience to help to catch the atmosphere of the drawing-room, and to have well known South African artistes, both vocal and instrumental, to sing and play to us. This  programme will, I am sure, bring to the older listeners a glorious nostalgic half-hour of memories, and will let the younger generations realise there was real music in the home before the advent of the Cinema, Radio and the gramophone. Do tune in to the English programme at 8.30 pm on Wednesday evenings and join us in our Drawing-room. I shall be in charge of the entertainment and Miss Anna Bender will be our Hostess at the pianoforte.”

For the first recording, Webster invited pupils and friends to form part of the Drawing Room in one of the smaller recording studios at Broadcasting House, Commissioner Street. I was very excited when he asked if I would like to attend the recording. My great friend and fellow pupil of Anne and Webster’s, Ruth Ormond, and I were there with our parents and we noticed Lucille Ackerman, another pupil,  accompanied by a large family contingent.

2011-08-13_205936AW
Anne Ziegler & Webster Booth (1963)

Anne and Webster looked particularly glamorous for the occasion. Anne was wearing a beautiful evening gown, a mink stole – not yet a politically incorrect item of dress  – her fair hair in a chignon, while Webster was in full evening dress, all set to act as compère for the evening and to sing some drawing room ballads into the bargain. The accompanist for the series was Anna Bender, the official accompanist for the SABC. Anne and Webster received their guests graciously. Anne told Ruth and me to save her a seat in the front row, where she sat between us and played her full part in chatting to us between the items on the programme to evoke the atmosphere of a drawing room at the beginning of the twentieth
century.

My dear friend, Ruth Ormond, 1963
Ruth Ormond and me (below).

Photo Album

 I’m afraid that this was not the atmosphere conveyed to those listening in to these broadcasts. The polite studio audience applauded vigorously, suggesting the city hall rather than a drawing room. Fifty-seven years later I still remember Miss Rita Roberts (soprano) singing Christina’s Lament to the tune of Dvorak’s Humoresque, Mr Walter Mony (violin), Miss Anna Bender (accompanist) and finally Webster himself, aged sixty and still in fine voice, singing The Kashmiri Song, The Sweetest flower that Blows, Parted, O Dry Those Tears and finally If You Had But Known with violin obbligato by the excellent Mr Mony, a French Canadian, who became a professor and head of the music department at the University of the Witwatersrand.

Ruth and I were entranced to have spent such a happy evening and to see and hear Webster singing only a few feet away from where we were sitting. As we were leaving I told Anne breathlessly that Webster’s singing was wonderful and she replied, “Yes, we’re both very proud of him, aren’t we, darling?” which made me feel rather naïve and childish although I was all of eighteen at the time.

The Drawing Room series was recorded over a number of weeks and we attended another recording when Anne, in a sleeveless black evening dress, sang If No One Ever Marries Me, The Little Damozel and a Handel aria from the opera Xerses, He’ll Say That For My Love. Anne had sung the last song at her Wigmore Hall recital in 1933. Later in that programme she and Webster sang duets together: Drink to Me Only with Thine Eyes and The Second Minuet.

One evening Ruth and I were at a choir practice with the SABC choir and she decided that during our interval, we should go to the Drawing Room studio to say hello to Webster during the break in his recording session. The first programme was not quite finished so we slipped into the studio quietly and listened to Kathleen Alister playing two solos on her harp.

Webster came out of the studio after the recording and appeared delighted to see us and kissed us both in greeting. He asked what we were doing there, and then said, “Oh, of course, you’re working aren’t you? It’s a pity you can’t stay for the next recording to hear the wonderful trumpeter.”

We were both so excited at meeting Webster (not entirely unexpectedly) and being kissed into the bargain, that Ruth walked into the men’s cloakroom instead of the women’s, only to have him politely point her in the right direction. We were both blood red with embarrassment by the time we got back to our seats at our now rather tame choir practice.

I thought Drawing Room was a lovely programme, but the critics had their misgivings about it, saying that the atmosphere created was not quite right, so it was taken off the air after a relatively short time. I once made enquiries at the SABC as to whether any of the programmes existed in their archives, but apparently these had not been kept. I had recorded several programmes via a microphone on my newly-acquired reel-to-reel tape recorder. The sound quality of these recordings is not very good, but when I listen to them all these years later, I am transformed into an excited and optimistic teenager, back in that SABC studio with Ruth and Anne, completely entranced with the music of the Drawing Room.

Sadly, it has occurred to me that most of the people mentioned in this article are now dead and gone, but the memory of that happy time remains vividly in my mind.

Here are links to some of the songs Webster sang on that programme.

Click on the links to hear him.

Friend o’ Mine (Restored by Mike Taylor) https://clyp.it/2hupnyrm

Parted (Tosti) https://clyp.it/qriewsgs

O, Dry Those Tears (del Riego) https://clyp.it/llblyizd

The Sweetest Flower that Blows https://clyp.it/0iftdnlr

Jean Collen –  April 2016

Updated 7 November 2019.

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