EXTRACTS FROM MY TEENAGE DIARY – SEPTEMBER 1961

Go for piano lesson with Sylvia Sullivan in the afternoon. She says that I can do a Senior Trinity College exam and seems quite pleased with my playing. Start on set work and she is stickler about fingering. She is very good but quite impersonal – quite the opposite to Webster and Anne. Her niece brings her a cup of coffee but certainly not to me! Now look at Webster and Anne – the great man makes tea himself and then gives us all a cup into the bargain!

5 September – Have lunch with mum. Opening night of The Amorous Prawn. Peter phones at night.

6 September – Go for piano lesson with Sylvia Sullivan in the afternoon. She says that I can do a Senior Trinity College exam and seems quite pleased with my  playing. Start on set work and she is stickler about fingering. She is very good but quite impersonal – quite the opposite to Webster and Anne. Her niece brings her a cup of coffee but certainly not to me! Now look at Webster and Anne –  the great man makes tea himself and then gives us all a cup into the bargain!

Oliver Walker’s crit in the Star is a dream as far as Webster is concerned. He says that he has a wonderful sense of timing.

We go to the Strattons at night and are showered with Ann’s handiwork made in connection with the Teachers’ Training College.

Anne and Leslie Green at The Amorous Prawn First Night, September 1961

Article about Mabel Fenney – back in South Africa on a visit from Berlin.

Mabel Fenney back in South Africa on holiday. Returning to Berlin.

7 September – Go into town in the afternoon and book for The Amorous Prawn matinee next Saturday. Go up to Webster and Anne and Webster answers the door as large as life and in quite a gay mood.

My friend Dell is in having lesson once more singing Mimi’s aria from La Bohème and breathing badly. Anne gives her usual breathing lecture and makes her practise. Dell says, somewhat sarcastically, “I had better take up swimming to improve my breathing.” Anne says that the area around her own ribs is quite hard which is unusual for a woman and also very large. She used to be quite tiny when she was young – 89,000 years ago – but intercostal breathing developed her. She goes on about how healthy it is to breathe properly and yesterday morning after Webster’s first night when they both felt like hell, breathing did them good.

I go in and pay. Webster asks if I’d like some tea and I say I would love a cup. Anne shouts through – “Boo – will you bring the biscuits, darling?” She asks if I’m going to see him in his play and I say, “Yes. I booked today for next Saturday’s matinee.”

Anne says, “Oh, sweet! It’s really a wonderful play. The first night was one of the best I’ve been to – the audience laughed right through the whole three hours. Being British, I think you’ll really enjoy it.” I say that the crits were wonderful and she agrees emphatically. Webster says I mustn’t expect to see him till about 5 o’clock. He’s actually very modest about the whole thing.

We start on scales and she makes me smile into a little mirror. I get it right but my cheeks tremble for some reason. She, of course, has to notice this.”

She corrects the Delilah vowels – I tell her that she’ll have to excuse it because I was ill at the weekend when I did it. She is all sympathy and finds out that I had a stomach chill. Most of the vowels are right. She tests them as she goes through it and says, “This would sound funny on the tape.”

When we do the aria they are both very happy about it and say that there is an improvement. Webster goes to put 6d in the meter. She says the aria has come on very nicely and next week we must do something about the consonants.

When we have tea and Anne has a biscuit, she says, “I shouldn’t have this really. I’m getting so fat!” I almost choke with derisive laughter! Thankfully, I don’t say the inevitable, “Oh, nonsense, Anne. Look at me!”

I happen to be wearing a copper bracelet for it matches the clip in my hair. Anne says she hopes I’m not suffering from rheumatism. We have a good laugh about it.

I meet Webster at the bottom of the stairs and say goodbye to him.

I go to choir at night and we work through anthem which is lovely – I hope they do it properly on Sunday.

Listen to Webster at night. He presents a really charming programme. He starts with Elijah and says that it’s popular because it’s tuneful music and he thinks that, first and foremost, music should be tuneful. He plays a duet sung by Isobel Baillie and Gladys Ripley, conducted by Sir Malcolm. Next, he plays his own recording If, With All Your Hearts, with Warwick Braithwaite conducting, next Is Not His Word Like a Fire? By Harold Williams. He plays three arias from the Magic Flute, more from Gypsy Baron and ends with Nutcracker suite.

9 September In the Star there is a gorgeous picture of an almost aristocratic-looking Anne with Mr Leslie Green at first night of Amorous Prawn.

10 September Sunday Times crit by James Ambrose Brown is also excellent and says much the same about Webster – suave, man of the world. Very nice.

Mum and I go with the Diamonds to Hartebeespoort dam and we skirt Craighall Park. I like it very much – it isn’t anything like Houghton but just nice, and in-between and quite modern.

12 September – Go into town and have lunch with Mum. We decide that as I am presumably going to start work soon I should go today and see Anne to arrange a time for my lessons.

She phones and Webster answers and tells him that it is Mrs Campbell, Jean’s mother. He says, “Oh yes, how d’ye do?” Mum asks to speak to Anne and he says, “Who?” and eventually obliges with Anne who says I can come at half past one.

I go up to the studio. Webster answers the door. He opens door, looks at me and says in outraged manner, “What the dickens are you doing here?” I tell him that I have an appointment at half past one and he looks relieved and tells me to have a seat for a few minutes. There is a big bass singing very loudly. Hear Webster cursing the kettle – “My God, this kettle’s got too damn hot!”

Anne comes in to see me, dressed in tight skirt and dark over-blouse. Her hair is almost straight but attractive as always. She goes through her appointment book while big bass continues to sing. We decide on Friday at 5.30 for next week. She asks, “Are you glad you’re starting work?” I say, “Not particularly. I’ve enjoyed doing nothing!”

13 September – Go for piano lesson in afternoon. I feel more at home with Mrs S now.

14 September – Go to Anne in afternoon. She answers the door looking glorious in a very low-cut summer dress. A girl is singing Hello, Young Lovers – not very well. Anne says, “That must be the Irish in you.” The girl says quite vehemently that there is no Irish blood in her. Anne says, “Oh, surely – with a name like Maureen!”

Maureen departs I get a surprise when I see that it is Maureen Schneider who was at college with me.

Anne and I have discussion about times and come to reasonably satisfactory arrangements. Webster presents me with the Samson and Delilah record with a really seductive picture on the cover. Anne says we should listen to it here first so while Webster sets up the record we start on scales. She makes me go to the mirror to see that I drop my jaw right down and then she comes over and puts her arm round me and we do it together. She says that my scales are really lovely.

Webster plays the aria and says I have in my own voice all the power and quality of Risé Stevens if I would project and bring it forward and work. He wants to hear me singing with as much richness as Risé Stevens next week. I have a wonderful voice and I must use it. I feel quite embarrassed but it must be true – he doesn’t say things without meaning them.

Webster makes tea and I sing the aria – well, I think. Webster goes to put 3d in the meter. Anne says she doesn’t think I’m too young to sing Delilah because she had a friend, Nancy Evans and she sang it at 16. She tells me that when she was 17 she joined a women’s choir of 24 voices and received more training in it than anywhere else.

I tell her that I know Maureen and Anne says she seems a sweet girl but hasn’t got a voice anywhere near mine.

We go on with the aria and it goes well. Webster’s suit arrives and Anne signs for it. Webster is in the kitchen with Roselle who is making a frantic attempt to wash the dishes. I depart with record and the signature of Webster Booth scrawled all over it.

I go to choir and then listen to Webster. Today is the 220th anniversary of Messiah so he plays some of it. It was first produced in Dublin where you can get gorgeous shrimps. Handel discovered that one of the singers – a little man from the North wasn’t singing in the right time. He said to him in broken English, “I zot you zed zat you could seeng at sight?” Replied the man, “Ay, so I did, but not at first sight!” His accents are gorgeous and I have a good laugh. He plays the chorus, The Glory of the Lord.

At the opening ladies were requested not to come to the performance wearing hoops. He, himself, has given a recital in the same music hall and he liked it. He plays his own recordings from Messiah and says that this is one of his favourite recordings and one of his best.

He goes on to Madame Butterfly which he says he doesn’t like it very much as it is built around two arias, The Love Duet and One Fine Day.

He goes on to Eldorado by Ralph Trewhela. He says it was originally written for “Anne and myself” for a radio programme but because Anne had so many commitments he was “ably partnered by Doris Brasch”.

15 September – Go to guild at night. I give the epilogue which goes very well and everyone congratulates me about it. We practise for Guild Sunday and they can’t manage one of the hymns so Mrs Russell makes the 4 from the choir sing it alone. Once again I practically sing a solo. I have to do the reading and talk about the work.

Peter walks Doreen, and me home and I get home at about 11.

16 September – We go to see Webster’s play and it is really gorgeous. When we arrive the first people I meet are Claire Judelman and Adele Fisher. Claire tells me about European trip and I tell her I’m here to see my singing teacher. First two acts are good and at the beginning of the third act I see a woman slipping in to the theatre and think it is Anne. Webster comes on – handsome, well-dressed, young-looking – perfect for his role. His diction is glorious, his acting well-timed. He makes the play and when he takes his bow I clap until my hands are red and almost blistered.

I see that Anne slips out the minute the lights go up and I am a little disappointed but when we get outside I see her a little way down the road talking to a fat garrulous man. She is wearing the same dress that she wore on Thursday, flat shoes and straight hair. I go up to her and her face lights up and I tell her, “Oh, Anne, I thought your husband was lovely.” She says, “Oh, I’m so glad you liked him. Did you enjoy the play?” I say, “Oh, yes, it was wonderful. Please tell Webster I thought he was lovely.” She asks if I came with my parents and when she sees them she smiles in charming fashion.

I come home – on air. I believe I enjoyed my little talk with Anne better than anything else that afternoon – except Webster of course. I noticed that she also clapped violently for Webster and laughed loudly at all his jokes. She probably didn’t want to be recognised because she did look a little bit of a sight. The blurb in the programme reads:

17 September – Go and have all my little children for Sunday school. Afterwards I go to Betty’s house with my record (Webster’s actually!) and we listen to Risé Stevens. She has a really thick – or should I say, velvety? – voice. I shall never sing like that. I wish Webster didn’t have such confidence in my voice. I have a nice tea with the Johnsons but feel a bit insulted when Mrs J says that she thinks Webster has a far better voice than Anne and she doesn’t like her. People – especially women of her own age seem to dislike Anne but it’s probably because she’s too attractive for them.

At night we have a guild service and I do the reading which goes off well. Afterwards we have a social and see a film about Liverpool delinquents.

18 September – Letter comes from Aunt Nellie in Scotland and she says her stepson and his wife know my teachers and remember them well.  Practise piano and singing.

20 September – Go to piano lesson and all goes well. Mrs S is very affable and we concentrate entirely on the work in hand.

21 September – Go into town and have lunch with Mum and then go to lunch hour concert. Phillip Levy is the piano soloist. I meet Jill Harry. She doesn’t like her job and is leaving at the end of the month.

Meet Gill Mc D in the street and she is very affable for a change. I go up to studio and Anne arrives late with her hair almost straight. She says that all she seems to do is rush around. She was playing for an exam this morning and what with the Springs eisteddfod she has had “a hell of a week”. She gives me a new exercise to do so that I can get up speed.

She says I must be getting a bit sick of Oh Love so I can start a new song soon. We do Oh Love and on the trill my tongue goes up so I must get it down. We look in the mirror and her tongue goes up too! She says she didn’t pay enough attention to her tongue when she was a girl and now – “at my age I’m having to battle with it. When I’m singing publicly I know that if my tongue goes up my voice will go out of pitch and I’d hate to think that when you get to my age you’ll blame me for not insisting that you keep your tongue down!”

Maureen is ill today so Anne comes down on the lift with me to do some shopping. We talk about the play and I say how lovely I thought it was. She says, “Weren’t you shocked?” I say, no. She says she thought he was very well-cast. “Of course some snobs say that it isn’t real theatre, though, is it? But I think it’s a masterpiece.” She quotes, “Easy to write first and second acts but the third act is the telling one.”  She treats me as though she is genuinely fond of me and she always brings out the best in me.

Go to choir and come home and listen to Webster. He starts with Dream of Gerontius sung by Heddle Nash and Dennis Noble. He says, “It may be of interest to you to know that I am going to sing in The Dream in PE in November.”  He goes on to Tosca. He plays his own recording from it and two other recordings by the Rome opera company.

He goes on to Merrie England and says, “Anne and I have played Bessie and Raleigh innumerable times.” He plays his recording of the English Rose – one of the loveliest recordings I have heard.

Then he says, “I’m going to let you into a secret. When I first took Anne to the recording studios for a test recording, the song which she sang was Bessie’s Waltz song. When she signed her first contract the company gave me the test record and I have it here with me now.” He says after the record is over, “Not bad for a young beginner, is it?”

Next week he is going to play more from The Dream, Der Rosenkavalier and the White Horse Inn.

23 September – Go into town in the morning and meet Ann and Leona preparing to study in Rhodes Park library. I go to Central library and then to John Orrs. When I come out the first people I meet are Webster and Anne and Lemon. Anne is wearing black and white striped dress. She is terribly sweet and Webster gives me big grin. Lemon dashes around madly. What a lovely surprise.  Meet Liz Moir as I’m going down Eloff Street.

27 September – Go for lesson with Mrs S. Her studio houses the Trinity College examinations room. Imagine my surprise when I hear a well-known voice talking to someone, “You’ll have to come and have dinner with us then.” I decide not to greet her in case she thinks I’m taking singing with Mrs S instead of with them.

I have my lesson and Mrs S loads me with work which I shall do. On the bus home I think that I should have greeted Anne for I shall have to mention it to her tomorrow so that she understands that I’m doing piano and not singing with Mrs S.

28 September – I have lunch with Mum and then go to a lovely lunch hour concert – Sonette Heyns sings and Edgar Cree conducts. I meet Jill and Lynn afterwards and we talk for a while.

I kill time in the library for a while and then go up to studio. Anne is wearing a pink striped dress. Middle-aged pupil called Nellie is having a lesson. Webster is playing a recording of his Abide With Me (Liddle) and he says, “I’ll play this for you one Thursday night – say a fortnight from today.

Nellie departs and Webster tells me to go in. Before we start on scales Anne tells me about all the prizes they had won at the Springs eisteddfod. I say, “Were you at the Trinity College examination rooms yesterday?” She says she was, and I tell her I was going for a piano lesson with Sylvia Sullivan and I heard her speaking to someone. She said she was speaking to the old examiner from Britain who comes out every year and looks about 90 although he’s only 70!

We start on scales and on one note Webster says, “That was glorious – sing it again!” Over tea I tell Webster rather nervously that I loved his play. He says, “Oh, did you like it? It is fun, isn’t it. Did the others like it?”  I say, “Yes, it was lovely.”

Anne says that on that day after the show she went out to see a particular garden. The roof was off on the Hillman and she was wearing flat shoes so she arrived looking a dreadful sight but didn’t expect to see anyone she knew. When she walked in all her friends were there and she felt terribly embarrassed.

We do Roslein and it is agreed that it is an improvement beyond bounds from the last time I sang it.  We do Hark, Hark, the Lark and she decides that we should do it. We look at it in one of her books which she has had since school days. He says he hates it for he sang too much of it as a choir boy.

I listen to Webster at night and find complete peace listening to him. He plays a few excerpts from The Dream sung by Heddle Nash and Gladys Ripley. He says he found it very difficult at first but then decided it was the loveliest oratorio of the lot.

Then he goes on to The Rosenkavalier which he sang in 1938 at Covent Garden with Erich Kleiber conducting. He tells the story of Lotte Lehmann’s husband being arrested by the Nazis and she was so upset that she was unable to continue with the performance.

He plays some pieces from The White Horse Inn and says that he spent many happy weeks in the Austrian Alps where the musical is set.

Continue reading “EXTRACTS FROM MY TEENAGE DIARY – SEPTEMBER 1961”

BROADCASTS FEATURING WEBSTER BOOTH AND ANNE ZIEGLER (1934 – 1939)

 

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1934. North Regional -Sunday -7.0-7.45 STABAT MATER, by Pergolesi (for Female Voices, string orchestra and Continuo); the Liverpool Ladies’ Choir (by permission of the Liverpool Music Society); the Northern String Orchestra (leader, John Bridge), Conductor, John Tobin; Tilly Connely (Harpsichord)’ Emily Evans (Soprano); Doris Walker (Soprano); Nancy Evans (Contralto); Irené Eastwood (Soprano). Irené changed her name to Anne Ziegler when she moved to London to go on the stage.
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29th January 1935 -Following a reading of Scottish poetry by CRM Brookes, a modern fairy tale, by James Dyrenforth, with music by Kenneth Leslie-Smith, entitled LOVE NEEDS A WALTZ, will be relayed. Among those taking part in this are Bruce Carfax, Ernest Sefton, Gordon Bailey, Sam Browne, Ben Welden, and Anne Ziegler.
Anne was hailed as a ‘Radio Nightingale Discovery’.

19th February 1935 -Scottish National – 8.0 THE CHOCOLATE SOLDIER, a Comic Opera, adapted for Broadcasting from Stanislaus Stange’s English Version of the Libretto by Adolf Bernauer and Leopold Jacobson; Music by Oscar Strauss; adapted and produced by Gordon McConnel, with Anne Ziegler, Amy Augarde, Betty Huntley-Wright, Horace Percival, Franklyn Kelsey, Percy Heming, Jan van der Gucht, the Wireless Chorus and the BBC Theatre Orchestra (leader, Montague Brearley), Conductor Stanford Robinson.

RADIO THEATRE February 1935 -Prince Edward Theatre. Anne Ziegler, with Stannelli, Richard Murdoch, Claude Dampier, Billie Carlyle and Elsie Sterndale.

RADIO MUSIC HALL 1935 –Anne Ziegler, with Claude Hulbert, Muriel George and Ernest Butcher and Mario Lorenzo.

15th May 1935 -Scottish National – 10.00 THE MAY REVUE; music by Jack Strachey; produced by C. Denis Freeman, with Nelson Keys, Sylvia Leslie, Patrick Waddington, Hermione Gingold, C Denier Warren, Max Kirby, Anne Ziegler; the Radio Three; the BBC Variety Orchestra, directed by Mark H. Lubbock.

1st June 1935 -Scottish National Saturday 8.30 BITTER SWEET, a Romantic opera by Noel Coward, adapted for the microphone by Henrik Ege, with Evelyn Laye, Serge Abranovic, Betty Huntley-Wright, Patricia Burke, Patrick Waddington, Tessa Deane, Rose Hignell, Anne Ziegler, Phillip Cunningham, Norah Howard, Effie Atherton, Hermione Gingold, Gerald Nodin, Leslie Perrins, John Cheatle, Elaine Inescort, Winifred Davies, Billy Milton, Philip Desborough, Dimitri Vetter, Hector Abbas, Dorothy Tetley, Stanley Vine, Gwen Williams; the BBC Theatre Orchestra; Mantovani and his Orchestra; the BBC Revue Chorus, conducted by Stanford Robinson; Assistant Conductor Arthur Wood. 9.30 Time, Weather, and News Summary; 9.45 BITTER SWEET (Act 2)

20th June 1935 -The radio version of Owen Hall’s THE GEISHA, with Huntley Wright in his original part and Anne Ziegler as O Mimosa San, will be reintroduced by Marie Tempest in the Scottish National programme tonight at 8.0.
8.0 Marie Tempest introduces THE GEISHA, a broadcasting version of Owen Hall’s story of a Tea House; Lyrics by Harry Greenbank; Music by Sidney Jones; Pidgin English by Clifford W. Collinson; adapted and produced by Gordon McConnel with William Stephens, Lawrence Baskcomb, Colleen Clifford, Huntley Wright, Ewart Scott, Arnold Matters, Gladys Young, Anne Ziegler, Ian Glennie, Betty Huntley-Wright; the BBC Chorus, the BBC Theatre Orchestra, conducted by Stanford Robinson.

The Scotsman, 29th June 1935, page 20 -Sunday 6.30 – 7.45 The BBC Theatre orchestra conducted by Stanford Robinson; Anne Ziegler (Soprano)

12th November 1935 -Scottish 3.00 The Torquay Municipal Orchestra, Conductor Ernest W Goss; Anne Ziegler (Soprano)
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1936 – 1940 This was one of the most prolific broadcasting periods for Anne Ziegler and Webster Booth. They appeared in separate broadcasts until January 1938 when they began singing together. They were married on 5 November 1938.
Excerpts from Mother Goose – Regional Programme Northern, 1 January 1936 19.00 –presented by TOM ARNOLD (for Julian Wylie Productions, Ltd.) Relayed from The Empire Theatre, Liverpool Book by J. Hickory Wood and Dan Leno , Jnr. Music composed, selected and arranged by James W. Tate and E. W. Eyre
Ballets, Musical Number and Ensembles staged by John Roker, J. W. JACKSON ‘S SIXTEEN ENGLISH DANCERS, TWENTY-FOUR EILEEN ROGAN CHILDREN, Chorus and Ballet, Produced by TOM ARNOLD
George Lacy is one of the finest dames of modern times and a great artist. His change of appearance from his comedy make-up of the early scenes to the beauty that invests Mother Goose after she has bathed in the Magic Pool is as wonderful as the pathos of his acting when beauty leaves her.
George Formby , brilliant son of a brilliant father, needs no introduction to Liverpool audiences. Like his father, he is Lancashire’s own comedian
Anne Ziegler is Liverpool born and bred, and sang in concerts there under her own name of Irene Eastwood. She decided that musically her own name would not get her anywhere; changed it to Anne Ziegler, and won fame on the air. She is slim, blonde, and beautiful. Anne as principal boy in her first pantomime.
Last, but not least, of a brilliant cast is George Queen, who plays the goose. Priscilla with an amazing fidelity to life.

Sunday – 6.0 Up North for Pantomime: Anne Ziegler, Principal Boy in Tom Arnold’s Pantomime, MOTHER GOOSE at the Empire Theatre, Liverpool.

29th February 1936 – 10.0 The BBC Theatre Orchestra; Conductor, Stanford Robinson; Anne Ziegler (Soprano)
Anne sang A Song in the Night by Loughborough on Pathé. Unfortunately,  this excerpt is missing its soundtrack, but click on the link to hear the recording: https://clyp.it/dk0yxd2i

Comic Opera-5 – National Programme Daventry, 26 March 1936 20.30. A Programme of Songs and Scenes from LA POUPÉE, English lyrics by ARTHUR STURGESS; Music by EDMOND AUDRAN.THE ROSE OF PERSIA English lyrics by BASIL HOOD; Music by ARTHUR SULLIVAN and THE POLICEMAN’S SERENADE – A Grand Little Opera Words by A. P. HERBERT; Music by ALFRED REYNOLDS
Artists: GEORGE BAKER (Baritone) ANNE ZIEGLER (Soprano) APPLETON MOORE (Baritone) BERNARD ANSELL, IAN GLENNIE, IVAN GOLDING, IRENE BRIGHTMAN, JOHN DUNCAN, THE B B C REVUE CHORUS and THE B B C THEATRE ORCHESTRA, Conducted by STANFORD ROBINSON, The Programme arranged by GORDON MCCONNEL (the Producer) and MARK H. LUBBOCK. This was broadcast in the Regional programme last night.

6th June 1936 – Aberdeen Sunday 9.0 UP NORTH THIS WEEK: Anne Ziegler, accompanied by the Buxton Spa Orchestra: Conductor: Maurice Mies from the Pavilion Gardens, Buxton.

HARRY GORDON OF INVERSNECKY AND HIS COMPANY – Regional Programme Scotland, 13 July 1936 21.30 – from the Beach Pavilion, Aberdeen.
This year Harry attains his majority in the Beach Pavilion, having begun there twenty-one years ago at a salary of £2 a week. Eight years later he became lessee of the Pavilion, since when he has managed and produced a long succession of amusing shows, in addition to undertaking the work of principal comedian. Assisting him tonight are Murray Stewart and his Orchestra Mascotte, Joan Coleridge , Anne Ziegler, Fred Yule, Jack Holden, Jack Key, Four Paramount Tiller Girls, and Alice Stephenson.

6th August 1936 LOTS OF LOVE 10.5, An Improper Story of Four Centuries (very properly cut to an Hour) by HOLT MARVELL.  Music by JACK STRACHEY, ANNE ZIEGLER (Soprano), CAVAN O’CONNOR (Tenor) and THE RADIO THREE, GORDON LITTLE (Baritone), THE B B C VARIETY ORCHESTRA, Conductor, STANFORD ROBINSON, ORCHESTRA: Hungarian Souvenir, GORDON LITTLE: Can This Be Love?
ANNE ZIEGLER AND CAVAN O’CONNOR: Two Songs from Lots of Love 1. Vienna in the Spring; 2. Moon of Romance.
GORDON LITTLE: A Night in November.
ANNE ZIEGLER AND GORDON LITTLE: Ghosts of My Lovers.
ORCHESTRA: Suite, Three Cameos 1. The Little Waltz; 2. Polka, Grand-mamma Goes Gay; 3. Ascot Parade.
ANNE ZIEGLER AND GORDON LITTLE: Holiday Abroad. 
ORCHESTRA – Selection from the Monthly Revues.
Of those who are to sing some of his numbers tonight, Anne Ziegler first broadcast in Love Needs a Waltz, Cavan O’Connor won fame as the Vagabond Lover, and Gordon Little, another well-known broadcaster, played in Stop Press at the Vaudeville last year.

Lots of Love (Repeat) – National Programme Daventry, 13 October 1936 20.00 Radio broadcast. Anne Ziegler and Cavan O’Connor, with Adele Dixon, Greer Carson, Bruce Winston, Eric Portman.

Radio Pie – Regional Programme London, 5 November 1936 19.30. Written, composed, and concocted by THE TWO LESLIES: (LESLIE SARONY and LESLIE HOLMES).
Ingredients: TOMMY HANDLEY, TESSIE O’SHEA (By permission of George Black ), THE SINGING PORTER, MARIO DE PIETRO, ANNE ZIEGLER, HUGO STEFFANI AND HIS TWENTY-ONE SILVER SONGSTERS.

TV BROADCAST 1 December 1936, 9.45 10.00 pm. BBC TV Anne appeared with Gilbert Webster (xylophone).
9th December 1936 Scottish National Regional 9.0 The BBC Theatre Orchestra conducted by Harold Lowe; Anne Ziegler (Soprano); Michael Collins (Violoncello)

Round the Pantomimes—2 – Regional Programme Scotland, 29 December 1936 21.00 Cinderella with WILL FYFFE, JOAN COLE, ANNE ZIEGLER, WINNIE COLLINS etc. from the Empire Theatre, Edinburgh (By permission of George Black ) Continuity by P. I. KEITH MURRAY and R. E. KINGSLEY
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HUNTLEY WRIGHT as Wun-Hi in THE GEISHA – National Programme Daventry, 4 January 1937 19.45
This was one of the first broadcasts in which Webster Booth and Anne Ziegler appeared together. Webster was still married to Paddy Prior, but a divorce was pending.
A broadcasting version of Owen Hall ‘s Story of a Tea House – with some additional pidgin English by Clifford W. Collinson , F.R.G.S; Lyrics by Harry Greenbank, Music by Sidney Jones – Composer of A Greek Slave, An Artist’s Model, A Gaiety Girl. The BBC Revue Chorus and The BBC Theatre Orchestra, Conducted by Harold Lowe, Adaptation and production by Gordon McConnel with technical assistance of Rex Haworth.
The Geisha will be repeated in the Regional programme on Thursday at 8.45
Characters:
Police-Sergeant Takemini (attendant on the Marquis): Franklyn Kelsey
Marquis Imari (Chief of Police and Governor of the Province): Lawrence Baskcomb
Juliette (A French Tea Girl): Colleen Clifford
Wun-Hi (Chinese Proprietor of the Tea House): Huntley Wright
Officers of H M S Turtle: Lieutenant Cunning: Ewart Scott
Lieutenant Reginald Fairfax: Arnold Matters
Lady Constance Wynne (a Wealthy Englishwoman): Gladys Young
O Mimosa San (A Geisha): Anne Ziegler
Lieutenant Katana (of the Imperial Japanese Artillery): Webster Booth
Molly Seamore: Billie Baker

THE CHOCOLATE SOLDIER – Regional Programme Scotland, 30 March 1937 20.45 A Comic Opera adapted for broadcasting by Gordon McConnel from Stanislaus Stange’s English version of the libretto by Adolph Bernauer and Leopold Jackson. Music by Oscar Straus, The BBC Revue Chorus and The BBC Theatre Orchestra, Conducted by Mark H. Lubbock. Production by Gordon McConnel and Rex Haworth. (From Regional).
Nadina Popoff, Daughter of Colonel Popoff: Anne Ziegler
Aurelia, Wife of Colonel Popoff: Gladys Parr
Mascha, Her Cousin: Betty Huntley Wright
Bumerli, Lieutenant in the Servian Army: .Horace Percival
Massakroff, Captain in the Bulgarian Army:.Franklyn . Kelsey
Kasimir Popoff, Colonel in the Bulgarian Army: Dick Francis
Alexius Sparidoff, Major in the Bulgarian Army: . Jan Van Der Gucht.

DANCING THROUGH – National Programme Daventry, 14 May 1937 20.00 Geraldo won fame for his non-stop music when he broadcast his first programme of ‘ Non-Stop Dance Music ‘ in 1934. In this fifth edition of Dancing Through he is trying to beat his record of 152 tunes which he played in the last (in December, 1935), and he will probably succeed. The vocalists are all well-known broadcasters.
Monte Rey , who has broadcast so often with Geraldo himself, Lily Morris of Music-Hall fame, Anne Ziegler, associated with radio musical comedy and operetta, and Wilfrid Thomas and Eve Becke , who were both so often with the Air-do-Wells. At the organ is the brilliant organist who succeeded Reginald Foort at the Paramount, Tottenham Court Road, Al Bollington, who gave a broadcast on the BBC Theatre Organ on Christmas Eve.

PADDLE STEAMER – BBC Television, 17 June 1937 15.35 Down River in 1850 with Sebastian Shaw and Anne Ziegler, Dances arranged by Wendy Toye, To Music by John Gardner, Produced by Dallas Bower. In this unusual production a leading rôle will be taken by an actor who, though he has been on the stage since 1914, when he was nine years old, has made a number of exceptionally notable hits in the last year in the film world, one of his latest parts being the leading male role in Farewell Again. His stage appearances include The Constant Nymph, The Sacred Flame, Precious Bane, Double Door, and repertory work at Stratford-on-Avon, and in Liverpool and Hull. Anne Ziegler is, of course, one of the most constant favourites in television programmes. Her numerous visits to Alexandra Palace include an appearance as a solo artist on June 2.
Wendy Toye, the brilliant twenty-year-old actress and dancer, who has arranged the dances in this programme, produced a ballet at the Palladium when she was only ten years of age. She studied dancing almost from infancy, and has appeared with the Camargo Society and toured with Anton Dolin and Alicia Markova.

AMERICA CABARET AND BROADCASTS 1937. While Anne starred in Virginia at the Center Theater, New York, Webster did a few broadcasts with Will Rogers and sang at the Rainbow Room, New York.
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6th January 1938 – Scottish 8.45 THE GEISHA, a broadcasting version of Owen Hall’s story of a Tea House, with some additional pidgin English by Clifford W Collinson: lyrics by Harry Greenbank; music by Sidney Jones; Adapted and produced by Gordon McConnel, assisted by Rex Haworth, with Huntley Wright, Fred Yule, Lawrence Baskcomb, Colleen Clifford, Ewart Scott, Arnold Matters, Gladys Young, Anne Ziegler, Webster Booth, Billie Baker; The BBC Revue Chorus and the BBC Theatre Orchestra; Conductor, Harold Lowe.

VARIETY – National Programme Daventry, 26 January 1938 19.15. Clarkson Rose: Comedian, Webster Booth and Anne Ziegler : Musical Comedy Duets, A Motoring Episode by Charles Hayes and George Barker, Leonard Henry :Comedian, The BBC Variety Orchestra conducted by Charles Shadwell, Compere, Charles Hayes.

MONDAY AT SEVEN – National Programme Daventry, 14 February 1938 19.00, Presented by – Harry S. Pepper and Douglas Moodie. Singing Commere, Judy Shirley, Ernest Butcher and Muriel George, The Odyssey of a Valentine written and told by Valentine Dunn. Inspector Hornleigh Investigates, S. J. Warmington as Inspector Hornleigh)
No. 28, The Javanese Goddess by Hans W. Priwin, Anne Ziegler and Webster Booth with the BBC Revue Chorus, The BBC Variety Orchestra conducted by Charles Shadwell.

CABARET– BBC Television, 22 February 1938 15.20 -with Anne Ziegler, Jane Carr, Edna Squire Brown, the Cafe Anglais Glamour Girls. Ian Grant as compere. The BBC Television Orchestra, leader Boris Pecker , conductor Hyam Greenbaum. Presentation by D. H. Munro.

7th April 1938 Scottish National 8.0 MILESTONES OF MELODY, Geraldo and his Concert Orchestra (by permission of the Savoy Hotel Ltd), presented by John Burnaby with Anne Ziegler, Monte Rey, Patrick Waddington, Eve Becke, Cyril Grantham, The Top Hattes and the Geraldettes, The BBC Male Revue Chorus, Al Bollington at the Theatre Organ.

DANCE CABARET – Regional Programme Western, 21 April 1938 21.15
from the Royal Bath Hotel Ballroom, Bournemouth
Douglas Byng the stage and cabaret star
Jane Carr stage, screen, and radio favourite
Webster Booth the romantic tenor
Anne Ziegler the lyric soprano
Arthur Askey comedian, and compere, and dance to Billy Bissett and his Canadians with THE CANADIAN CAPERS and ALICE MANN.
MILESTONES OF MELODY – Regional Programme London, 18 April 1938 20.20 Geraldo and his Concert Orchestra (By permission of the Savoy Hotel, Ltd.) with Romance and Rhythm: Anne Ziegler, Eve Becke, Monte Rey, Cyril Grantham, Patrick Waddington, The Top Hatters, The Geraldettes,The BBC Male Revue Chorus.

21st April 1938 At 9.15 there will be a DANCE CABARET with Douglas Byng, Jane Carr, Anne Ziegler, Webster Booth, and others.
9.15 Dance Cabaret; Douglas Byng (stage and cabaret artist), Jane Carr (stage, screen and radio artist), Webster Booth (tenor), Anne Ziegler (soprano), Arthur Askey (comedian and compère); Billy Bissett and his Canadians with the Canadian Capers, and Alice Mann from the Royal Bath Hotel Ballroom, Bournemouth

MILESTONES OF MELODY – Regional Programme London, 6 May 1938 20.00 Geraldo and his Concert Orchestra (By permission of the Savoy Hotel, Ltd.) with Romance and Rhythm: Anne Ziegler, Eve Becke, Monte Rey, Cyril Grantham, Patrick Waddington, The Top Hatters, The Geraldettes,The BBC Male Revue Chorus.

THEATRE COMPOSERS National Programme Daventry, 29 May 1938 21.05 LIONEL MONCKTON – The Man and his Music. A programme arranged by M. Willson Disher. Music selected by Mark H. Lubbock. Production by Gordon McConnel. The compere, Bertram Wallis.Dennis Noble, Betty Huntley-Wright, Anne Ziegler, The BBC Theatre Chorus and the BBC Theatre Orchestra (leader, Tate Gilder ), conductor, Stanford Robinson.
MILESTONES OF MELODY (Series) – National Programme Daventry, 1 June 1938 20.00 Geraldo and his Concert Orchestra (by permission of the Savoy Hotel, Ltd.) with Romance and Rhythm. Anne Ziegler, Eve Becke, Monte Rey, Cyril Grantham, Jack Melford, The Top Hatters, The Geraldettes. Section of the BBC Male Chorus, Al Bollington at the BBC Theatre Organ. Presented by John Burnaby.
GEORGE EDWARDES – Regional Programme London, 15 June 1938 18.00 Part 1 – The Guv’nor of the Gaiety. An illustrated biography compiled and written by S. R. Littlewood. Produced by Gordon McConnel in collaboration with Mark H. Lubbock. The cast will include Sir Seymour and Lady Hicks (Ellaline Terriss), Robert Nainby, Willie Warde, Horace Percival, Betty Huntley-Wright, Stuart Robertson, Anne Ziegler, Bertha Willmott, Denis O’Neil. The BBC Theatre Chorus and The BBC Theatre Orchestra. Leader, Tate Gilder. Conductor, Stanford Robinson. The Compere, S. R. Littlewood . Should circumstances prevent Sir Seymour and Lady Hicks from taking part in the actual broadcast, their contributions to the programme will be recorded.

THE BBC THEATRE ORCHESTRA – National Programme Daventry, 18 October 1938 13.15 Leader, Tate Gilder, Conducted by Mark H. Lubbock, Anne Ziegler (soprano).

Anne Ziegler on the cover of Radio Pictorial (1938) She is wearing a diamond solitaire engagement ring a month or so before Webster’s divorce was finalised.


Scottish National – 8.00 MILESTONES OF MELODY, Geraldo and his Concert Orchestra (by permission of the Savoy Hotel Ltd), presented by John Burnaby with Anne Ziegler, Monte Rey, Patrick Waddington, Eve Becke, Cyril Grantham, The Top Hattes and the Geraldettes, The BBC Male Revue Chorus, Al Bollington at the Theatre Organ.

PRINCESS CHARMING – National Programme Daventry, 24 August 1938 19.30
A romance with music adapted from the Hungarian by Arthur Wimperis and Laun Wylie. Lyrics by Arthur Wimperis music by Albert Sirmay and Jack Waller. Adapted for the microphone by Reginald Burston and Martyn C. Webster
The Midland Revue Chorus, The Midland Revue Orchestra, leader Norris Stanley , conductor Reginald Burston. Production by Martyn C. Webster. (From Midland) Naval Officer (attached to the Svlvanian Embassy): Cedric Johnson, Baron Sigman (Sylvanian Ambassador): Lester Mudditt, Marie (stenographer at the Embassy): Dorothy Leake, Albert Chuff (Continental Manager of the Colossal Assurance Co ): Hal Bryant, Captain Torelli (of the Cruiser Fire Eater): Webster Booth, Princess Elaine (of Novia): Anne Ziegler, A young Lieutenant (of the Fire Eater): John Morley, Wandu Navarro: Yvette Darnac, Ivanoff (leader of the rebellion): Godfrey Baseley, The Lord Chamberlain (of Sylvania): Godfrey Baseley, King Christian 11 of Sylvania: Leslie Bowmar, The King’s Aide-de-Camp: John Morley, The Attorney General: Cedric Johnson, The Story Teller: Stuart Vinden.

FOORT-ISSIMO -National Programme Daventry, 17 September 1938 19.30, A Light-Hearted half-hour in which the audience will join with Reginald Foort at the BBC Theatre Organ with Anne Ziegler and Webster Booth. Production by Max Kester.

THE BBC THEATRE ORCHESTRA – National Programme Daventry, 18 October 1938 13.15 Leader, Tate Gilder, Conducted by Mark H. Lubbock, Anne Ziegler (soprano).

19th October 1938 – 10.30 DANCE CABARET: Douglas Byng (Cabaret Artist); Webster Booth (Tenor); Oliver Wakefield (The Voice of Inexperience); Anne Ziegler (Lyric Soprano); Cliff Cooke (Compere); Dance music played by Billy Thorburn and his Music, with Eddie Guery and The Royal Bath Hotel Singers, from the Royal Bath Hotel Ballroom, Bournemouth.

A month after Webster’s divorce from Paddy Prior was finalised, Webster and Anne were married on 5 November 1938.

Anne and Webster wedding

ALL DOWN FOR THE FINALE! – Regional Programme Midland, 3 December 1938 21.10 Bill White, call-boy of the Theatre Royal recalls memories of The Belle of New York, Florodora, The Merry Widow,The Lilac Domino.
Anne Ziegler, Webster Booth, George Gibbs, Fred Forgham, Denis Folwell, The Midland Revue Chorus, The Midland Revue Orchestra, Leader, Norris Stanley, Conductor, Reginald Burston. Presentation by Martyn C. Webster.
The call-boy’s cry ‘All down for the finale!’, familiar to those who have taken part in big musical-comedy productions, gives the title of this programme. The finales from famous musical comedies will be preceded by a dramatised section, beginning with reminiscences and then going on to unfold the plot of the show up to the finale chosen.

CHARLES ERNESCO AND HIS QUlNTET – National Programme Daventry, 11 December 1938 18.30 with Anne Ziegler  
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9th February 1939 – Scottish National 6.0 SCRAPBOOK FOR 1909, presented by Leslie Baily and Charles Brewer; Compere Patric Curwen, Producer: Charles Brewer. A programme in the Scrapbook series. Arthur Wimperis, ex-Inspector JH Jarvis, Miss Muriel Matters, Captain GP Philips; cast also includes Dorothy Holmes-Gore, Anne Ziegler, Ivan Samson, Horace Percival, Ernest Shannon, Eric Lugg, Bryan Powley, Johnnie Singer, and the recorded voices of Christabel Pankhurst and George Graves; Louis Bleriot (BBC disc); Cmdr Robert E Peary; Rt. Hon. HH Asquipth MP; Prime Minister in 1909 (all commercial discs). the BBC Revue Chorus and the BBC Variety Orchestra, conducted by Louis Levy.

Ivor Novello

IVOR NOVELLO LOOKS BACK! – Regional Programme London, 17 February 1939 20.15 A biography of his life in words and music, introducing some of the people who have been associated with him: Ivor Novello, Mary Ellis, Dorothy Dickson in a scene from Henry V. Madame Clara Novello-Davies, Peter Scott, Anne Ziegler, Gordon Little, Frank Bird and supporting cast. The programme will also include a short glimpse of the new Ivor Novello musical play The Dancing Years, now in rehearsal. The recorded voices of Fay Compton, Jack Buchanan, and Jack Hulbert with The Welsh Ladies’ Choir, under the direction of Madame Clara Novello Davies.
A Party of Welsh Miners. The BBC Revue Chorus and the Augmented BEC Variety Orchestra conducted by Charles Shadwell. Orchestrations by Jack Beaver. Interviewer, F. H. Grisewood. The programme devised and written by Howard Thomas. Production by Archie Campbell. This programme will be broadcast again tomorrow (National, 5.0)

DANCE CABARET – National Programme Daventry, 1 March 1939 22.35 from the Grand Hotel, Torquay. Norman Long – A song, a joke, and a piano, Bennett and Young – Comedians, Anne Ziegler – The lyric soprano,
Webster Booth – The romantic tenor, Raymond Bennett – Compere, and dance to Harry Evans and his Band.
18th March 1939 Among those appearing in MUSIC HALL at 8.0 are Anne Ziegler, Webster Booth and Leonard Henry. Scottish National 8.0 MUSIC HALL, presented by John Sharman, with Anne Ziegler and Webster Booth in musical comedy selections; Yorky and Scotty, Al and Bob Harvey (Canadian comedians), Leonard Henry (comedian), Ted Ray (Fiddling and Fooling); Pat Hyde (Radios sweetheart); The BBC Variety Orchestra, conducted by Charles Shadwell.

MELODIES FROM THE COMEDIES – Regional Programme Midland, 23 March 1939 21.05, A contrast in styles with Gordon Little, Anne Ziegler, John Bentley, The Rhythmettes, The Midland Revue Orchestra, Leader, Norris Stanley, Conductor, Reginald Burston, Compere, Martyn C. Webster.

THEATRE COMPOSERS – No. 6 National Programme Daventry, 9 April 1939 21.05 Jerome Kern – The Man and his Music. A programme arranged by M. Willson Disher. The music selected and the programme produced by .Mark H. Lubbock
Anne Ziegler, Patricia Burke, Gordon Little, Ronnie Hill. ompere, Charles B. Cochran. The BBC Theatre Chorus and The BBC Theatre Orchestra, Leader, Tate Gilder. Conducted by Mark H. Lubbock.

Here is a programme in narration and music, surveying the work of one of the most versatile jazz composers ever born. It is perhaps surprising to reflect that as long ago as 1905 Jerome Kern was writing song hits, and that he has kept up a steady output ever since. Who does not remember such numbers as She didn’t say Yes, Who? Silver Lining, Dancing Time, and, more recently Smoke gets in your eyes? C. B. Cochran was responsible for putting on two shows that between them contained some of Kern’s finest works, namely The Cat and the Fiddle and Music in the Air.

DANCE CABARET – Regional Programme Western, 6 May 1939 21.00 from the Polygon Hotel, Southampton. Anne Ziegler the lyric soprano, Leonard Henry comedian and compere, Suzette Tarri in comedy cameos, Jack Train in character comedy and dance to Fred Ballerini and his Dance Band.
The first broadcast of cabaret from the Polygon Hotel was made last December. Programmes have been broadcast on several occasions since then, and each time the artists have included Fred Ballerini and his dance band, the combination that is appearing this evening.

Dorothy Dickson in FAREWELL TO JUAN – National Programme Daventry, 23 May 1939 20.00 or Lots of Love – An Improper Story of Four Centuries (very properly cut down to one hour) Written by Eric Maschwitz , to music by Jack Strachey. The Storyteller, Edwin Styles, Gibb McLaughlin as The Barman, Elizabeth Maude as Laura Vanelli, Dorothy Dickson as Iris Flame, Richard Ainley as Don Juan, Ruth Maitland as Minnie, Singers: Heddle Nash, Anne Ziegler, The Cavendish Three, The BBC Theatre Orchestra, (Leader, Tate Gilder ) Conducted by Mark H. Lubbock , Rae Jenkins and his Schrammel Quartet, At the piano, Alan Paul, Orchestrations by Julius Buerger, Wally Wallond , and Jack Beaver. Trio arrangements by Kay Cavendish. Production by Archie Campbell.

RADIO NORMANDIE 18 June, 1939. Anne Ziegler and Webster Booth, with George Formby, Tommy Handley, Jack Warner, Vic Oliver, Bebe Daniels, Leonard Henry, Olive Groves, Donald Peers, Phyllis Robins and Reginald Foort.
SATURDAY AT NINE-FORTY-FIVE – National Programme Daventry, 22 July 1939 21.45 Music for Films sung and played by Anne Ziegler, Heddle Nash and The BBC Theatre Orchestra. Leader, Tate Gilder, Conducted by Mark H. Lubbock . With a descriptive commentary by C. A. Lejeune.
30th August 1939 10.20 DANCE CABARET, with Warden and West; Fanny and Biddy (the Two Dames); Anne Ziegler (Lyric Soprano); Webster Booth (Tenor); Suzette Tarry (Comedy Cameos), and Harry Evans and his Dance Band, from the Grand Hotel, Torquay.

Webster joined the staff of the variety section of the BBC in Bristol at the outbreak of war. Not long afterwards, Anne was allowed to join him and they rented a flat in Bristol while they were working there.

5th October 1939 – 6.45 MUSIC FOR FILMS sung and played by Anne Ziegler, Heddle Nash, John Nash, John Stevens, and the BBC Theatre Orchestra, conducted by Reginald Burston; descriptive commentary written by CA Lejeune, spoken by Cathleen Cordell.

Sunday 22 October, 1939. 18.35 THE BBC VARIETY ORCHESTRA. Leader, Frank Cantell. Conductor, Charles Shadwell with Webster Booth and Anne Ziegler, (Solo trumpets, Alf Lewis and Leslie Uzzell ), Charles Woodforde (solo Cello), Arthur Sandford (solo piano).

Tuesday, 24 October 1939, 12.15 MUSIC IN THE MORNING A programme of light music with Anne Ziegler, Webster Booth, and Dorothy Carless. All arrangements by Alan Paul, Presented by John Burnaby and Alan Paul. This programme is notable for the fact that two of the broadcasters are the wives of radio celebrities. Anne Ziegler is the wife of Webster Booth,  and Dorothy Carless the wife of Eugene Pini , whom she married on the eve of the outbreak of war.

Tuesday, 7 November 1939. 12.00 MUSIC IN THE MORNING. A programme of light music, with Anne Ziegler , Webster Booth, Dorothy Carless , and the strings of the Television Orchestra, All arrangements by Alan Paul,Presentation by John Burnaby and Alan Paul.

21st November 1939 12.30 MUSIC IN THE MORNING, with Anne Ziegler, Webster Booth, Dorothy Carless, and the strings of the Revue Orchestra.

JEAN COLLEN 2005 ©
Updated 2017.