1 June – Go into Mrs S and work with Margaret and Elaine. I have a look at the picture of the juvenile lead (Colonel Fairfax) in the OK.
3 June – Go to SABC at night and Chris Lamprecht takes us. Ruth and I meet at interval and have a good chat. She says that they were charming to her on Saturday – lucky her! We’ll see each other at the theory exam on Saturday.
4 June – Work. Go to singing and Anne is there by herself. Webster is exhausted with rehearsing The Yeomen. The musical director, Desmond Wright picked him out for singing flat in the quartet! I don’t believe it! He hardly even retaliated! We work very hard and I send my love to him and wish him luck for the opening night. She wishes me luck for my theory exam on Saturday.
5 June – Go to studio and work hard. I lunch in Ansteys with Mum. A Mr Haagen comes to the studio in the afternoon to give Jossie Boshoff a lesson. I have a lesson with Mrs S and work with Elaine. Gill, Corrie and everyone think that JB is the limit!
6 June – Webster was obviously the hit of the evening for both critics say that although his singing is not all it once was, his great sense of timing, his experience of G&S in D’Oyly Carte, and his perfect diction carried the show through admirably.
7 June – Work. Go to singing and meet Roselle’s sister on the bus. Anne is in the studio by herself again. She has her hair in curls on top of her head (set for the first night). She tells me over tea that he stole the show. We work hard and she is very pleased. Selwyn comes after me and I wash the dishes before I leave. I meet Brian McDade on the bus coming home.
8 June – Go to write theory exam and Ruth is there writing one too. Afterwards we have a cup of coffee in De Beers and she tells me that Anne raved about my concentration yesterday. I go up to Mrs S and deteriorate from then on. I faint 3 times while singing in the choir and my father has to come in to town to fetch me. I am ill for the rest of the day and Mrs S phones to see how I’m keeping.
9 June – Dora Sowden gives Webster a super crit in the Sunday Times.
10 June – Work. Go to SABC at night and Ruth tells me that she might be going to Cape Town music school next year. We work hard with Chris Lamprecht.
11 June – Work. Go to singing in the afternoon and tell Anne about the fainting attack on Saturday morning. She is very sympathetic and tells me that she had much the same trouble herself, especially when she was on tour. She also tells me that Hilda is going to visit her family in St Helena soon and will be away for six and a half weeks so I shall probably be accompanying for Webster again on alternate days. Apparently, he is threatening a cold today but will have to persevere with the Yeomen. She says he’d be very hurt if I didn’t go and say hello backstage on Friday night. I sing exceptionally well today and she is thrilled. I wash our teacups after my lesson and this pleases her.
12 June – Go to SS studios and work at ear tests with Edith Sanders. Lunch in Ansteys with Mum and have my piano lesson in the afternoon. I meet Colleen McM on the bus – she is back working in an office and feeling miserable.
13 June – Go to SS studios and work with Edith Sanders again. I have lunch in the restaurant opposite Show Service and see Leon Gluckman there.
14 June – Anne phones in the morning with a king-size attack of the ‘flu. Evidently Webster is almost as bad. I promise to phone Ruth for her and do so in the afternoon to put her off. We go to Yeomen of the Guard at night and it is really gorgeous. Webster sings beautifully and (as I tell him afterwards) makes a charming young man. I go back to see Webster in his dressing room and say how much I enjoyed it. He is terribly pleased. He has a large glass of whisky sitting on the table. He says his temperature is down and Anne is feeling much better tonight. He is a real honey and as unassuming as always. I say, “Ta, ta,” and leave him to dress and get home to bed to nurse his ‘flu.
15 June – Go into the SS studio and rave about the Yeomen. Mrs S is very derisive about it. I work with Margaret and Elaine, sing in the choir and chat to Binky. Come home with Margaret. See Fast Lady (Stanley Black). Listen to Great Voices and he plays a woman of 69 singing. He says, “I wonder if I’ll sound as good as that when I’m 69!”
17 June – Anne phones me in the morning and says she is still sick. We talk for an hour and I think it cheers her up. She runs down Julietta Stanners-B for the peppermint green costume she produced for Webster in the last act. He’s still sick but managing to crawl on stage every night. She says she’ll let me know on Friday about the arrangements for the next six weeks, and certainly, I may have the studio key once more. I go to SABC at night and chat to Ruth. We have rehearsal for Friday and Anton Hartman comes into the studio to talk to us.
18 June – Go to SS studio and work with Edith. Have lunch in Ansteys and then see Sparrows Can’t Sing – an excellent and unusual film. Clive Parnell sits in front of me. Ruth phones to ask me to go to the SABC. Chris L is a pig to everyone in general and Ruth in particular -ugh!
19 June – Go to SS studio and practise. I lunch in Ansteys, have piano lesson and work with Elaine. I phone Anne at night and she still feels revolting even though she’s up. She’s not even sure if she’ll come in on Friday. She says that if she does, she wants Webster to come in with her to offset things as it is too much for her to cope with everyone on her own.
20 June – I go to final rehearsal for SABC in the evening. For a change, Chris L is very affable. Ruth is going for her singing lesson at home on Wednesday but they are not making up the two lessons she missed. She’s cross.
21 June – I go to singing in the afternoon and Anne is back in the studio once more. Lucille, Anne and I have tea together and then I have my lesson. Father of Heav’n goes fairly well. Anne asks me to go in on Wednesday to work for Webster and also next Friday. I’m going to fetch the keys tomorrow. We sing in the Light music concert at the City Hall conducted by Jos Kleiber and it goes well. Ruth remarks that Jos Kleiber is very energetic! Anton H and Edgar Cree congratulate us on our performance.
22 June – Phone early in the morning and speak to Webster to remind Anne about the key. He is sweet to me. I go to Mrs S and work with Margaret and Elaine and then go up to Anne’s to get the keys. I say hello to Robin Gordon and “Clara Butt”! I return to sing in Mrs S’s choir and come home with Margaret. I listen to Webster at night and he plays a super duet by him and Dennis Noble.
24 June – Go into town and buy some clothes. Practise with Margaret. Lunch with Mum in Capeniro. I go home on the bus with Colleen McM who tells me about Norma D’s husband and other theatrical gossip. Anne phones in the afternoon and asks me to go in for an hour tomorrow. Go to SABC at night. Ruth saw the Yeomen but didn’t go backstage to see Webster. She saw Anne in the audience but didn’t talk to her. She says she thought his voice was rather awful yet I thought he sang well. Work at Creation.
25 June – Go to singing for an hour and Webster is back in slightly disgruntled frame of mind. Work fearfully hard at Father of Heav’n but he is sparing with his praise. I sing the Landon Ronald song cycle and Anne raves about my singing and moans at him for being so grim. I have to play for him tomorrow at 3 o’clock. I hope he is in a better mood tomorrow!
26 June – Go into Booth’s studio and practise. Webster arrives in the afternoon and we have Heather Coxon first. I make tea for us and then we have Colleen, and after her our two demons. When Graham has his lesson Webster shines singing all his bass arias. Webster brings me home and talks about the Yeomen and how tiring it was to change into three different sets of tights at every performance!
27 June – Go to studio and work in the lovely calm atmosphere. Yvonne Marais’s mother phones to say she’s sick so I phone Anne to let her know so that she can come in later. She is grateful. Go to ghastly lunch hour concert featuring Jossie B, then come home and wash hair.
28 June – Go to studio and get a lift into town with Mr McKenzie. Webster comes in the afternoon moaning about the rain. Lucille arrives with her boyfriend and they sing a duet together. She’s there for an hour and then we have tea. I have my lesson and sing unusually well and he is pleased for a change. Selwyn comes and then we have an hour’s break before Betsy Oosthuizen and Graham. Webster brings me home in the Hillman, cursing the rain and the cold engine.
29 June – Go to town with Dad and we see Raising the Wind again – I love that film. Webster’s programme is super.
30 June – Have fairly quiet Sunday. Webster phones unexpectedly at night for no apparent reason except to chat with me. He tells me that he doesn’t think I owe them anything for July because of all the work I’m doing with him. We talk about various pupils, Brian Morris and Drummond Bell. He says he’ll go in tomorrow on his own as he can probably manage by himself as everyone is so awful and don’t need a proper accompanist!