BOOTHS IN SOUTH AFRICA (1962 – 1963)

I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.

Anne and Webster 29 January 1962 in Lower Houghton.
Gilbert and Sullivan programme 7 January 1962 SABC Bulletin
The Andersonville Trial February 1962.
February 1962. The Andersonville Trial. Webster played a very small part indeed!
9 March 1962
Hymn competition winners. March 1962
17 March 1962 Drawing Room on the English Service of the SABC.

17 March 1962 Drawing Room on the English Service of the SABC. Article by Webster in the SABC Bulletin.

17 March 1962 Drawing Room on the English Service of the SABC.
Gary Allighan, March 1962
Showing some antiques to the press. 1962.
Anne choosing wallpaper – 1962.
April 1962 Olivet to Calvary, St George’s Presbyterian Church, Noord Street.
4 May 1962 The Vagabond King
June 1962. Music for Romance.
Arriving in Bulawayo, July 1962. He was ill.
July 1962 Bulawayo Eisteddfod
21 July 1962 Bulawayo
July 1962 Bulawayo

July 1962 – Leslie Green broadcasts from the UK.

Leslie Green was in the UK on holiday and Anne and I listened to Tea with Mr Green (broadcast from the UK) when she was in the studio on her own and Webster was very ill. By this time Paddy O’Byrne was reading Webster’s scripts on the Gilbert and Sullivan programme as he was too ill and weak to record the programmes. He visited Anne’s great friend, Babs Wilson Hill and did a broadcast from her home. He said she had the most beautiful garden in England.

Webster was very ill indeed when he returned from Rhodesia and had to spend some time in the Fever Hospital in Johannesburg.

Fever Hospital.

August 1962 – Music for Romance. Anne presented a series of programmes of recordings and reminisces about her life and career in England. It received adverse criticism from various radio critics and only ran until December.

August 1962 – Anne Ziegler
28 August 1962 Round the Christian Year, St Mark’s, Yeoville.
28 August 1962 St Mark’s Yeoville, Round the Christian Year.
At the wedding of Margaret Inglis and Robert Langford in the garden of Petrina Fry (pictured) and her husband, Brian Brooke. October 1962

October 1962 –The Pirates of Penzance. Bloemfontein. Webster directed this production. As a gimmick, he had a chimpanzee to accompany the pirates on stage, but the chimpanzee was not without problems. She disgraced herself during Webster’s opening night speech. He quipped, “You naughty girl. I won’t take you out in a hurry again.”

August 1962 – Webster Booth
Lord Oom Piet. Guest artists, eventually furious to have their singing disrupted by the antics of Jamie Uys. I always thought that was a terrible film and couldn’t understand why Anne and Webster had any part of it.
November 1962 Lord Oom Piet.
November 1962. Elijah.

November 1962 – Port Elizabeth Oratorio Festival. Elijah and Messiah, Webster, Monica Hunter, Joyce Scotcher, and Graham Burns, conducted by Robert Selley. The complete oratorios were broadcast locally in the Eastern Cape as usual. Later, excerpts were broadcast nationally but, for some unexplained reason, none of Webster’s solos were used in the national broadcast. Two older members of the SABC choir (Gill and Iris) took delight in cattily telling Ruth and me that it was because Webster’s singing was not up to standard and that was why he was not included in the broadcast. That was the last year that Webster sang at the PE Oratorio Festival.

1963

Great Voices – January 1963.
15 January 1963 At Alexander Theatre, Braamfontein
Mr and Mrs Fordyce and their stage family 15 January 1963.
Mrs Puffin (Jane Fenn) and Mr Fordyce (Webster) January 1963
Anne holds a tea party in Goodnight Mrs Puffin.
Photo in the programme of Goodnight Mrs Puffin.
Lewis Sowden crit.
Oliver Walker crit.
Dora Sowden’s crit?
7 January 1963 Great Voices

Accompanying for Webster. Shortly after Goodnight Mrs Puffin ended its run at the Alexander Theatre my father heard a recording I had made of myself singing Father of Heav’n from Judas Maccabeus on my recently-acquired reel-to-reel tape recorder. He passed several disparaging remarks about the quality of my singing and I was feeling extremely despondent when I went for my lesson. Anne and Webster were kind and sympathetic when I told them what he had said.

“My family never praised me for my singing either,” Webster growled. “If it had been up to them I would never have become a singer. Bring the recording along next time and let’s see what it’s like.”

They listened in silence the following week – perhaps my father had been right and it was awful – but afterwards, Anne asked rather sharply as to who my accompanist had been. They were surprised when I admitted to accompanying myself.

Nothing more was said. In the fullness of time, I recovered from the hurt my father’s criticism had caused me and I plodded on regardless. A few weeks later Anne phoned my mother to ask whether I’d like to play for Webster in the studio for a few weeks in April as she was going on a tour round the country with Leslie Green, the broadcaster of Tea With Mr Green fame on Springbok Radio, a great friend of theirs.

I have told about this wonderful period of my life in my book, Sweethearts of Song. Indeed, the whole pattern of my life changed from that time on. Webster has been dead for many years now but he will always remain one of the strongest influences of my life and I will always remember him with love.

Accompanying for Webster (April 1963)
Anne sent me a postcard when I was playing for Webster and she was away on holiday with Leslie Green.
Anne advertising a facial cream for “mature” women! I’m sure most mature women would have been delighted to look as perfect as Anne did at the age of 53!
Colonel Fairfax in The Yeomen of the Guard. 6 June 1963.
The Yeomen of the Guard.
6 June 1963 various cuttings including crits for The Yeomen of the Guard at the Alexander.
Kimberley Jim. Webster plays a bit part – the Inn Keeper – in that silly film. 1963,
9 August 1963 for the opening night of The Sound of Music.
September 1963 Jon Sylvester, radio critic The Star
A nasty comment – probably from “Jon Sylvester” (the pseudonym for the Star’s radio critic, about Webster’s programme.
I was Pooh Bah in this instance. I met Webster in the street one day and he asked me if I had written this note to beastly “Jon Sylvester”. I asked him how he knew that, and he said I was the only person in Johannesburg who could have done so!
They presented a children’s programme on the SABC, produced by Kathleen Davydd. At the same time they made an LP called The Nursery School Sing-along with the children from Nazareth House, conducted by my piano teacher, Sylvia Sullivan, and Heinz Alexander accompanying them.
21 September 1963 at Pietermaritzburg City Hall.
Michaelhouse, Balgowan.
Pietermaritzburg City Hall.
October 1963 – Ballads Old and New.
November 1963. Fauré Requiem.
Saturday Night at the Palace on the radio in November 1963, Anne, Webster, Jeanette James and Bruce Anderson.

BOOTHS IN SOUTH AFRICA – (1960 – 1961)

Someone asked me recently whether I went to study with Anne and Webster because of their duet singing, but it had nothing to do with that at all. It was entirely due to Mabel Fenney that decided me to study singing with Anne and Webster and to make music my career.

3 February 1960 – Mabel Fenney

When I was in my final year at Jeppe High School for Girls in 1960, the permanent music mistress, Miss Diane Heller, went on long leave, and Mrs Mabel Fenney took her place for a term. Mabel was born Mabel Greenwood on Shakespeare’s birthday in Lytham St Anne’s, Lancashire in 1919. Her mother was a true contralto and had sung in several professional productions. The Greenwoods moved to East London in the Eastern Cape when Mabel was quite young.

She showed singing talent from an early age and did her initial singing diplomas in East London, trained by a gentleman she referred to as “Pop Lee”, and sang and acted in many local musicals, plays and recitals. Her favourite role was as Elsie Maynard in The Yeomen of the Guard. She married fellow Lancastrian, Eric Fenney, and instead of pursuing a singing career, she helped him run his plumbing business in East London. 

 When the Dramatic Society of East London invited Webster Booth and Anne Ziegler to star in the 1958 production of Merrie England, she and Eric stood surety for their salaries.  It was in this production where she first met them, playing their roles of Bessie Throckmorton and Sir Walter Raleigh. She played the part of Jill-All-Alone in the production. The following year the society put on Waltz Time, again with Anne and Webster in the leading roles, but, for some reason, she did not take part in this production. Instead she went to Johannesburg to have lessons with Anne and Webster in preparation for several advanced diploma singing examinations. By the time she arrived at Jeppe High School for Girls she had already won the University of South Africa’s overseas teaching bursary and was due to leave for Berlin to study at the Hochschule there for two years.

We schoolgirls looked on Mabel as a very glamorous figure in comparison with some of our staid academic teachers. She was lively and enthusiastic and took us on various outings to the opera.

 Towards the end of her term at Jeppe, Mabel gave a memorable recital in the school hall one afternoon. The event had not been widely publicised, so there were not many people present, but I was there with singing school friends, Margaret Plevin (née Masterton) and Valerie Vogt (née Figgins). We were impressed by her performance. The Booths had decided that she was a mezzo soprano rather than soprano, so she had sung a mezzo repertoire for her diploma exams. I will always remember her singing of the Habanera and Seguidilla from Carmen.

At the end of one of the arias she threw a rose coquettishly to her schoolgirl audience. We were completely captivated. Someone asked me recently whether I went to study with Anne and Webster because of their duet singing, but it had nothing to do with that at all. It was entirely due to Mabel Fenney that decided me to study singing with Anne and Webster and to make music my career.

Mabel Fenney (later Perkin) Photo taken in 1960 before she went to Berlin to study at the Hochschule there.
February 1960.
2 March 1960. Webster’s reference for Mabel.

27, 28 May 1960 – Grand Variety Show, Methodist Church Hall, Roberts Avenue, Kensington. Anne and Webster and other artistes. Anne and Webster sang just before the interval. I (aged sixteen) asked them for their autographs before they left, the only one to do so.

27 May 1960.
Kensington Methodist Church as it is today (2019) In 1960 there was no wall surrounding it.
Variety Concert at Methodist Church, Roberts Avenue, Kensington 1960.
Kensington Methodist Church – as it is today.
Anne appears in various adverts!

24 November 1960 – A Country Girl. Springs Civic Theatre. Anne produced this show for the Springs Operatic Society.

24 November 1960

1960 – Mikado, Bloemfontein. I am not sure whether Webster sang in it, directed it, or both.

Webster in Bloemfontein to do The Mikado.

1, 2, December 3 1960 – Christmas Capers, Civic Theatre, Bloemfontein. Anne and Webster and local artistes in a variety show presented by Rotary Club.

December, 1960 – The Christmas Oratorio, Kimberley. Webster sang the tenor solos, although he was not as fond of Bach as he was of Handel.

8 December 1960 I had an interview with Anne Ziegler at the studio on the eighth floor of Polliack’s Corner, Pritchard Street and started lessons with Anne and Webster two weeks later. Webster was singing at the Port Elizabeth Oratorio when I had my audition. Anne was being interviewed by a newspaper reporter when I went for my first lesson. Here is the photo taken at that interview.

Lock Up Your Daughters – December 1960. Anne plays Mrs Squeezum!
Anne and Valerie Miller in Lock Up Your Daughters. The play was not a success.

March 1961 – advertising Skol Beer.

April 1961 SABC Bulletin – Wednesday at 8.30 pm. Webster Booth, who presents a programme of Opera, Operetta and Oratorio at 8.30 on Wednesday nights, began singing at the age of seven. That makes his career 52 years “and I hope it goes on a little further, but not too long,” he told announcer Robert Kirby in an interview.

This is how the conversation continued:

If you started singing when you were seven, how did you manage to fit in your education? – Well, I began in Lincoln Cathedral as a choir boy and was educated at the cathedral school. This was run by the Dean and Chapter. That took me up to the Oxford and Cambridge junior examination which was roughly equivalent to our Junior Certificate. After that I had to stop musical training as my voice was breaking and completed my schooling at a commercial school studying accountancy.

Broaadcasting at the SABC.

I know your fields of endeavour have been in Opera, Oratorio and Operetta. Do you have any preferences among these three? – Oratorio, definitely!

Why? – I suppose it was my first love and I certainly get much more satisfaction from singing in Oratorio, musically that is; I am trying to say that to do it properly and to do it well you have to work at it so hard that the feeling of achievement is that much greater. With Opera and Operetta one has stage clothing, and scenery and movement to register to an audience, whereas in Oratorio one has nothing except one’s own interpretation as a medium of reaching the audience.

Do you prefer working “live” with an audience, recording or broadcasting? – I certainly prefer working without an audience. In front of one that is. Usually in a broadcast one has a much larger audience but because they are unseen one can concentrate much more, also because of their quantity it makes me want to give much more than I would on a stage. If it would be possible to sing before an audience of perhaps fifty thousand people it would be much more awe-inspiring than singing to them via a microphone. I can always have a broadcast recorded and that is invaluable to me as I am my own greatest critic. One can always learn from one’s mistakes.

Do you suffer from stage fright? – Yes. The older I get the worse I get. I think the reason being that one always wants to be that one per cent better than the last time. The suffering comes from the fear of being one per cent worse. Stage fright should only happen before a performance. To go on being frightened during the performance is fatal.

Do you find that one person alone in an audience can affect you? – Very much so. Someone who is restive will invariably catch your eye and distract you. None of us are perfect and if one knows the position in the audience of a somewhat severe critic one is apt to wonder what he or she may be thinking and this can be most disturbing.

How do you react to severe criticism? – If you mean destructive criticism I am like anyone else. I react very unfavourably. But if it is constructive criticism then I try to swallow my pride and read into the criticism something from which I should benefit.

What was the worst critique you ever had? – I deliberately forget the bad ones. The best? – The finest write up I ever received, from my point of view, was for a show that only ran for two and a half weeks. “Here is the answer to a producer’s prayer.’

Which would you call the most fulfilling moment of your career? – The first night of the 1938 Covent Garden Festival of Opera. I sang the tenor role in Rosenkavelier with Erich Kleiber conducting and Lotte Lehmann as the soprano lead. To see a pre-war full house at Covent Garden from the stage with evening dress and tiaras is a sight one could never forget.

Which role was your favourite? – Definitely Francois Villon in The Vagabond King. It has everything an artist could wish for. Comedy, romance, glorious costumes, pathos and good solid music to sing.

Are you satisfied with what you have achieved? – Yes. If I had my life over again I doubt whether I would change much of it. I have been very lucky. I was given a voice, a figure, and my marriage with Anne Ziegler – something which has been successful and happy, and I have adopted what I think to be about the finest country in the world.

Webster’s programme is extended and is now called On Wings of Song, with the duet by Anne and Webster as the introductory music.
1 May 1961 Opening night of La Traviata at Empire Theatre.
Old Folks’ concert Durban May 1961

June 1961. Webster adjudicated at the Salisbury eisteddfod.

5 July 1961 – Concert in Salisbury.

5 July 1961 – Concert.8.15 pm Allan Wilson School, Beit Hall, Salisbury, Rhodesia – Anne and Webster appeared in a concert after Webster had adjudicated at the Vocal Festival for the Rhodesia Institute of Allied Arts.

17 July 1961 – Advert for pupils.

Advert for pupils. 17 July 1961 – Star.

August/September 1961. Mabel Fenney back in SA for holiday.

5 September to October 30 1961 –The Amorous Prawn,Alexander Theatre (previously the Reps Theatre); National Theatre, Pretoria, 31 October to November 12; Alhambra Theatre, Durban, November.

Webster was the Prawn, with Simon Swindell, Gabriel Bayman, Diane Wilson, Joe Stewardson, Ronald Wallace and Joan Blake, directed by Victor Melleney.

Anne and Leslie Green Opening night of The Amorous Prawn 1961
A reference for my first job in the bank! 6 October 1961.

November 1961 – The Stage. Johannesburg Theatre by Evelyn Leveson. The evening attraction at the Alexander – acclaimed with delight by both critics and public – was The Amorous Prawn, directed by Victor Melleney and starring Joan Blake, one of our most versatile actresses, who, for the past two years, has been touring the country in Adam Leslie’s witty intimate revue Two’s Company.

Excellent notices were also received by Webster Booth who, with his wife Anne Ziegler, has been living here for the past five years. As the Prawn, Mr Booth is appearing on the South African stage in his first non-singing role.

1 November 1961 (from my teenage diary)
1 November 1961 (from diary)
1 November 1961 (diary)
November 1961 Durban.
Anne as Mrs Siddons 31 October 1961.
1 November 1961 from diary – the story continues in the diary itself (1961)
27 November 1961 Dream of Gerontius.

DIARIES CONTINUED – October 1963

4 October – Webster phones and Lucille comes to the studio and we arrange to meet tomorrow at the Rand Show Grounds for the Theatrical Garden Party. I meet Webster outside Thrupps. When I come back, I give him the bob and he is delighted and bends over me and kisses me sweetly and thrillingly. Anne is pleased with the result. Webster goes through songs with me and I have a long chat with him – heaven!

1 October.- Go to studio. Irish woman, Eileen Lawless phones about the theatrical garden party. Talks of “Anne and Leslie”. Ruth phones at night to invite us to Intimate theatre to see Playboy of the Western World. It is excellent. The young actor, James White is brilliant. We have coffee in Hillbrow afterwards and then take her home.

2 October – Go into studio. The pianist, Ivor Dennis comes to visit them. I lunch with Mum and buy some new clothes.

3 October – Go into studio and Webster arrives after making record with boy soprano, Robin Lister and feeling exhausted. Anne and I have an interesting chat. We visit Mrs Hooper and her son Alan. She is the sister of Ralph Trewhela. I sing for them and they seem to like it.

4 October – Go to studio and Mummy phones with results for ATCL – 77% which is very good.

Webster phones and Lucille comes to the studio and we arrange to meet tomorrow at the Rand Show Grounds for the Theatrical Garden Party. I meet Webster outside Thrupps. When I come back, I give him the bob and he is delighted and bends over me and kisses me sweetly and thrillingly. Anne is pleased with the result. Webster goes through songs with me and I have a long chat with him – heaven!

5 October. – Theatrical Garden party. I meet Lucille and Ruth outside the Rand Show Grounds. We have a cold drink in the refreshment pavilion because Anne and Webster are late and we are not too sure how to aid proceedings. The New Zealand bass, Inia te Wiata who is in the country to sing in Show Boat for the Johannesburg Operatic Society, is there, saying that he is very keen to see his old friend, Webster Booth. When Webster and Anne eventually arrive, we can hear them fighting with each other before we even see them. When they see us, Webster stops fighting and is pleased to see us, telling us that we look gorgeous. He puts his arm around me, saying that we have plenty of time to have a look around at everything. In contrast, Anne is still in a terrible mood, doesn’t even speak to us and marches off by herself. Webster has to run to catch up with her and we are left to our own devices.

We eventually see them having strawberries and cream with the VIPs. He signals to us to come over to their table but Ruth tells us to ignore them after Anne’s unpleasant behaviour towards us. Ruth brings me home and we have tea and decide that we will tell them that we met some boys we knew and had a hilarious time dancing in the rock ‘n roll tent! We could have had a lovely time with them were it not for Anne’s bad mood. I wonder why she was so cross with him.

6 October- Drive like a hell hound along the airport road and have rather a reactionary day recovering from Anne’s snub yesterday.

7 October – Go to studio and work for a bit. Ralph Trewhela phones. He has a friend who would like to meet Webster. I meet Ruth and her mother and the latter drives us home where Ruth and I have lunch. We enjoy ourselves running the Booths down after the disappointment on Saturday, and singing corny duets together which we record. She invites me to her house tomorrow to swim. We give her a run home.

8 October – Go to Ruth’s to swim and have fun apart from developing beetroot sunburn on my delicate Scottish skin. After having lunch there I go to studio. Webster is very charming when talking about the garden party but they make no mention of Anne’s bad mood. Apparently Inia te Wiata went back to Leslie Green’s house and they all had a party there. Anne asks if I can come on Monday from now on as they are going to teach at home on Tuesday.

10 October – Aunt Ina comes and we spend a day of constant natter as she runs down all our mutual relatives. We take her to Zoo Lake for tea.

11 October – Go into studio and lunch with Mum. Anne arrives in the afternoon. It is impossible to hold a grudge against her for long. Her arm is still sore and she feels sure she’s getting arthritis. Webster comes and says I might as well get on and do the LTCL. I sing My Heart and I for a last fling before thinking of the next exam.

12 October – Go to Mrs S in morning and have piano lesson and then work with Elaine. Just before choir practise Mrs S tells me that Webster was simply raving about me to her and saying how proud he is of me – and apparently Anne is also.

Dad phoned Webster today and he agreed that I could sublet the studio from next March and that I should go on with licentiate and fellowship.

We go to the Piccadilly and see Carry on Taxi.

14 October – I work hard at harmony. Ruth phones to ask me to some concerts. She’s given the Booths free tickets to the Maria Stander recital and is going to go with them. I wish I was going to that concert too.

Maria Stader (soprano)

15 October – Webster phones in the morning to ask if I’d play for him on Thursday, Friday and possibly Saturday as Anne is going to have her neck stretched. Naturally I agree. I decline during the rest of the day so get Mum to phone them to say I can’t come to lesson. Apparently he and Mum are now on Christian name terms. I phone him at night and he tells me the hours for accompanying. He says Anne will have to have a week of treatment. He asks whether I’m feeling any better now and tells me not to work so hard.

17 October – Accompany for Webster. During Linda’s lesson he spends time patting me on the cheek! Yvonne, Margriet, Louisetta, audition, Graham and Freddie come and we have jolly day with them. Freddie takes us to the garage and when Webster helps me out of the car he puts his arm around my waist and keeps it there. He takes me home and we talk outside for a while. I phone Anne to say he’s on his way home. She is feeling a lot better after the treatment. She was probably feeling ill on the day of the garden party and possibly didn’t even want to go to it!

18 October – Lucille arrives first and tells me all about her recently holiday. When Webster arrives wearing his dress suit, he tells me he’s going to the first night of Show Boat and Clara Butt will take me home. Lucille has her lesson and then I have mine during which we decide what to do for next exam. Selwyn, Myrna, Gertie and Charlotte come and all goes well as far as the piano is concerned. I say goodbye to him and am taken home by “Clara Butt” and husband. I feel a bit put out that Anne was not well enough to come to the studio but is well enough to attend the first night.

19 October – Go to Mrs S and have piano lesson. Go to Booth studio and Webster arrives shortly afterwards full of moans about last night’s late night at Show Boat. I make him some black coffee and we have Leanore who is also tired. Erica and Ruth follow. Ruth is very agitated and excited about going with them to hear Maria Stader. At one moment she tells Webster not to look at her when she’s singing and he says, “You want to spend the whole evening at the concert with me but you can’t bear me to look at you!” Robin is full of events in Show Boat chorus, and then we have Frances and Henrietta, sisters who sing duets together. Webster brings me home – we meet Margaret on the way to the garage. He tells me about their new house in Parktown North and about the wallpaper he has chosen for his bedroom. He is not keen on going to the concert as he is still very tired and says it’s a pity I couldn’t go instead of him but he knows Ruth would be upset if he didn’t go. He says he doesn’t like going out at night now that he is old!

20 October – Ruth phones in the morning to tell me about last night. She got home at 10.45 and they had coffee in the café in Parktown North afterwards. She asks me to go to a Shura Cherkasky recital at the SABC in the afternoon. Gill is there. Cherkasky is brilliant and plays the Mozart sonata I am playing myself. Ruth brings me home and we have supper and a cosy chat.

Shura Cherkassky

EXTRACTS FROM MY TEENAGE DIARIES: AUGUST 1963

When Anne comes back to the studio we do Love’s Sickness and she tells me that Webster said today that my sight reading is phenomenal now! I have an hour today and really enjoy myself with her.

1 August –Heather arrives and then Webster who is in a lovely mood. We have Yvonne but Margriet doesn’t come so we have a chat about Leslie Green and Desmond Wright.I tell him I’ll soon be 20 and what have I done with my life? He says I’ll have done a great deal if I get the ATCL. Thea, Graham and Freddie come and he teases me through all of them and grins at me amiably We come home in Hillman and he asks me to phone Anne as he has forgotten to do so. I’m going in again on Tuesday.

2 August – Go to studio and work. I get the result for my harmony exam – honours! I leave for an hour while Lucille has her lesson. When I come back we go through Father of Heav’n and decide to make more use of the “or” vowel. She says she still doesn’t feel too wonderful. At half-past she goes to ABC for shoes and I make tea for us. When Anne comes back to the studio we do Love’s Sickness and she tells me that Webster said today that my sight reading is phenomenal now! I have an hour today and really enjoy myself with her.

3 August – Go into Mrs S. I get 88% for my harmony which is not bad, considering how ill I was that day. Webster has an excellent programme tonight – Marian Anderson, Robert Merrill and themselves singing the lovely Nocturne duet.

5 August – Go to SABC at night. I feel dizzy and have to go and sit in the foyer. Hester comes with me and we have a pleasant chat. All the boys from the choir ask me how I am keeping.

6 August – Lunch in Ansteys with Mum. Go up to studio and Webster arrives with a, “Hello, darling.” I tell him over tea about the dizzy turn and the theory exam. He’s pleased about the latter. I say that I didn’t think I would pass. He says, “I’ll smack your bottom if you talk like that again!” We have Linda Walters for a lesson and then I have my own lesson in which I manage to sing fairly well. He does slap my bottom after that and tells me I’m improving! Thea, Winnie and a girl called Lou-Anne come and the last-mentioned gives us a lift to the garage. In the car we talk about films and Mary Harrison. I phone Anne to let her know that he is on the way home as he forgot to do so before he left and she is as sweet as always.

8 August – Go to studio and work. Robert Lang phones to say he’ll send up a costume for Anne for tomorrow night. Heather arrives so we have a chat. Anne comes and I give her Bobby’s message and she is grateful. She congratulates me on my exam result and says Webster was full of it when he came home on Tuesday.

9 August – Go into the studio and accompany for the last time. Lucille arrives first so she sings a bit. He wishes her a happy birthday when he arrives. She sings well with her boyfriend and I have my lesson after she leaves and we do Dream of Gerontius which is very interesting. Gertie and Charlotte come next and then we are finished. He tells me in the car that they want to get a studio with a house attached and give up the present one which is rather disconcerting news.

Webster, Anne and Bill Brewer

10 August – Hilda returns from St Helena. Have a reactionary day. I do ear tests at Mrs S and see Hitchcock’s The Birds in the afternoon.

11 August – Phone Ruth in the afternoon. Hilda is definitely back for she saw her when she called at their house to get a record. They also told her of their horrible Northern Suburbs studio idea. It’ll break my heart if it comes off as I would never be able to go all that way for lessons.

12 August – I go and play at Afrikaans Eisteddfod for Connie (Mrs S’s pupil). She sings better than I expected her to sing and calls me “Tannie”!

Learner’s licence!

13 August – Go and get learner’s licence today and then lunch in Capeniro with Mum. I meet Flom (Frances de Vries Robbé) in the library. Go to singing. This time it’s Linda who has a dizzy turn so Webster walks with her to the station so that she can catch the train to Vereeniging. Anne and I discuss her attack and then I sing – not too badly for a change. When he comes back he says, “Where’s that voice coming from?” He makes me tea after my lesson when Thea is having her lesson. He says, “I haven’t asked how you are yet?” I feel rather miserable – perhaps I’m just jealous because they’re both back again in partnership and don’t need me any more.

14 August – I go into the studio and Linda’s mother phones to thank Webster for walking her to the station. I go to Mrs S for an hour’s lesson and get my accompaniment fee. We go to Afrikaans eisteddfod at night to hear Lucille singing the duet with her boyfriend. The Booths haven’t arrived and Lucille is in a frightful state. She says I will be able to play if they don’t come. They do – the car broke down off Jan Smuts Avenue so Dad takes Webster out to collect it. Anne sits behind me and we have a chat. Lucille and boyfriend sing well but they don’t win anything. Anne argues with Webster. We were going to take them home but their car starts.

15 August – Go to studio and work. Joy Anderson phones. When Anne comes in we discuss events of last night and have a laugh. They spoke to the adjudicator afterwards – she had seen them on TV. Heather is there for her lesson. I meet Webster on the way down and he says he’s still trying to recover from the drama of last night. He didn’t get to sleep until 2 in the morning.

16 August – Selwyn’s mother phones to say that he can’t come so I phone Anne to let her know. Anne arrives and tells me that the Anglia broke down. Lucille arrives with a sore throat. Julie, the girl before me is going to be in Sound of Music and auditioned for a Jamie Uys film today. Anne is furious that she wasn’t asked to audition. We do the Cycle of Life which isn’t too bad. He sings it with me and tells me to use my whole body when I sing it. I am there for a long time and wish them luck for their concert tomorrow.

17 August – Skip going to Mrs S and go to studio instead. What a terrible state of affairs when I’m happier in a place with no one there than to be with other people who are less amenable than the place. I love it! We have lunch in Galaxy and see How the West Was Won at the Cinerama. Listen to Webster at night and he plays Great South African Voices.

20 August – Go skating with Gill in the morning and enjoy being the best skater there for a change! Go to singing and Webster remarks on my skates and concludes that I went with my (non-existent) boyfriend. Anne tells me the Ficksburg concert was a great success and Desmond Wright played well. Webster and Anne argue all the time which is embarrassing! She goes to John Orrs and he tells me that they haven’t yet decided about giving up the studio.

21 August – Go to Mrs S and do ear tests with Edith. I work in the Booth studio. I listen to Webster’s ballad programme. Their duet, Love’s Garden of Roses is lovely.

22 August – Go to studio early. Anne arrives and tells me she wishes the other pupils would work as hard as I do. She calls me sweetie. Ruth phones and suggests I meet her after her lesson on my birthday and we can go for coffee together afterwards. She says they’ll be able to wish me a happy birthday too.

23 August – Lucille arrives early and we “goo” over the beautiful photographs. I meet Webster in the street and he is sweet to me. He gives me tea when I get back. We go over the things for the exam and they are absolutely delighted with it all. He tells me that my voice is getting much bigger and better.

24 August –Go into studio to collect glasses. The men working there greet me like an old friend – I suppose they think I’m their daughter or niece!

27 August – I go skating with Gill again and we have lunch in town. I have super singing lesson. Webster makes me tea and calls me darling and Anne admires my new hairstyle. Into the bargain I manage to sing very well. He teases me and throws a paper pellet at me!

28 August – Go to studio and have doleful conversation with estate agent! Obviously they are still thinking about having a studio attached to the house they intend to buy.

29 August –Work in studio and lunch with Mum. Anne comes and tells me that the Estate Agent should phone but doesn’t say why!

30 August – Leslie Green phones and is most affable. Lucille and Anne come and I tell them to help themselves to Danish pastries which I have brought in to celebrate my birthday. When I return Webster come into the kitchen and potters over me. When I go into the studio there is a birthday gift on the piano for me. I am simply delighted and thank them very much indeed. I sing my exam songs and discuss who the examiner will be. Webster says he’s sure it’ll be Guy McG for the diploma. They wish me a very happy day tomorrow.

31 August – I go to studio to fetch Ruth. Webster answers door and wishes me a happy birthday once again. Anne comes in and sings, “Happy birthday” to me and kisses me all over the place and Ruth does too! Ruth and I go for coffee and Webster says, “Not too much whisky!” In the afternoon we see The King and I with a Durban cast. At night Webster plays In Native Worth and Love Calling Me Home. A lovely birthday – but a teenager no longer!

EXTRACTS FROM MY TEENAGE DIARIES: JULY 1963

20 July – Go into the studio and Webster is there, in a good mood, and making coffee. Anne is evidently worse this morning. We have the morning pupils and the last two don’t come so we go home in the Hillman with the roof down. As we pass the Kensington Sanitorium he says that it’s such a lovely day that he wishes we could carry on driving all the way to the coast! Unfortunately, we can’t do that!

I have made omissions and toned down some entries in this episode before publishing it!

1 July – Go to music library and see Leo Quayle there. Coming home I see Graham Burns waiting for a bus.

2 July – Go to singing. Anne is wearing her mink coat. We have tea and biscuits and she tells me she hates Britain at the moment – with the shock of the John Profumo/Christine Keeler affair. She says they used to belong to the Conservative Party in Hampstead but fell out with them over something or other.

I sing Open Thy Blue Eyes, the Landon Ronald song Cycle, and Love’s sickness. She is pleased. She tells me I can use the studio at any time and don’t owe them anything for this month. I see Dennis and his mum and have more tea with them. I meet Betty on the way home and Ruth phones in the evening.

3 July – Go to studio and work hard in the peaceful atmosphere. I have lunch in Ansteys with Mum then go to Mrs S for lesson. I’m going to listen to our broadcast now.

4 July – Go to the studio and the lunch hour concert. Webster comes in a bit late – Anne phones to let me know that he’ll be late. We have Heather and Yvonne Marais and then he puts his hands on my shoulder and says, “Put on your coat, love, and put some money in my meter!” I do so. He is a honey. We have Graham and Reeka and then come home in the Anglia. He tells me about the near accident he had coming down the Great Orme in his Talbot in Llandudno, and the Springs Operatic Society. He says, “Imagine that I’ll not be seeing you until next Friday!” I say, “How can I bear it?” half in fun, but whole in earnest!

5 July – I work in the studio in the morning and lunch with Mum. In the afternoon Anne comes in and I have an hour lesson and I enjoy it enormously. We have tea and biscuits and she says I must eat them up when I’m in the studio by myself. She says Webster told her all about my account of Jossie B’s singing lesson and she enjoyed it. She lends me Doris Bolton’s Joan Sutherland biography to read over the weekend and says that of course I can come in on Monday although it’s a public holiday. She’s a sweety.

8 July – Family day. Go to studio to return the Joan S autobiography.

9 July – Go to singing in afternoon. Anne is there teaching Jimmy Elkin, the son of the optician! She tells me that I’ll be in on Monday to play for Webster for he really can’t manage without me. Last Monday was too much for him! We do Love’s Sickness and when we are having tea Anne shows me the Ravel song cycle she sang at the Wigmore Hall as Irené Eastwood – Scheherezade. We do the unaccompanied folk song and she imitates my serious face during my singing of it. We both end up in the giggles. Webster phones and she gives me a whole hour. We finish with Love, From thy Power and then Winnie arrives. I wash the dishes before I leave.

10 July – Go into the studio and read the script for Mrs Puffin. Lunch in Ansteys with Mum then go to Mrs S for lesson. Listen to Webster’s super new programme Ballads Old and New. He plays the Evening Song by Blumenthal – beautiful.

Ballads Old and New – July – not October!

12 July Go to studio and Webster arrives at 3.00 but Lucille doesn’t arrive!! He tells me of the difficulty they are having to find an accompanist for their concert in Ficksburg. He says he would ask me to play for them but they have always preferred a male accompanist as a woman takes the audience’s attention away from Anne. Mayor of Brakpan’s son comes and sings pleasantly. I have a lesson and we go over all the Messiah arias. Gertie and “Clara Butt” come later. Come home in the car from the garage and we have a discussion about Gert P and Jossie B!

13 July – Webster’s programme is excellent. He plays one of his own records. Go to Mrs S and work with Margaret and company. We see Sammy Going South.

15 July – Go to the studio to play. Webster makes me tea the moment I arrive. Myrtle is our first pupil. We talk about his programme on Saturday and have a number of pupils. He talks about making the Afrikaans record on the way home.

16 July – Go to Mrs S and work with Margaret. Lunch with Mummy and go to studio where Anne makes me tea. Tells me the lights fused completely last night and they didn’t eat until 10.00! I sing well and she is pleased. Jimmy doesn’t come so she gives me an hour because she says she enjoys working with me. There is a lovely picture of them in the paper at night. I listen to the recording of the SABC choir and think it is very good indeed.

18 July -Anne phones to say Webster will be a bit late. Yvonne, her Mum and little sister arrive early. Yvonne wants him to hear her sister sing. He tells them that she can’t start having lessons as she is far too young – wait until she is in her teens. We have Heather, Yvonne and Colleen. He tells me that Anne has caught a cold from Leslie Green – she went to a film with him last night. On the way home we go up to Wallie Petersen’s theatrical agency where he is offered a directorship of a film company. He introduces me as, “This is Miss Campbell – she plays for me.” We are pleased about the offer. I hope something comes of it. He says he’ll phone tomorrow if he wants me to go in and work for him at the studio.

19 July -Anne is too sick to come to studio and my father has ‘flu too so Webster and I “do” again. Lucille comes first and tells us about a funeral she attended. She sings well for an hour and I play well. I have my lesson – oratorio as before. Selwyn arrives in a weepy mood. Gertie comes next and he says to me, “Jean, darling, make me a cup of tea.” Gertie and Brian Morris come afterwards. Webster brings me home and I tell him to give Anne my love and I hope she will feel better.

20 July – Go into the studio and Webster is there, in a good mood, and making coffee. Anne is evidently worse this morning. We have the morning pupils and the last two don’t come so we go home in the Hillman with the roof down. As we pass the Kensington Sanitorium he says that it’s such a lovely day that he wishes we could carry on driving all the way to the coast! Unfortunately, we can’t do that!

21 July – I wash my clothes and hair in the morning. I phone Ruth in the afternoon and she is full of her recent holiday to Victoria Falls. We decide to go out together sometime next week. She’ll phone me on Tuesday. I phone to see how Anne is keeping. Webster answers and is pleased to hear from me. He tells me she is improving and crawling around the house. When we part, he says, “Goodbye, darling.”

22 July – Lunch in Ansteys with Mum. Go to studio and Webster tells me that Anne is a lot worse today. Myrtle comes for her lesson and he tells us about the loss of vision he experienced last night. When he went to lie down the room spun around him and he felt awful. He makes a tape of the pupils today for his cousin in England, Jean Webster. Janet and Lucille come. Webster is always far too nice to the latter for my liking! Reeka is the last pupil and then we come home and discuss the possible reasons for his bad turn yesterday. I hope there is nothing seriously wrong with him.

23 July – Work. Lunch in the Capeniro with Mum. I feel in rather a remote frame of mind after the obsequious way he behaved with Lucille yesterday. I must be jealous! When I get back to the studio Anne is there looking terribly ill. We spend a long time discussing Webster but I don’t say anything to her about Lucille. She says he used to be such a good husband but these days he’s always in a bad mood and drinks and smokes too much. She wants him to see the doctor but he refuses to go. We do some Elijah and have tea. She says he hates teaching in the studio (apart from a few pets), and he is too indulgent with Lemon so he is too spoilt for words. I wish her well and depart feeling somewhat restored but sorry for Anne.


24 July – Go to the studio. After lunch I go to Mrs S and work with Elaine and Edith and have my piano lesson. Ruth phones. She’s coming to fetch me tomorrow at the studio for lunch. She tells me about all her activities, including Yoga lessons which she is enjoying. Listen to Webster’s Ballads Old and New and it is terrific as usual. Why is he always so good?

25 July – Leslie Green phones the studio wanting to speak to Anne and Webster. He talks to me for quite a while – he is just as pleasant as he is to his listeners on the radio. Ruth comes up and we have lunch in the Chesa – she tells me all about her holiday while I spend time imitating my two current bones of contention – “Ag, Uncle Boooo!”

26 July – Lucille arrives early so we go out for an hour and return together. He calls out a casual greeting to me, then when he sees that Lucille is there he makes a great fuss of her. I am upset and spend a dismal hour playing for her during her lesson. He tells me that Anne is just as ill as ever and has been physically sick today too. In the car we discuss Leslie Green, Brian M and Show Boat. He promises to phone me tomorrow if he needs me.

27 July – Anne is still sick so I go into the studio to play for him. Webster makes me coffee and this time it is he who tells me he’s had a disagreement with Anne over Leslie Green and the doctor! Anne insisted on them going to dinner in Leslie Green’s draughty house despite the fact that she is not at all well. Ruth has a lesson and she is full of the joys of spring over the results of her aptitude test. Coming home in the car he talks about Gary A. I listen to him on the radio at night.

29 July – Go to town with Mum and lunch in Ansteys. Go to studio a little early and have tea with Webster. He is tired but in a lovely mood. Ruth phones. She has passed her driving licence and asks me to dinner. Webster says he will drop me off at her house which means a much shorter trip home for him. We pass Zoo Lake on the way to the Ormonds and he says the bowling club is in one of the loveliest settings in the world. I have a pleasant dinner with the Ormonds and they drive us in their huge Rover to the SABC where we have a meeting and then refreshments a la Anton H. Mr O drives me home – lovely day.

30 July Go to singing in the afternoon. Anne tells me she is going to see the doctor on Thursday about her laryngitis. She would have preferred to go on Wednesday but Webster is going to play bowls then come hell or high water! We have tea together and discuss Ruth and the effects of the lottery on her life – all favourable. We work at Father of Heav’n and concentrate on breathing. I see Lucille’s invitation to her twenty-first birthday – they can’t go. Good!

EXTRACTS FROM MY TEENAGE DIARIES – APRIL 1963

My mother says, as he is leaving, “Thank you for looking after Jean,” and he gives me a fond glance and replies, “I think it’s Jean who’s looking after me.” He gives a short hoot of farewell as he drives over the Juno Street hill on his way home. What a heavenly day.

1 April – Work. Go to SABC at night. Ruth is there and we have a chat. She is coming to visit me next Monday. Mr Tyler takes us through the Creation.

2 April – Work. Go to singing with a touch of laryngitis. When I arrive I hear Webster and Anne practising the duets for the SABC concert and their voices blend gloriously. They are most sympathetic about my laryngitis. I sing a little, but not much. Webster gives me a lecture on all my inhibitions. He tells me that I am most musicianly and will do well in the exam for I have improved so much.

3 April  – Work and lunch in Ansteys with Mum. Go to SS studios for my piano lesson and talk to Elaine and Gill. Ruth phones and tells me she’ll be here at about 11.45am on Monday.

4 April – Have yet another ghastly day feeling ill. Listen to Leslie Green. Only a few weeks to go before he and Anne tour the country and I work with Webster – Hurrah!

5 April – Go to singing. Webster is trying to teach Lucille the bass clef. My throat is still a bit odd. Webster tells me it’s my imagination and microphone nerves! I manage to sing everything softly. He says that Ruth and I imagine a lot. I phone Betty to arrange to go to the Cinerama.

6 April – Go with Dad and book at Piccadilly as Cinerama is crowded out. We take Betty to see Cloak and Dagger with Gary Cooper and Lili Palmer. Webster plays all South Africans in his Great Voices and includes a record by himself, saying, “Seeing I’m South African too!” which is by far the greatest voice of the evening!

7 April – Go to Sunday school and play the piano. Dad fetches me and we go to town to look at the Presbyterian church. Phone Ruth and she says she had a lovely birthday. Webster kissed her and they gave her a card and a scarf. They managed to get into the Cinerama and saw How the West was Won. She says Anne was most concerned about my throat.

8 April – Ruth comes to the house and has lunch and we work at all our exam pieces together. Evidently Webster got sloshed on Saturday night but sang the Resurrection at the Presbyterian Church beautifully. After supper Dad takes Ruth and me to choir where we hear a recording of The Creation (in German). Webster and Anne sing with Edgar Cree and orchestra on the radio.

9 April – Go to singing and Ruth is there before me. When I go in Webster says he likes my hair. Ruth mentions how much she enjoyed their recording so I say that it was lovely. He says, “Not too bad for a couple of old fogies!” Ruth goes and I sing very well indeed for a change and they both like it. Anne tries on my glasses and I try on hers and Webster’s. He has a new pair with black frames – looks most distinguished!

10 April – Go to town and buy some clothes. I meet Mary Harrison in John Orrs. Have lunch in Ansteys with Mum and then go up to Mrs S. She tells me to tell the Booths how much she enjoyed their performance on Monday evening. She says they are very great people and she remembers how excited she was at seeing them at Broadcast House in 1948. Such a good looking young couple. I go to the library with Dad at night and meet Liz Moir there.

11 April 1963 – Work and go to singing in the afternoon. Ruth has her lesson before me. I sing everything very well and tell Anne and Webster what Mrs S said about their broadcast. Webster says that I should write to the SABC and tell them how much I enjoyed their performance and perhaps they’ll ask them to do another broadcast. I promise to do so. He gives me a list of music for accompanying and says he’ll run me home after we finish at the studio each evening.

13 April 1963 – Easter Friday. Have restful morning and we go for a run in the afternoon. I sing and play exam pieces to parents and they are impressed, contrary to the last time they listened to me. I hope all goes well.

14 April 1963 – Go into Mrs and work with Margaret and Mrs du P. Sing in the SS choir and then come home with Margaret. We see Elvis in Kid Galahad. In Great Voices Webster plays the voice of actor, John Barrymore. They went to the same tailor, and George Formby.

15 April 1963 – I work hard but am so strung up about the exam the following day that I don’t sleep all night!

16 April – Singing Exam. I meet Anne on the lift in Edinburgh Court and we go into the SS studio together. Lucille is quite nervous and makes a few mistakes. Guy Magrath is terribly sweet and apart from shaky studies my singing isn’t too bad. The questions and ear tests are a cake walk as Webster would say! Ruth sings nicely and Anne is very pleased with us. Let’s hope we do well. Afterwards Ruth and I go and have lunch together and see a silly film to relax after our ordeal.

17 April – I work at the piano and go into Mrs Sullivan’s studio where I see Svea, Margaret and Gill. We do musicianship and ear tests.

18 April – Work. Have lunch with Mum and then go to SS studio and practise hard. We see Guy McGrath leaving the studio wearing a navy bowler!

19 April – Go to Mrs S and work with Margaret. Afterwards I go to singing and Webster makes tea while Lucille sings gorgeously. I get my results after much teasing on part of Anne – 78% for Higher Local singing (with merit) which is jolly good, considering that I skipped a grade. I sing Father of Heav’n beautifully due to the elation of doing quite well and make arrangements for Monday. Ruth phones at night – she got 72% for Senior exam and Lucille got 72% for Grade 5.

Grade 8 singing report.

20 April – Piano exam. Mr Magrath remembers me from the singing exam and is a honeybunch. He tries his best to put me at my ease. I think I will pass. He says I sang well in my singing exam and he is sure I will make a good teacher. Mum phones Anne to congratulate her on my result. Anne is thrilled and says that while she’s away, “Webster will look after her.” (ie ME!) See We Joined the Navy.

21 April – Have a fairly quiet day to recover from yesterday’s excitement. We go for a run in the afternoon to find Webster’s best route home from our house via Sylvia Pass.

22 April – Go into the studio to work for Webster at last. He gives me the key to the studio and tells me I can come in at any time to practise. He also shows me where the key to Chatsworth – his name for the outside toilet – is kept! and makes me coffee. Mary H, John S, Piet van Zyl and others come and I have a glorious time playing for them and listening to Webster’s advice to them.

My mother had told me to go out at lunchtime to give Webster a chance to have a rest, so I do so and return in time for the afternoon session. He takes me home in his car and before he leaves Juno Street I ask if he would like to come to dinner with us one night and he is touched.

23 April – Go into the studio early and practise on the lovely Chappell piano before Webster arrives. During the course of the day he tells me that they wrote an autobiography called Duet and he will lend it to me to read. Doris Bolton (a fabulous singer), Lucille, and Dudley Holmes come for lessons during the morning. When I return from lunch, Webster asks what I was doing when I was out and says that I mustn’t dream of going out for lunch again but must have lunch with him in the studio. We have a long talk in the afternoon and he tells me all about holidays in Switzerland and Monte Carlo. Norma Dennis (Diane Todd’s understudy) has a lesson in the afternoon. Webster takes me home and tells me all about Lincoln and promises to bring their autobiography in on Thursday. Heavenly day!

24 April – Have lunch in Ansteys with mum. Phone Webster to ask if I may practise in the studio when he’s not there and he says, “But of course, darling. That’s what I meant when I gave you the keys. Take some tea and biscuits if you want some.” He says he got home easily last night and then, “Goodbye, darling.” I practise singing and it goes well. I go to Mrs S for a lesson. Elaine is back from her holiday and Gill is in a grumpy mood.

25 April – Work in studio. Webster arrives, complete with his autobiography, Duet. I am delighted. Colleen McMennamin is the first pupil and she sings well. The other three are pretty hopeless and Webster says it should be a boost to my ego to see how frightful they are! Takes me home in the Hillman and tells me all about how they continued writing their autobiography after the ghostwriter began putting in his own pacifist views and they had to get rid of him. He also gives me a lecture on Bel Canto singing, which merely means beautiful song. I start reading their book when I get home – sheer heaven!

26 April – I get honours for all three piano exams! I read the autobiography at the studio and am quite fascinated with it. What an eventful time they had. Webster arrives with Lucille and we have tea. Other pupils prove rather uneventful. He warns me not to laugh at one particular one. He brings me home in the car and we talk about Ruth and her depressions. He is coming to dinner on Tuesday evening – what fun. Life is heaven at the moment.

Grade 8 piano report

27 April – Webster is there when I arrive and makes coffee for us. Ruth phones to say she is sick and can’t manage in today. Quite a few people don’t come so we finish early. “The devil looks after his own,” says he! He takes me home and says that he might take me out to dinner on Monday. We have a jolly, inconsequential conversation – fun. I listen to his Great Voices at night.

28 April – Quiet Sunday. Go for a drive and listen to the villain of the piece – Leslie Green! I miss seeing my darling Webster today.

29 April – Go to studio and Webster is there and makes us coffee. We get through the morning and have lunch together. He puts his feet up after lunch and goes to sleep and snores gently. His cheeks grow pink and looks very dear, sweet and vulnerable.

Anne sends me a postcard but hasn’t written to him so he is cross. One of the pupils asks what Anne is doing while she’s away and he says, “That’s what I’d like to know!” We have pupils in the afternoon and he tells me on the way home that he intends taking me out to lunch tomorrow. He had been thinking of going to the café opposite Show Service in Jeppe Street, but if there is enough time maybe we could go to Dawson’s Hotel instead. All is heaven.

Anne’s postcard to me from Kalk Bay.

30 April – Go to the studio. Webster is there already and then Lucille, Mrs Smith and Dudley. Dudley is the last pupil before lunch. Webster tells Dudley that he is blowing the family savings and taking me out to lunch. Dudley says wistfully, “And I have to go back to the office on an apple!”

Webster takes me to lunch at Dawson’s Hotel and we have a heavenly sophisticated time there. He and Anne stayed at Dawson’s for several months when they first arrived in Johannesburg. He is rather disappointed that I refuse a drink!

In the afternoon he goes to sleep for a while and then plays a tape of his religious songs for me and makes me cry – they are so beautiful. We have one last pupil and then he comes home to dinner with us. He has two drinks and is so sweet to me and my parents. He keeps Shandy on his knee and calls her, “my girlfriend.” He tells us lots of theatrical stories and is absolutely charming.

Shandy – “my girlfriend”!

My mother says, as he is leaving, “Thank you for looking after Jean,” and he gives me a fond glance and replies, “I think it’s Jean who’s looking after me.” He gives a short hoot of farewell as he drives over the Juno Street hill on his way home. What a heavenly day.

EXTRACTS FROM MY TEENAGE DIARIES – MARCH 1963

They lend me some scores to practise my sightreading for next month. He gives me Acis and Galatea and Anne says, “Won’t you be needing it soon, darling?” He replies, “I won’t be singing it again in this life – maybe in the next!”

1 March –  Leslie Green says on the radio that he is going on a little jaunt next month – presumably he’s referring to the little jaunt with Anne! Roselle D sings Wouldn’t It be Loverly on Stars of Tomorrow.

2 March – I go to SS studio and work with Margaret and Elaine at dictation and ear tests and sing in the choir. Webster is great at night with his Great Voices and talks about his singing pupils saying that his young friends consider him a square – sweet!

3 March – Another very grim day today. I manage to listen to Leslie G in the afternoon and phone Ruth who enjoyed Breaking Point and is still depressed over her singing.

4 March – Work. Go to SABC at night and see numerous personalities. Nameless Afrikaans woman tells me that Anne walked out on the cast of the Merry Widow in Springs a week before it was due to open but came back for the opening night! Well, she did complain about their behaviour and told me she would never produce another thing in Springs again. Ruth and I sit together and she tells me she is going to see a throat specialist on 21st of this month and if it isn’t right she’ll have to give up singing.

5 March – Work. Go to singing and I’m there early so Webster asks me straight in. Anne is sitting sewing a rug. I admire all the decorations to the studio –it looks really lovely. We have tea and I sing well and they are pleased. She says that my breathing is a bit faulty so we work at it. He puts his hands around my waist so that I can push them away with my ribs – very romantic! She says that my voice has improved beyond all bounds. He says I must get rid of the “balloon” or else he won’t come to see me when I sing – honey!

6 March – Work hard and have lunch with Mum in Ansteys. I go to Mrs S’s but she’s attending a funeral and when she returns she is too upset to give me a lesson. I talk to Gill and Elaine but we don’t do much work.

8 March – Work. Go to studio where Lucille is having a lesson and singing the Maids of Cadiz. He goes with her to put 6d in the meter. I can imagine what is going on while he’s away! I sing scales and studies well and they are pleased. He makes tea and then we do Ein Schwan which goes really well and Open thy Blue Eyes. He says my breathing is very good indeed and he can’t see a balloon today!

9 March – I go to Mrs S today and work hard. When Elaine leaves I go out with her for a breather and meet Mary Harrison – she is terribly sweet and charming. I go back and sing in the ensemble and then we see Billy Budd which is very good. Listen to Webster at night.

10 March – Go to church and Mr R preaches well. See Doreen, Shorty etc. I listen to Leslie G and the Springbok’s G&S. Ruth doesn’t phone which is a bit hurtful.

11 March – Work very hard and go to the SABC at night. Ruth tells me that the Booths simply raved about my singing and say that my voice is settling down nicely. She says that she doesn’t hate Anne any more!

12 March – Work. Go to singing and meet Roselle. Webster answers door and dashes off to buy tea in Thrupps. Anne is sweet and I sing my scales well. Webster makes tea and I sing Zion and Open Thy Blue Eyes. Webster and I decide I must do it in French. They have their certificate from their Royal Command performance appearance in 1945 on the wall. Anne says that someone was being rather derisive about them as teachers so she felt it was time to bring the certificate into the studio. It is fabulous and a real honour for them to have it.

13 March – Work and go to the library and meet Frances de Vries Robbe there. She tells me of her plans to study singing in the UK and make it her career. I have lunch in Ansteys with Mum and then go to the SS studio and have a long gruelling lesson! Evidently we are doing the piano exam on 20th of April which will work in with my accompanying for Webster very well indeed.

15 March – Work and go to singing. Webster says he’s sure Lucille won’t pass her exam. It just shows that one needs something extra apart from an excellent voice! Anne records the French pronunciation on tape and I sing scales and I Attempt from Love’s Sickness to Fly. Webster sings this for me on my tape- I’m proud to have it. Anne discusses the unfairness of the SABC in auditioning Doris Bolton, a soprano originally from Staffordshire. Webster comes down on the lift with me and discusses his teeth which he hopes to get removed soon. I go to guild at night and we have an interesting talk on blood transfusions. See Ann and Brian Stratton.

16 March – I go to SS studio and work hard with Margaret and Elaine. In the afternoon we see Madame which is rather ghastly. I listen to Webster and he is great as usual. Plays recordings by John McCormack, Michael Flanders and Donald Swann, and Anne, who is lovely.

17 March – Go to church and sit with Ann and Joan. Mr Taylor Cape (who christened me in Scotland) preaches well. The Diamonds come in the afternoon. Ruth phones and says she’s thinking of leaving the Booths after the exam. I think this is rather a pity. Evidently she cracked her head on the swimming pool last week and couldn’t go to the gala. Imagine – a year since the announcement of Drawing Room.

18 March – Work very hard. Go to SABC and Simon Swindell is very much in evidence. He says, “Night, night!” to everyone as he leaves. We have John Tyler as choirmaster tonight. He is excellent and amusing. I talk to Hester, Gill and Marie and remember to apologise for Ruth. We work hard at Creation.

19 March – Work. Go to singing in afternoon and meet Roselle on the bus. She tells me that she may be going back to the Booths next month. Webster answers the door and Anne goes out for a bit so I work with him. We go through exercises and studies. The first study drags a bit but the second is good. Anne comes back and we have tea together. She tells me how the SABC audition went for Doris. They lend me some scores to practise my sightreading for next month. He gives me Acis and Galatea and Anne says, “Won’t you be needing it soon, darling?” He replies, “I won’t be singing it again in this life – maybe in the next!”

20 March – Go to the library and lunch in Ansteys with Mum. Go up to SS studio and practise and then have long lesson with Mrs S – she says I’ve improved very much. I do ear tests with Elaine.

21 March – Go into town early and have my hair set in Ansteys by Mr Paul. I meet Doreen and Betty, have lunch with Mum and then come home and work hard at singing. It certainly doesn’t seem like a year since that heavenly Drawing Room evening.

22 March – Work. Go to studio and Webster discusses the aural tests with me and worries about how well Lucille will do in the forthcoming exams! Anne and he say that they like my hair very much. Anne tells me that Mabel Fenney is getting divorced as she now has a boyfriend in London called Maurice Perkin. Webster is mocking about this and says that it wouldn’t be so bad if his name was Perkins, but Perkin is beyond the pale! We work hard at exam pieces and they say I have nothing to worry about. Webster comes down with me on the lift and tells me that he likes a little break from the studio periodically to put money in the meter!

23 March – Go to Mrs S and work with Margaret and Elaine. Webster says on Great Voices that he was the first person to hear the test record of Jussi Bjoerling before the war – his favourite tenor.

24 March – Phone Ruth and she tells me she has to have her tonsils out at the end of the year. Anne is most upset about this as she herself had to have her tonsils out when she was in her forties. Ruth says she thinks Webster played Jeannie with the Light Brown Hair for me last night on Great Voices! Sweet, but most unlikely. We shall see each other tomorrow night at the SABC. We visit the Bullocks in the afternoon and see their new twins who are very sweet. Mr Bullock is my father’s work colleague.

25 March – Work hard and then go to the SABC at night and work hard again with Chris Lamprecht. Ruth tells me about the birthday celebrations for Caroline, and that she herself has failed 3 tests during this last week!

26 March – Work. Go into town and meet Roselle. Webster is in the studio by himself so he gives me a cuppa! Anne arrives and tells me she might have to go into hospital to have part of a diseased tonsil removed. She is very upset. Go through all exam work. Zion is the best thing I sing today. They give me two different scores for sight-reading practice. One has her old name on it – Irené Frances Eastwood.

27 March – Go to the library and lunch with Mum. Go to the SS studio where Frances runs down Anne and Webster. I give Corrie Bakker a lesson as Gill is at a funeral today. I have a gruelling lesson with Mrs S and work with Elaine.

28 March – Work hard. Leslie G mentions that he’s going to Cape Town on his jaunt with Anne soon, although he doesn’t mention her by name!

29 March – Work. Go to singing and I arrive first. We do scales to loosen my jaw. Webster arrives and they inform me that he is a “film star” at the moment in the Jim Reeves film Kimberley Jim as the innkeeper. He informs me that he has strained his shoulder on the set. We do Ein Schwan and studies and they go fairly well. Webster says I must be more abandoned! Selwyn (child following me) sings on Stars of Tomorrow.

As the innkeeper in Kimberley Jim.

30 March – Go to town with Mum and we see the Jim Reeves crowd there. We see a film with Stanley Baker as the star – Good. Webster’s Great Voices is very good. He and Anne are doing a recital a week on Monday with the SABC concert orchestra and Edgar Cree conducting.